Arts & Culture of Fairfield County

Calling all artists, artisans and vendors! Submit your application now for the 3rd annual Waveny Park Arts Fest!  Festival Highlights: 50 Artist & Artisan Vendors • Live Music & Entertainment • Food Trucks • Kids Crafts • Young Entrepreneurs Marketplace Applications accepted on a rolling basis until space is full

​

https://carriagebarn.org/2025-artsfest-application/

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

Explore history from 1pm - 4pm every Thursday this summer at the Weston History & Culture Center in Weston, CT. Enjoy interactive fun on a tour of the historic Coley House! Learn about the forgotten village of Valley Forge, explore the Weston Meteorite, and dive into the history of Ragtime dance on your visit. Tickets available at the door.

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More info here.

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Take a guided tour of the award-winning Coley House, the only historic house in CT brought back to reflect life during the 1940s. Explore how the Coley family lived, worked and played while on the home front during World War II. Curious young minds can try their hands at dialing a rotary phone, typing on a typewriter, playing with 1940s toys and games, and building a house with Lincoln Logs.

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In the Visitor’s Center, enjoy three engaging exhibits. Learn about the Weston Meteorite, the Flood of 1955 and other important Weston moments in the exhibit, “Twelve Stories of Weston History”. View haunting photos in the new exhibit, “Images of a Forgotten Village: Valley Forge”, which explores a Weston neighborhood now underneath the Saugatuck Reservoir. Have fun tapping your toes in our summer pop-up exhibit, “May I Have This Dance?”, which features Ragtime dance music, dance manuals, sheet music, dance cards and more from the private collection of social dance historian, Susan de Guardiola.

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Bring a picnic lunch to enjoy on your visit. Stroll through the Daniel E. Offutt, III Sculpture Garden and explore the whimsical sculptures created by former Weston resident, philanthropist and artist, Daniel E. Offutt, III. 

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

Calling all artists, artisans and vendors! Submit your application now for the 3rd annual Waveny Park Arts Fest!  Festival Highlights: 50 Artist & Artisan Vendors • Live Music & Entertainment • Food Trucks • Kids Crafts • Young Entrepreneurs Marketplace Applications accepted on a rolling basis until space is full

​

https://carriagebarn.org/2025-artsfest-application/

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

Calling all artists, artisans and vendors! Submit your application now for the 3rd annual Waveny Park Arts Fest!  Festival Highlights: 50 Artist & Artisan Vendors • Live Music & Entertainment • Food Trucks • Kids Crafts • Young Entrepreneurs Marketplace Applications accepted on a rolling basis until space is full

​

https://carriagebarn.org/2025-artsfest-application/

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

The Greenwich Art Society is offering a one-day class

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Flowers Workshop

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GRETA CORENS

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Paint flowers as joyful bouquets in a vase composition, in fields, and as art objects, exploring their many shapes and facets.

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Basic Watercolor Supplies

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Painting brushes Quality: Princeton Aqua Elite 1' and 3/4" square, Round #12, 8, 5. A Roma Script liner brush order from Michaels online, a 9"x11" Canon watercolor pad for testing, 3 half-pint size transparent water containers, 1 Bounty paper roll, a 16" x 20" watercolor board (in birchwood), 1 square palette, one round palette, (both from Michaels), 1" white artist tape only with these letters written inside the roll, and 1 Yellow Strathmore Watercolor Paper pad, series 300 Cold Pressed 11"x14". Bring 1 ruler from 14" to 18" in length, approx.

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Please only buy professional watercolors in tubes, Winsor & Newton. They can be purchased online at Winsor & Newton, Jerry's Artarama, or Dick Blick.

​

See the detailed paint list on the registration page .

​

SATURDAY, AUGUST 30 (one day)

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Time: 10:00 am - 5:00 pm with a one-hour lunch break

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Tuition:

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Members: $175.00

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Non-members $200.00

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Learn more/register

​

Step back in time in Greenwich Historical Society's Special Exhibitions Gallery this summer! Kids up to age 12 with an accompanying adult will enjoy this interactive and educational studio space to make crafts and learn more about local history. Each week features a new theme, and guided activities will be held every Wednesday & Saturday. Regular features include a comfy reading corner, wall mural, coloring pages, postcard decorating, and our hands-on history cart!

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On Saturday, August 30, the KidStudio will offer origami! The origins of origami can be traced as far back as ancient Japan. Origami was introduced to the boarders at the Holley boarding house by Japanese immigrant and artist Genjiro Yeto, who was a frequent and beloved guest. Yeto instructed the Holley family in many forms of Japanese art, including ikebana, sumi-e, and origami

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 Sunday, August 30, 2025

​

• Garden Tour: 4:30 – 5:30 PM 
• Concert: 6:00 – 7:15 PM

​

Join us for a summer afternoon and evening with Blau House & Gardens and the Norwalk Symphony Orchestra as the Harmonia V Woodwind Quintet fills the air with lush, lyrical melodies. Tour our stunning gardens, then relax under the trees with your own picnic before the performance begins—please leave no trace when you go.

​

Tickets:

​

• Garden tour only: $25 (plus fees)
• Concert only: $75 (plus fees)
• Full experience (tour + concert): $100 (plus fees)
• Parking & Shuttle:

​

Park at Coleytown Elementary School (65 Easton Road) between 4 – 8 PM. A free shuttle will run to and from the gardens; accessible parking is available on-site by arrangement.

​

• Program Notes: American composer Gwyneth Walker will read selected poems before the playing of “All Nature Sings”, a suite of five movements for woodwind quintet.

​

 All Nature Sings – notes - poems and bio.pdf

​

• Accessibility: The gardens and concert area are partially accessible. Paths and grounds can be uneven and require that you walk at your own risk.

​

email: info@norwalksymphony.org for more information.

​

Calling all artists, artisans and vendors! Submit your application now for the 3rd annual Waveny Park Arts Fest!  Festival Highlights: 50 Artist & Artisan Vendors • Live Music & Entertainment • Food Trucks • Kids Crafts • Young Entrepreneurs Marketplace Applications accepted on a rolling basis until space is full

​

https://carriagebarn.org/2025-artsfest-application/

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 Sunday, August 31, 2025 (Rain date: Sept. 7th)

​

• Garden Tour: 4:30 – 5:30 PM
• Concert: 6:00 – 7:15 PM

​

Join us for a late summer afternoon and evening with Blau House & Gardens and the Norwalk Symphony Orchestra for a powerful collaboration of poetry reading led by Westport’s Poet Laureate Donna Disch, with performances by soprano Maureen McKay, baritone Marcelo Guzzo, pianist Thomas Cuffari, and cellist Gunnar Sahlin. Tour the gardens, then relax under the trees with your own picnic before the performance begins—please leave no trace when you go.

​

Tickets:

​

• Garden tour only: $25 (plus fees)
• Concert only: $75 (plus fees)
• Full experience (tour + concert): $100 (plus fees)

​

Parking & Shuttle:

​

Park at Coleytown Elementary School (65 Easton Road) between 4 – 8 PM. A free shuttle will run to and from the gardens; accessible parking is available on-site by arrangement.

​

Accessibility: The gardens and concert area are partially accessible. Paths and grounds can be uneven and require that you walk at your own risk.

​

email info@norwalksymphony.org for more information.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

 Greenwich Art Society is pleased to announce another special event in collaboration with Devon Vander Voort, Art Advisory in NYC!

​

Join Devon Vander Voort on an insider's private, art market tour timed with the major NYC art fair,

​

The Armory Show.

​

Javits Center (Left side entrance)

​

429 11th Avenue New York, NY 10001

​

Friday, Sept. 3 from 1pm-4pm

​

Event Description: Timed to major NYC art fair, The Armory Show, this tour gives guests an insider look at the art world. Led by art dealer and advisor, Devon Vander Voort, she and her team provide insight on market trends, in-demand artists, and the mechanics of the art world. We'll meet and hear from other dealers, gallerists, and artists during this tour. This tour will be 2 hours with a social reception to follow. Capacity is limited to ten spots.

​

Devon Vander Voort

​

Founder

​

Devon Vander Voort is a private art dealer, art advisor, and artist coach. Based in New York, DVV helps clients build and maintain their private art collections. They advise their clients on mindful acquisitions and strategic deaccessions. DVV is an active participant in art fairs nationally and internationally, providing clients with insider knowledge of the current art market landscape on a global scale. DVV's museum expertise links the two worlds together creating a wide reaching lens of the arts.

​

Founder Devon Vander Voort sits on the board of the Syracuse University Art Museum, the Museum Association of New York (MANY), The Greenwich Art Society, and the Visual and Performing Arts Young Alumni Council at Syracuse University. She holds an M.A. in Museum Studies from Syracuse University and a B.A. in Art History from the Savannah College of Art and Design (SCAD). She is a current member of NADA (New Art Dealers Association.)

​

Purchase your RSVP Ticket Here.

​

Only 10 slots available!

​

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

Explore history from 1pm - 4pm every Thursday this summer at the Weston History & Culture Center in Weston, CT. Enjoy interactive fun on a tour of the historic Coley House! Learn about the forgotten village of Valley Forge, explore the Weston Meteorite, and dive into the history of Ragtime dance on your visit. Tickets available at the door.

​

More info here.

​

Take a guided tour of the award-winning Coley House, the only historic house in CT brought back to reflect life during the 1940s. Explore how the Coley family lived, worked and played while on the home front during World War II. Curious young minds can try their hands at dialing a rotary phone, typing on a typewriter, playing with 1940s toys and games, and building a house with Lincoln Logs.

​

In the Visitor’s Center, enjoy three engaging exhibits. Learn about the Weston Meteorite, the Flood of 1955 and other important Weston moments in the exhibit, “Twelve Stories of Weston History”. View haunting photos in the new exhibit, “Images of a Forgotten Village: Valley Forge”, which explores a Weston neighborhood now underneath the Saugatuck Reservoir. Have fun tapping your toes in our summer pop-up exhibit, “May I Have This Dance?”, which features Ragtime dance music, dance manuals, sheet music, dance cards and more from the private collection of social dance historian, Susan de Guardiola.

​

Bring a picnic lunch to enjoy on your visit. Stroll through the Daniel E. Offutt, III Sculpture Garden and explore the whimsical sculptures created by former Weston resident, philanthropist and artist, Daniel E. Offutt, III. 

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 A heartwarming and profound journey through life’s greatest lesson

​

The internationally beloved story comes to the Playhouse stage in a heartwarming and deeply felt theatrical event. Sixteen years after graduating college, journalist Mitch Albom reconnects with his former professor Morrie, now facing the final chapter of his life. What begins as a casual visit becomes a life-changing weekly ritual – a “last class” in the meaning of life, love, and legacy. As originally staged by our friends from the Sea Dog Theater Company,  this touching story is based on the memoir beloved by over 18 million readers worldwide.

​

FOUR PERFORMANCES ONLY!

​

 TICKETS: TPNC.ORG

​



​

Would you trust love if it came from a pill? 

​

The Effect is a sharp, provocative exploration of love, neuroscience, and the blurry line between emotion and chemistry. Set inside a clinical drug trial, the play follows two young volunteers, Tristan and Connie, who begin to fall for each other—only to question whether their feelings are real or the result of a new antidepressant. As their connection deepens, the experiment unravels, forcing doctors and patients alike to confront questions of identity, autonomy, and the ethics of medicating the human mind. With moments of comedy, compassion, and thrills, this play defies genre and has something to engage a diverse audience of theater goers. It is a show that will have you talking about it for more than just the ride home.

​

THE EFFECT is a 2012 U.K Critics Circle Award Winner for Best New Play. Lucy Prebble is best known for her critically acclaimed play, ENRON, and is an Emmy Award Winner (HBO's Succession).

​

THE EFFECT contains adult language and situations, and is recommended for audiences of high school age of 16+.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 TICKETS: TPNC.ORG

​



​

Would you trust love if it came from a pill? 

​

The Effect is a sharp, provocative exploration of love, neuroscience, and the blurry line between emotion and chemistry. Set inside a clinical drug trial, the play follows two young volunteers, Tristan and Connie, who begin to fall for each other—only to question whether their feelings are real or the result of a new antidepressant. As their connection deepens, the experiment unravels, forcing doctors and patients alike to confront questions of identity, autonomy, and the ethics of medicating the human mind. With moments of comedy, compassion, and thrills, this play defies genre and has something to engage a diverse audience of theater goers. It is a show that will have you talking about it for more than just the ride home.

​

THE EFFECT is a 2012 U.K Critics Circle Award Winner for Best New Play. Lucy Prebble is best known for her critically acclaimed play, ENRON, and is an Emmy Award Winner (HBO's Succession).

​

THE EFFECT contains adult language and situations, and is recommended for audiences of high school age of 16+.

​

 A heartwarming and profound journey through life’s greatest lesson

​

The internationally beloved story comes to the Playhouse stage in a heartwarming and deeply felt theatrical event. Sixteen years after graduating college, journalist Mitch Albom reconnects with his former professor Morrie, now facing the final chapter of his life. What begins as a casual visit becomes a life-changing weekly ritual – a “last class” in the meaning of life, love, and legacy. As originally staged by our friends from the Sea Dog Theater Company,  this touching story is based on the memoir beloved by over 18 million readers worldwide.

​

FOUR PERFORMANCES ONLY!

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

The 14th Annual Health Wellness & Lifestyle Expo 2025 with special thanks to Stamford Health, Exclusive Healthcare Partner, returns September 6, Saturday 10am to 5pm to Harbor Point in Stamford.The 14th Annual Health Wellness & Lifestyle Expo 2025 with special thanks to Stamford Health, Exclusive Healthcare Partner, returns September 6, Saturday 10am to 5pm to Harbor Point, Stamford's beautiful waterfront community. This is Connecticut's largest and premier health and wellness expo featuring over 130 sponsors and exhibitors, 10 different zones, free health screenings provided by Stamford Health, flu-shots and nutritional information provided by ShopRite/Cingari Family Markets, financial health and wellness information provided by KeyBank, doggy-day-care information provided by Camp Bow Wow Stamford, rehab and kidney care provided by Cassena Care at Stamford and Norwalk and Cassena Kidney Care, membership information and free group classes provided by Life Time Stamford, information about hybrid and electric vehicles provided by Toyota of Stamford, and so much more!!

​

Once again, a highlight of the event will be the 14 free group classes taught by the area’s top fitness instructors, situated along the stunning Harbor Point boardwalk.

​

The theme again this year is GO. GATHER. GROW. Let's GO to the expo. Let's GATHER with family and friends to experience the best in health, wellness and fitness. Let's GROW mind, body, and spirit. Parking and admission are free.

​

This ONE-DAY family and pet-friendly health and wellness extravaganza is jam-packed with an exciting variety of sponsors and exhibitors showcasing and selling health and wellness products and services. The 10 zones of the expo will showcase the Pet Wellness Zone sponsored by Camp Bow Wow Stamford; Yoga and Stretching Zone; Group Fitness Zone sponsored by Sacred Heart University; Healthy Home Zone sponsored by Sam Bridge Nursery & Greenhouses; healthy food trucks; healthy food, beverages, and restaurants; eco-friendly wine, spirits, and craft beers; touch-a-truck; and the kids zone featuring fun and educational activities in the sand pit area on Harbor Point’s Boardwalk.

​

For the most up-to-date list of sponsors, exhibitors and event activities, visit:

​

WWW.HWL-EXPOS.COM

​

Instagram @HWLEXPO and FACEBOOK.COM/HWLEXPO

​

Thank you to our sponsors, Stamford Health, Exclusive Healthcare Partner for the 14th consecutive year; Grade A ShopRite/Cingari Family Markets, Support Sponsor for the 14th consecutive year; Cassena Care at Stamford and Norwalk, Cassena Kidney Care, KeyBank, Life Time Stamford, Toyota of Stamford, Support Sponsors. Camp Bow Wow Stamford, Pet Wellness Zone Sponsor, Sacred Heart University, Group Fitness Zone Sponsor. Thank you to our Premier Media Sponsors, Stamford Magazine/Moffly Media, Natural Awakenings Magazine, and Stamford Moms. We appreciate all Media Sponsors for their valuable support and promotion of this event; Best of CT Moms, CT Kids and Family, HeyStamford!, Jen Danzi, Kids Out And About, Macaroni Kid, Natural Nutmeg Magazine, News 12 CT, Stamford Advocate/Greenwich Time/Hearst Media, and WEBE 108. Thank you to our Community Partners, the City of Stamford, WinWaste Innovations, and the Stamford Chamber of Commerce.

​

The Health Wellness & Lifestyle Expo is created and produced by TMK Event Marketing, based in Greenwich, CT. For more information about the HWL Expo 2025, exhibitor and sponsorship opportunities, please contact TMK Event Marketing at 203-531-3047 or email tamara@tmk-eventmarketing.com. To register online, visit www.hwl-expos.com/cart

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 A heartwarming and profound journey through life’s greatest lesson

​

The internationally beloved story comes to the Playhouse stage in a heartwarming and deeply felt theatrical event. Sixteen years after graduating college, journalist Mitch Albom reconnects with his former professor Morrie, now facing the final chapter of his life. What begins as a casual visit becomes a life-changing weekly ritual – a “last class” in the meaning of life, love, and legacy. As originally staged by our friends from the Sea Dog Theater Company,  this touching story is based on the memoir beloved by over 18 million readers worldwide.

​

FOUR PERFORMANCES ONLY!

​

You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments. 

​

Tracie Cheng attended the University of Texas in Austin and graduated with a degree in architecture. After several years, her desire to shape environments shifted from architecture to visual arts. Her style channels aspects of Chinese brush painting and abstraction, with some architectural sensibilities sprinkled throughout, continually shaped by the beauty and intricacies of the different cultures and stories around her. Tracie has shown her work at galleries in Los Angeles, New York City, Vancouver, and Shanghai, and her paintings are in public and private collections all over the world.

​

Stephanie Johnson lives in Washington, CT, in a home that has been in her family for four generations. Her professional foray into the arts began with a BFA in Graphic Design followed by a career in packaging design. After having children and stepping away from the professional art world, she realized that her creativity needed an outlet. Inspired by the scenery of Litchfield County, she began painting - noticing the light, the passing of the seasons, and dramatic weather changes. These rich, meaningful moments, she feels, connect us with the earth, and she hopes to reflect that in her work.

​

Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.

​

 TICKETS: TPNC.ORG

​



​

Would you trust love if it came from a pill? 

​

The Effect is a sharp, provocative exploration of love, neuroscience, and the blurry line between emotion and chemistry. Set inside a clinical drug trial, the play follows two young volunteers, Tristan and Connie, who begin to fall for each other—only to question whether their feelings are real or the result of a new antidepressant. As their connection deepens, the experiment unravels, forcing doctors and patients alike to confront questions of identity, autonomy, and the ethics of medicating the human mind. With moments of comedy, compassion, and thrills, this play defies genre and has something to engage a diverse audience of theater goers. It is a show that will have you talking about it for more than just the ride home.

​

THE EFFECT is a 2012 U.K Critics Circle Award Winner for Best New Play. Lucy Prebble is best known for her critically acclaimed play, ENRON, and is an Emmy Award Winner (HBO's Succession).

​

THE EFFECT contains adult language and situations, and is recommended for audiences of high school age of 16+.

​

 A heartwarming and profound journey through life’s greatest lesson

​

The internationally beloved story comes to the Playhouse stage in a heartwarming and deeply felt theatrical event. Sixteen years after graduating college, journalist Mitch Albom reconnects with his former professor Morrie, now facing the final chapter of his life. What begins as a casual visit becomes a life-changing weekly ritual – a “last class” in the meaning of life, love, and legacy. As originally staged by our friends from the Sea Dog Theater Company,  this touching story is based on the memoir beloved by over 18 million readers worldwide.

​

FOUR PERFORMANCES ONLY!

​

You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments. 

​

Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

Explore history with your family this summer at the Weston History & Culture Center in Weston, CT on the following Sundays: July 27, August 3 and September 7 from 1pm – 4pm. Tickets at the door. More info here.

​

Enjoy interactive fun on a tour of the historic Coley House! Learn about the forgotten village of Valley Forge, explore the Weston Meteorite, and dive into the history of Ragtime dance on your visit.

​

Take a guided tour of the award-winning Coley House, the only historic house in CT brought back to reflect life during the 1940s. Explore how the Coley family lived, worked and played while on the home front during World War II. Curious young minds can try their hands at dialing a rotary phone, typing on a typewriter, playing with 1940s toys and games, and building a house with Lincoln Logs.

​

In the Visitor’s Center, enjoy three engaging exhibits. Learn about the Weston Meteorite, the Flood of 1955 and other important Weston moments in the exhibit, “Twelve Stories of Weston History”. View haunting photos in the new exhibit, “Images of a Forgotten Village: Valley Forge”, which explores a Weston neighborhood now underneath the Saugatuck Reservoir. Have fun tapping your toes in our summer pop-up exhibit, “May I Have This Dance?”, which features Ragtime dance music, dance manuals, sheet music, dance cards and more from the private collection of social dance historian, Susan de Guardiola.

​

Stroll through the Daniel E. Offutt, III Sculpture Garden and explore the whimsical sculptures created by former Weston resident, philanthropist and artist, Daniel E. Offutt, III. 

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 TICKETS: TPNC.ORG

​



​

Would you trust love if it came from a pill? 

​

The Effect is a sharp, provocative exploration of love, neuroscience, and the blurry line between emotion and chemistry. Set inside a clinical drug trial, the play follows two young volunteers, Tristan and Connie, who begin to fall for each other—only to question whether their feelings are real or the result of a new antidepressant. As their connection deepens, the experiment unravels, forcing doctors and patients alike to confront questions of identity, autonomy, and the ethics of medicating the human mind. With moments of comedy, compassion, and thrills, this play defies genre and has something to engage a diverse audience of theater goers. It is a show that will have you talking about it for more than just the ride home.

​

THE EFFECT is a 2012 U.K Critics Circle Award Winner for Best New Play. Lucy Prebble is best known for her critically acclaimed play, ENRON, and is an Emmy Award Winner (HBO's Succession).

​

THE EFFECT contains adult language and situations, and is recommended for audiences of high school age of 16+.

​

One Bad Oyster closes out the 10th season of Music at the Barn on Sunday, September 7th from 5:30 pm - 7:00 pm. Music at the Barn is hosted at the Weston History & Culture Center- 104 Weston Rd, Weston, CT. Bring your lawn chairs and byob, grab some pizza from Tony Pizza Napolitano’s truck, and don’t forget your dogs at home - well-behaved leashed dogs are allowed. Also, WHCC members receive complimentary wine and beer during the concert! Tickets are $15 per person for members, $20 per person for non-members, and free for kids 12 and under.

​

One Bad Oyster is a band assembled to celebrate the good life. Based out of Fairfield County, CT, this group of horn-section-supported musicians rips through upbeat classic and original ska tunes.

​

Music at the Barn Outdoor Summer Concert Series is generously sponsored by Fairfield County Bank, Pullman & Comley, Esthetic Dental Group of Westport, and Aquarion Water Company.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

​Greenwich Art Society

​

Classes start Monday, September 8, 2025!

​

Enroll asap to hold your place in class!

​

If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.

​

Log in to your account here to renew membership:

​

Renew here and check out new 2025/26 member benefits!

​

Register online for your favorite class or check out

​

our newer classes & workshops -- Classical Portrait Drawing,

​

All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!

​

See full class schedule here

​

Create your own account and then select and pay 

​

for your classes!

​

​

Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."

​

Greenwich Art Society

​

299 Greenwich Ave., 3rd floor, Greenwich, CT 06830

​

203.629.1533

​

Contact Us

​

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 Our 2025 Script in Hand series returns with a new work.

​

In a small cottage perched above the Irish Sea, brothers Jamie and Tommy live side by side, bound by routine, memory, and a lifetime of unspoken truths. But one morning, after a relentless night of wind and rain, Jamie makes a startling revelation – one that shakes the foundation of their relationship and casts their shared past in a strange new light.

​

The One Good Thing or “Are Ya Patrick Swayze?”  is a darkly funny and deeply moving exploration of brotherhood, grief, and the invisible forces that haunt us. With humor, pathos, and a touch of the supernatural, the play asks what we carry, what we bury, and what, if anything, we’re brave enough to leave behind.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

​Greenwich Art Society

​

Classes start Monday, September 8, 2025!

​

Enroll asap to hold your place in class!

​

If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.

​

Log in to your account here to renew membership:

​

Renew here and check out new 2025/26 member benefits!

​

Register online for your favorite class or check out

​

our newer classes & workshops -- Classical Portrait Drawing,

​

All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!

​

See full class schedule here

​

Create your own account and then select and pay 

​

for your classes!

​

​

Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."

​

Greenwich Art Society

​

299 Greenwich Ave., 3rd floor, Greenwich, CT 06830

​

203.629.1533

​

Contact Us

​

​

You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments. 

​

Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

​Greenwich Art Society

​

Classes start Monday, September 8, 2025!

​

Enroll asap to hold your place in class!

​

If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.

​

Log in to your account here to renew membership:

​

Renew here and check out new 2025/26 member benefits!

​

Register online for your favorite class or check out

​

our newer classes & workshops -- Classical Portrait Drawing,

​

All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!

​

See full class schedule here

​

Create your own account and then select and pay 

​

for your classes!

​

​

Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."

​

Greenwich Art Society

​

299 Greenwich Ave., 3rd floor, Greenwich, CT 06830

​

203.629.1533

​

Contact Us

​

​

You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments. 

​

Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

​Greenwich Art Society

​

Classes start Monday, September 8, 2025!

​

Enroll asap to hold your place in class!

​

If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.

​

Log in to your account here to renew membership:

​

Renew here and check out new 2025/26 member benefits!

​

Register online for your favorite class or check out

​

our newer classes & workshops -- Classical Portrait Drawing,

​

All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!

​

See full class schedule here

​

Create your own account and then select and pay 

​

for your classes!

​

​

Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."

​

Greenwich Art Society

​

299 Greenwich Ave., 3rd floor, Greenwich, CT 06830

​

203.629.1533

​

Contact Us

​

​

Explore history from 1pm - 4pm every Thursday this summer at the Weston History & Culture Center in Weston, CT. Enjoy interactive fun on a tour of the historic Coley House! Learn about the forgotten village of Valley Forge, explore the Weston Meteorite, and dive into the history of Ragtime dance on your visit. Tickets available at the door.

​

More info here.

​

Take a guided tour of the award-winning Coley House, the only historic house in CT brought back to reflect life during the 1940s. Explore how the Coley family lived, worked and played while on the home front during World War II. Curious young minds can try their hands at dialing a rotary phone, typing on a typewriter, playing with 1940s toys and games, and building a house with Lincoln Logs.

​

In the Visitor’s Center, enjoy three engaging exhibits. Learn about the Weston Meteorite, the Flood of 1955 and other important Weston moments in the exhibit, “Twelve Stories of Weston History”. View haunting photos in the new exhibit, “Images of a Forgotten Village: Valley Forge”, which explores a Weston neighborhood now underneath the Saugatuck Reservoir. Have fun tapping your toes in our summer pop-up exhibit, “May I Have This Dance?”, which features Ragtime dance music, dance manuals, sheet music, dance cards and more from the private collection of social dance historian, Susan de Guardiola.

​

Bring a picnic lunch to enjoy on your visit. Stroll through the Daniel E. Offutt, III Sculpture Garden and explore the whimsical sculptures created by former Weston resident, philanthropist and artist, Daniel E. Offutt, III. 

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 TICKETS: TPNC.ORG

​



​

Would you trust love if it came from a pill? 

​

The Effect is a sharp, provocative exploration of love, neuroscience, and the blurry line between emotion and chemistry. Set inside a clinical drug trial, the play follows two young volunteers, Tristan and Connie, who begin to fall for each other—only to question whether their feelings are real or the result of a new antidepressant. As their connection deepens, the experiment unravels, forcing doctors and patients alike to confront questions of identity, autonomy, and the ethics of medicating the human mind. With moments of comedy, compassion, and thrills, this play defies genre and has something to engage a diverse audience of theater goers. It is a show that will have you talking about it for more than just the ride home.

​

THE EFFECT is a 2012 U.K Critics Circle Award Winner for Best New Play. Lucy Prebble is best known for her critically acclaimed play, ENRON, and is an Emmy Award Winner (HBO's Succession).

​

THE EFFECT contains adult language and situations, and is recommended for audiences of high school age of 16+.

​

You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments. 

​

Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

​Greenwich Art Society

​

Classes start Monday, September 8, 2025!

​

Enroll asap to hold your place in class!

​

If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.

​

Log in to your account here to renew membership:

​

Renew here and check out new 2025/26 member benefits!

​

Register online for your favorite class or check out

​

our newer classes & workshops -- Classical Portrait Drawing,

​

All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!

​

See full class schedule here

​

Create your own account and then select and pay 

​

for your classes!

​

​

Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."

​

Greenwich Art Society

​

299 Greenwich Ave., 3rd floor, Greenwich, CT 06830

​

203.629.1533

​

Contact Us

​

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 TICKETS: TPNC.ORG

​



​

Would you trust love if it came from a pill? 

​

The Effect is a sharp, provocative exploration of love, neuroscience, and the blurry line between emotion and chemistry. Set inside a clinical drug trial, the play follows two young volunteers, Tristan and Connie, who begin to fall for each other—only to question whether their feelings are real or the result of a new antidepressant. As their connection deepens, the experiment unravels, forcing doctors and patients alike to confront questions of identity, autonomy, and the ethics of medicating the human mind. With moments of comedy, compassion, and thrills, this play defies genre and has something to engage a diverse audience of theater goers. It is a show that will have you talking about it for more than just the ride home.

​

THE EFFECT is a 2012 U.K Critics Circle Award Winner for Best New Play. Lucy Prebble is best known for her critically acclaimed play, ENRON, and is an Emmy Award Winner (HBO's Succession).

​

THE EFFECT contains adult language and situations, and is recommended for audiences of high school age of 16+.

​

Comedian and theater artist Kristina Wong utilizes humor and joy to explore challenging topics. Her latest solo show has evolved from her role as a self-proclaimed “food bank influencer.” With irreverent commentary, Wong shines a light on the American food distribution system. How has a food bank, conceived as an emergency temporary solution to a crisis, turned into a regular source of food for so many?

​

Wong was a 2022 Pulitzer Prize finalist in drama for Kristina Wong, Sweatshop Overlord. That show tells the story of how she accidentally founded the Auntie Sewing Squad, a national network of volunteers who created homemade masks in the early months of the COVID epidemic, in a time of rising anti-Asian bigotry. Her earlier solo shows include Wong Flew Over the Cuckoo’s Nest, Going Green the Wong Way, The Wong Street Journal, and Kristina Wong for Public Office.

​

The Quick Center for the Arts is excited to be partnering with the Marion Peckham Egan School of Nursing and Health Studies to offer companion programming with this event including panel discussions, workshops, and ways to make an impact on our community. More details will be added to this page later this summer.

​

You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments. 

​

Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.

​

Call for Art!

​

Greenwich Art Society Members Juried Exhibition Theme: Holding Space

​

JUROR:  Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University. 

​

"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.

​

The new size requirement is that wall art must not exceed 30” in width and 40” in length.

​

Entry Instructions and Information:

​

* Online Entry August 8 through September 28, 2025 via entrythingy.com

​

* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.

​

* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025

​

* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM

​

* All submitted work must be attractively and appropriately matted, framed, and/or presented.

​

* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.

​

* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging

​

* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted

​

* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.

​

* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.

​

* Exhibition opens October 23rd, 2025

​

* Reception date TBD

​

* Exhibition closes November 20th, 2025

​

* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.

​

CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.

​

IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.

​

AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.

​

Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.

​

SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery.  Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.

​

Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org

​

ENTER HERE

​

​Greenwich Art Society

​

Classes start Monday, September 8, 2025!

​

Enroll asap to hold your place in class!

​

If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.

​

Log in to your account here to renew membership:

​

Renew here and check out new 2025/26 member benefits!

​

Register online for your favorite class or check out

​

our newer classes & workshops -- Classical Portrait Drawing,

​

All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!

​

See full class schedule here

​

Create your own account and then select and pay 

​

for your classes!

​

​

Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."

​

Greenwich Art Society

​

299 Greenwich Ave., 3rd floor, Greenwich, CT 06830

​

203.629.1533

​

Contact Us

​

​

Presented by the Stamford Art Association at MILL RIVER PARK'S Whittingham Discovery Center

​

10 AM – 12 PM with complimentary workshops guided by experienced art instructors

​

• Open to the public
• Instructed by Art teachers
• Elementary & Middle School
• No registration necessary
• Art supplies provided
• Take home art!

​

ART + WINE + HISTORY 

​

Looking for the perfect Saturday activity?

​

Join us Saturday, Sept 13th from 11–3 PM

​

​

$5 Admission

​

One day only! Come sip wine, savor cheese, enjoy our player piano with over 200 rolls of music, and shop incredible vintage and antique art: paintings, pottery, fiber art, kachina dolls, prints, posters & more. Proceeds benefit Stamford History Center.

​

The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.

​

“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.

​

Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.

​

In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.

​

Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.

​

 TICKETS: TPNC.ORG

​



​

Would you trust love if it came from a pill? 

​

The Effect is a sharp, provocative exploration of love, neuroscience, and the blurry line between emotion and chemistry. Set inside a clinical drug trial, the play follows two young volunteers, Tristan and Connie, who begin to fall for each other—only to question whether their feelings are real or the result of a new antidepressant. As their connection deepens, the experiment unravels, forcing doctors and patients alike to confront questions of identity, autonomy, and the ethics of medicating the human mind. With moments of comedy, compassion, and thrills, this play defies genre and has something to engage a diverse audience of theater goers. It is a show that will have you talking about it for more than just the ride home.

​

THE EFFECT is a 2012 U.K Critics Circle Award Winner for Best New Play. Lucy Prebble is best known for her critically acclaimed play, ENRON, and is an Emmy Award Winner (HBO's Succession).

​

THE EFFECT contains adult language and situations, and is recommended for audiences of high school age of 16+.

​

 Comedian Vic DiBitetto — the “Italian Hurricane” — churns energy, honesty and humanity into nonstop laughter. He’s been called a cross between Rodney Dangerfield and Ralph Kramden. The bottom line is, DiBitetto leaves his audiences breathless with laughter.

​

He prowls the stage like a Tiger. He holds no hostages. He says what you are thinking but are afraid to say out loud. Oh…and he’s beyond hysterical!

​

Vic is currently a cast member of the Amazon Prime TV Series  Gravesend .

​

You’ve never seen anything like Vic DiBitetto on stage. So see him on stage LIVE at Westport Country Playhouse!

​

You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments. 

​

Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.

​