Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Art Squared exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8 to December 12, 2025
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Celebrate and support the arts in Bridgeport with the annual Metro Art Studios fundraiser. All works are between 10” and 14” square and $100 to $300 each. Start or add to your art collection! You’ll find over 100 pieces of art to choose from in a wide variety of media from painting, printmaking, and photography, created by both Metro and regional artists. This is a fantastic opportunity to purchase high quality artwork that is worth more than $100 while supporting both the exhibiting artists and Metro Art Studios’ programming during this unique fundraiser. Come early for the best selection, this exhibit is eagerly awaited by collectors annually; be there and be square!
Metro Art Studios is a 501(c)3 non-profit organization that provides opportunity to local, regional, and national artists for exhibition and professional development, as well as art and music experiences and events for the public of the Greater Bridgeport region. With your help, the proceeds from the Art Squared exhibit allow us to continue this vital work.
Margins of Memory Exhibit at Crown Gallery
Tickets: TPNC.ORG
Each season, The Town Players of New Canaan produce a unique experience for kids to perform with adults. The last few years we have chosen a holiday show. This year, we are bringing back a beloved classic children's book... on stage.
The Children's Literature Association named CHARLOTTE'S WEB "the best American children's book of the past 200 years"!
Joseph Robinette, working with the advice of E.B.White, has created a play that captures this work in a thrilling and utterly practical theatrical presentation. This is a timeless, heartwarming play about friendship.
For ALL ages! Great family outing!
CHARLOTTE'S WEB - book by E.B.White, play adapted by Joseph Robinette
Explore History at the Weston History & Culture Center.
Sunday, December 7, 2025 1pm - 4pm
Lots to explore for all ages. Interactive exhibits for children.
Tickets at the door. Free for WHCC members, $5 adult general admission, $3 kids 5+
- The Coley House will NOT be open for tours on this day due to an event taking place in the house.
Your admission ticket gets you the following experiences:
Exhibit: Weston at Work (In the Coley Barn):
Explore the history of agriculture, manufacturing and textile production in Weston and Connecticut during the 19th and early 20th centuries in the new, interactive exhibit, "Weston at Work". Children can card wool, weave on a wall loom, use a rope and pulley to raise a hay bale and more! The exhibit highlights the many people, including immigrant populations, people of African descent, women, and children, who helped put Weston to work. With hands-on activities for children, rare Bradley Axe tools, farming implements, a working loom and countless historic images, "Weston at Work" allows visitors of all ages to actively engage in learning about Weston's past.
Exhibits in the Visitor's Center
"Images of a Forgotten Village - Valley Forge": This exhibit is in partnership with the Weston Library Photography Club. The picturesque Saugatuck Reservoir in Weston, CT was home to a small neighborhood called, Valley Forge. This once thriving community of mills, forges and farms has vanished from memory and sight. The only reminder being photographs. Join the Weston History & Culture Center and the Weston Library Photography Club for an exploration of this forgotten valley.
"May I Have This Dance?" featuring rare social dance ephemera from the World War I / Titanic era from the private collection of dance historian Susan de Guardiola. The exhibit includes original early 20th century dance manuals, rare sheet music, and actual dance cards relating to the early days of ballroom dances such as the tango and foxtrot! Browse the cases while enjoying the exhibit soundtrack of popular ragtime dance music of the 1910s.
Fall Fun - Sunday Open Hours at Weston History & Culture Center
Tickets: TPNC.ORG
Each season, The Town Players of New Canaan produce a unique experience for kids to perform with adults. The last few years we have chosen a holiday show. This year, we are bringing back a beloved classic children's book... on stage.
The Children's Literature Association named CHARLOTTE'S WEB "the best American children's book of the past 200 years"!
Joseph Robinette, working with the advice of E.B.White, has created a play that captures this work in a thrilling and utterly practical theatrical presentation. This is a timeless, heartwarming play about friendship.
For ALL ages! Great family outing!
CHARLOTTE'S WEB - book by E.B.White, play adapted by Joseph Robinette
Best-selling author Kiran Desai will discuss her novel The Loneliness of Sonia and Sunny on Monday, September 29 at 6:30 p.m. at the Harry Bennett Branch.
The Loneliness of Sonia and Sunny is the sweeping tale of two young people navigating the many forces that shape their lives: country, class, race, history, and the complicated bonds that link one generation to the next. A love story, a family saga, and a rich novel of ideas, it is the most ambitious and accomplished work yet by Desai.
The book has been longlisted for the 2025 Booker Prize. It is the author’s first book in nearly 20 years, and her first appearance on the Booker list since winning in 2006 for The Inheritance of Loss, winner of the National Book Critics Circle Award as well.
The presentation will be followed by a book sale and signing by Elm Street Books.
Kiran Desai is also the author of the bestselling novel, Hullabaloo in the Guava Orchard. Born in India, she came to the U.S. when she was 16. She lives in New York City.
Registration is required at fergusonlibrary.org/events.
For more information, call 203 351-8221.
Booker Prize-Winning Author Kiran Desai to Discuss Her Latest Epic at the Ferguson Library
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists. Art/Place Gallery celebrated over 44 years as anot-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit them
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART/PLACE visits Stamford"
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists.
Art/Place Gallery celebrated over 44 years as a
not-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit their
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART?
Visit the Greenwich Historical Society to see our new exhibition! The Holley Boarding House: Inspiring American Impressionism explores how entrepreneurial women enabled Holley House to become the setting for the Cos Cob art colony, the first Impressionist community in Connecticut, and among the earliest in the nation. This exhibition showcases hidden paintings and items from our collection as well as items from the house on display in an exhibition for the first time. Take a guided exhibition tour on Wednesdays, Thursdays and Sundays!
The Holley Boarding House: Inspiring American Impressionism
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists.
Art/Place Gallery celebrated over 44 years as a
not-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit their
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART?
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists. Art/Place Gallery celebrated over 44 years as anot-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit them
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART/PLACE visits Stamford"
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists.
Art/Place Gallery celebrated over 44 years as a
not-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit their
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART?
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists. Art/Place Gallery celebrated over 44 years as anot-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit them
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART/PLACE visits Stamford"
Join us on Thursdays (3:00-8:00 p.m.) and Saturdays (11:00 a.m.-4:00 p.m.) from November 13-December 20, 2025 for our very first Arcade Winter Market inside the historic Arcade Mall. The Arcade Winter Market is a cozy Downtown Bridgeport experience filled with warm drinks, artisan gifts, fresh produce, local bites, music, activities, and spaces to linger and connect. Perfect for all ages! Find that perfect gift, feel the holiday spirit, and Shop Local, Give Colorfully!
The inaugural Arcade Winter Market will include live music each week from local talent, all ages arts and crafts led by Robin Gilmore Jopp, photos with your favorite holiday characters, in addition to a range of fresh veggies, delectable prepared food, and hand crafted offerings from our favorite local vendors.
The Arcade Winter Market made possible by our partners sponsors: Bridgeport Arts + Cultural Council, the Bridgeport Regional Business Council, the City of Bridgeport, CT Main Street Center, Optimum Business, and Pryceless Consulting.
Arcade Winter Market
Tickets: TPNC.ORG
Each season, The Town Players of New Canaan produce a unique experience for kids to perform with adults. The last few years we have chosen a holiday show. This year, we are bringing back a beloved classic children's book... on stage.
The Children's Literature Association named CHARLOTTE'S WEB "the best American children's book of the past 200 years"!
Joseph Robinette, working with the advice of E.B.White, has created a play that captures this work in a thrilling and utterly practical theatrical presentation. This is a timeless, heartwarming play about friendship.
For ALL ages! Great family outing!
CHARLOTTE'S WEB - book by E.B.White, play adapted by Joseph Robinette
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists.
Art/Place Gallery celebrated over 44 years as a
not-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit their
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART?
The Mayor’s Gallery presents: “ART/PLACE visits Stamford!”
Artwork by the members of the ART/PLACE Gallery
October 16th, 2025 – December 15th, 2025
Artists’ reception Thursday October 23rd 4:30 – 6:00 PM
Stamford Government Center 888 Washington Blvd, Stamford, CT
Covered on-site parking handicap accessible
The Stamford Mayor’s Gallery presents “ART/PLACE visits Stamford” at the newly renovated Mayor’s Gallery of Stamford. The exhibition runs from October 16th thru December 15th, 2025.
The artist’s reception is scheduled for Thursday October 23rd, from 4:30- 6:00 PM where the public is invited to meet the artists. Art/Place Gallery celebrated over 44 years as anot-for-profit artist run gallery, until last month where it was located in the
center of downtown Fairfield, Connecticut. It was founded in 1981 and
maintained a gallery in Fairfield’s Southport train station until it burned
down in 2008. They are currently exhibiting as a group in other galleries since
losing their gallery space in Fairfield. For more about Art/Place visit them
website at https://www.artplacegallery.org/
The diversity in the art of the members includes works in oil, acrylic, watercolor, photography, various forms of printmaking, collage, and digitally produced art. Art/Place welcomes area educators and institutions to bring groups in for the exchange of ideas.
Art / Place has offered a variety of outreach exhibits. These have included "Artists Invite Artists", an exhibit of art teachers in Fairfield Public schools, guest artists such as Yale art professors, CT artists including Antonio Frasconi, James Grashow, and Sol Lewitt among others.
Exhibiting artists at the Mayor’s Gallery include Lynne Arovas, Bevi Bullwinkel, Art Gerstein, Stephanie Hilton, Lois Goglia, Alice Katz, Judith Lambertson, Julie Leff, Mary Louise Long, Keith Magner, Toby Michaels, Lina Morielli, Diane Pollack, Dave Pressler, Jason Pritchard, George Radwan, Rosa Elvira Sclafani and Florence Zolan.
The Mayor’s Gallery is located on the 10th floor of Stamford’s Government Center. The City of Stamford which gives area artists an opportunity to exhibit their work in this space. There are six exhibitions annually featuring emerging and professional artists.
Please contact curator Ellen Gordon at esgordon@optonline.net for more info.
Gallery Hours: Tuesday thru Friday 1pm – 4pm. ID required to enter Government Center.
The Mayor's Gallery presents "ART/PLACE visits Stamford"
Join Greenwich Historical Society for a Holiday Tea in the historic barn! Guests will enjoy a short, docent-led walking tour of the site inspired by the myriads of beautiful winter scenes painted by the Impressionist artists who lived and worked at the Holley boarding house then cozy up in the barn to enjoy a historically inspired tea party. Registration is required.
Holiday Tea with the Holley's
Tickets: TPNC.ORG
Each season, The Town Players of New Canaan produce a unique experience for kids to perform with adults. The last few years we have chosen a holiday show. This year, we are bringing back a beloved classic children's book... on stage.
The Children's Literature Association named CHARLOTTE'S WEB "the best American children's book of the past 200 years"!
Joseph Robinette, working with the advice of E.B.White, has created a play that captures this work in a thrilling and utterly practical theatrical presentation. This is a timeless, heartwarming play about friendship.
For ALL ages! Great family outing!
CHARLOTTE'S WEB - book by E.B.White, play adapted by Joseph Robinette
Join us on Thursdays (3:00-8:00 p.m.) and Saturdays (11:00 a.m.-4:00 p.m.) from November 13-December 20, 2025 for our very first Arcade Winter Market inside the historic Arcade Mall. The Arcade Winter Market is a cozy Downtown Bridgeport experience filled with warm drinks, artisan gifts, fresh produce, local bites, music, activities, and spaces to linger and connect. Perfect for all ages! Find that perfect gift, feel the holiday spirit, and Shop Local, Give Colorfully!
The inaugural Arcade Winter Market will include live music each week from local talent, all ages arts and crafts led by Robin Gilmore Jopp, photos with your favorite holiday characters, in addition to a range of fresh veggies, delectable prepared food, and hand crafted offerings from our favorite local vendors.
The Arcade Winter Market made possible by our partners sponsors: Bridgeport Arts + Cultural Council, the Bridgeport Regional Business Council, the City of Bridgeport, CT Main Street Center, Optimum Business, and Pryceless Consulting.
Arcade Winter Market
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Celebrate the holidays at Greenwich Historical Society’s Annual Holiday Festival! Bring your entire family for fun holiday-themed crafts, decorate your own gingerbread people, and take photos with a special guest from the North Pole in the Historic Barn.
Take part in the holiday cheer with delicious, sweet treats and explore our beautiful, illuminated grounds. Warm up outside by the fire with some s’mores and hot cocoa or a winter beverage to round out an evening of holiday fun!
Holiday Festival
Tickets: TPNC.ORG
Each season, The Town Players of New Canaan produce a unique experience for kids to perform with adults. The last few years we have chosen a holiday show. This year, we are bringing back a beloved classic children's book... on stage.
The Children's Literature Association named CHARLOTTE'S WEB "the best American children's book of the past 200 years"!
Joseph Robinette, working with the advice of E.B.White, has created a play that captures this work in a thrilling and utterly practical theatrical presentation. This is a timeless, heartwarming play about friendship.
For ALL ages! Great family outing!
CHARLOTTE'S WEB - book by E.B.White, play adapted by Joseph Robinette
Tickets: TPNC.ORG
Each season, The Town Players of New Canaan produce a unique experience for kids to perform with adults. The last few years we have chosen a holiday show. This year, we are bringing back a beloved classic children's book... on stage.
The Children's Literature Association named CHARLOTTE'S WEB "the best American children's book of the past 200 years"!
Joseph Robinette, working with the advice of E.B.White, has created a play that captures this work in a thrilling and utterly practical theatrical presentation. This is a timeless, heartwarming play about friendship.
For ALL ages! Great family outing!
CHARLOTTE'S WEB - book by E.B.White, play adapted by Joseph Robinette
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Join us on Thursdays (3:00-8:00 p.m.) and Saturdays (11:00 a.m.-4:00 p.m.) from November 13-December 20, 2025 for our very first Arcade Winter Market inside the historic Arcade Mall. The Arcade Winter Market is a cozy Downtown Bridgeport experience filled with warm drinks, artisan gifts, fresh produce, local bites, music, activities, and spaces to linger and connect. Perfect for all ages! Find that perfect gift, feel the holiday spirit, and Shop Local, Give Colorfully!
The inaugural Arcade Winter Market will include live music each week from local talent, all ages arts and crafts led by Robin Gilmore Jopp, photos with your favorite holiday characters, in addition to a range of fresh veggies, delectable prepared food, and hand crafted offerings from our favorite local vendors.
The Arcade Winter Market made possible by our partners sponsors: Bridgeport Arts + Cultural Council, the Bridgeport Regional Business Council, the City of Bridgeport, CT Main Street Center, Optimum Business, and Pryceless Consulting.
Arcade Winter Market
The 45th Annual Faber Birren Color Show, curated by Madeleine Pierpont (Web3 and Emerging Technologies programming at MoMA), is a fantastic and diverse exhibition centering original, creative, and innovative uses of color. Accepted artists have competed nationally to show at our historic gallery in downtown Stamford. Don't miss this opening! Purchase art, enjoy light refreshments, and meet local/regional artists! Admission is free!
Closing Reception: Thursday, December 18, 5:30-7 PM
Stamford Art Association & Townhouse Gallery
39 Franklin Street
Stamford, CT
Stamford Art Association presents: 45th Annual Faber Birren Color Show CLOSING RECEPTION
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Join us on Thursdays (3:00-8:00 p.m.) and Saturdays (11:00 a.m.-4:00 p.m.) from November 13-December 20, 2025 for our very first Arcade Winter Market inside the historic Arcade Mall. The Arcade Winter Market is a cozy Downtown Bridgeport experience filled with warm drinks, artisan gifts, fresh produce, local bites, music, activities, and spaces to linger and connect. Perfect for all ages! Find that perfect gift, feel the holiday spirit, and Shop Local, Give Colorfully!
The inaugural Arcade Winter Market will include live music each week from local talent, all ages arts and crafts led by Robin Gilmore Jopp, photos with your favorite holiday characters, in addition to a range of fresh veggies, delectable prepared food, and hand crafted offerings from our favorite local vendors.
The Arcade Winter Market made possible by our partners sponsors: Bridgeport Arts + Cultural Council, the Bridgeport Regional Business Council, the City of Bridgeport, CT Main Street Center, Optimum Business, and Pryceless Consulting.
Arcade Winter Market
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Ana Gasteyer will be bringing her Sugar & Booze Holiday Spectacular to the Westport Country Playhouse – performing favorites from Sugar & Booze, her album of seasonal favorites and holiday originals which topped numerous “Best Holiday Album” lists.
Ana Gasteyer – Sugar & Booze Holiday Spectacular
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Margins of Memory exhibit
Opening reception: Saturday, November 8, 1-4 PM
Exhibit: November 8, 2025 to January 10, 2026
Gallery hours: Thursday to Saturday, 12-4 PM, and by appointment
Crown Gallery is proud to present Margins of Memory, an exciting new exhibit that brings together six international artists who currently reside in New York but span five different countries of origin, offering a global yet deeply personal meditation on memory and healing through the expanded mediums of print, papermaking, collage, and installation. In a world increasingly marked by displacement, fragmentation, and collective grief, these artists turn to the tactile intimacy of works on paper-etchings, monoprints, handmade pulp, and experimental processes-as a way to trace the fragile imprints of memory: personal, ancestral, and imagined.
Paper, as both surface and substance, holds and reveals. Its fibers retain touch, absorb pigment, and fray with time. In this exhibition, curated by Sariah Park, paper becomes a vessel for healing: a space where trauma can be transmuted, and stories-once silenced-can find form. Despite vast cultural and geographical distances, each artist finds a shared language in the medium itself. Printmaking, with its cycles of layering, pressing, and repetition, echoes the rituals of remembering and forgetting. The handmade sheet becomes an archive; the printed image, a gesture of reclaiming.
Together, these works invite viewers not only to look but to feel-to engage with memory not as static record, but as a living, breathing process of making and mending.
Participating artists include Emilie Houssart, Holland/U.K., Hayoon Jay Lee, South Korea, Anette Millington, USA, Malgorzata Oakes, Poland, Sariah Park, USA, and Xuewu Zheng, China
Margins of Memory opens on Saturday, November 8 with a reception from 1 - 4 PM, and runs through January 10, 2026. The gallery is open Thursday through Saturday, 12 - 4 PM, and by appointment. ADA accessible, free parking.
Margins of Memory Exhibit at Crown Gallery
Following acclaimed Met performances in La Traviata, Rigoletto, and Les Pêcheurs de Perles, soprano Lisette Oropesa takes on one of the bel canto repertory’s most thrilling roles as Elvira, whose love is tested by war and betrayal in Bellini’s final masterpiece.
In his striking new production, Charles Edwards—celebrated set designer making his Met directorial debut—sets the sweeping romance amid the strife of the English Civil War, drawing out the opera’s tensions between personal devotion and political duty. Tenor Lawrence Brownlee stars as Elvira’s beloved Arturo, with baritone Artur Ruciński as the scorned Riccardo, and bass-baritone Christian Van Horn as her steadfast uncle, Giorgio. Marco Armiliato conducts Bellini’s soaring, virtuosic score.
The Met: Live in HD - Bellini’s I Puritani
Visit the Greenwich Historical Society to see our new exhibition! The Holley Boarding House: Inspiring American Impressionism explores how entrepreneurial women enabled Holley House to become the setting for the Cos Cob art colony, the first Impressionist community in Connecticut, and among the earliest in the nation. This exhibition showcases hidden paintings and items from our collection as well as items from the house on display in an exhibition for the first time. Take a guided exhibition tour on Wednesdays, Thursdays and Sundays!
The Holley Boarding House: Inspiring American Impressionism
The streamers are hung, the punch has been spiked, and the cake is just begging to be eaten! Now all Bill has to do is wait for his guests to arrive. Bill’s 44th is an original comedic show created by puppeteers Dorothy James & Andy Manjuck to create one very worried leading man – Bill. Many styles of puppetry, raucous balloons, and a cheeky piece of crudité all collide to examine the pitfalls of impatience, the wonder of loneliness, and the universal passage of time.
This performance runs 55 minutes.
More about the work from creators, Dorothy James & Andy Manjuck:
Bill’s 44th was originally conceived in 2016 as a five-minute slam-piece for Puppet Homecomings. The prompt: “They are coming,” inspired us to throw a birthday party where no one ever comes. But then, due to scheduling conflicts, we weren’t able to attend the slam and we stuffed Bill’s head (lovingly) into a box on a shelf.
Two years later we were asked by our friend Rowan Magee, who was curating one of the nights for Dixon Place’s Puppet Blok, if we wanted to revisit the idea. We did, and (10 minutes of) Bill was born! What followed next was a whirlwind that culminated in a 20-minute workshop at Dixon Place in 2019, where we shared the bill with the ingenious Shayna Strype, applying and receiving a Production Grant from The Jim Henson Foundation, planning a workshop performance at the New York State Puppet Festival, being a part of Puppet Lab at St. Ann’s Warehouse, and readying for a premiere at Dixon Place in 2020!
Of course, things changed. While many of our ideas came to a screeching halt, Bill’s journey continued. Thanks to the New York State Puppet Festival in October of 2020 we were able to create Bill’s 44th (A Zoom Birthday), a 30-minute ‘zoom’ show performed live in our apartment. And finally, in June of 2021, Bill found his way to his premiere at Dixon Place as part of a puppetry series alongside artists Shayna Strype, Justin Perkins, and Maria Camia.
Thank You to Our Sponsors
Bill’s 44th would like to thank The Jim Henson Foundation, Cheryl Henson, St. Ann’s Warehouse, the New York State Puppet Festival, and Dixon Place. Without their support the show would simply not exist.
Bill’s 44th By Dorothy James & Andy Manjuck
The streamers are hung, the punch has been spiked, and the cake is just begging to be eaten! Now all Bill has to do is wait for his guests to arrive. Bill’s 44th is an original comedic show created by puppeteers Dorothy James & Andy Manjuck to create one very worried leading man – Bill. Many styles of puppetry, raucous balloons, and a cheeky piece of crudité all collide to examine the pitfalls of impatience, the wonder of loneliness, and the universal passage of time.
This performance runs 55 minutes.
More about the work from creators, Dorothy James & Andy Manjuck:
Bill’s 44th was originally conceived in 2016 as a five-minute slam-piece for Puppet Homecomings. The prompt: “They are coming,” inspired us to throw a birthday party where no one ever comes. But then, due to scheduling conflicts, we weren’t able to attend the slam and we stuffed Bill’s head (lovingly) into a box on a shelf.
Two years later we were asked by our friend Rowan Magee, who was curating one of the nights for Dixon Place’s Puppet Blok, if we wanted to revisit the idea. We did, and (10 minutes of) Bill was born! What followed next was a whirlwind that culminated in a 20-minute workshop at Dixon Place in 2019, where we shared the bill with the ingenious Shayna Strype, applying and receiving a Production Grant from The Jim Henson Foundation, planning a workshop performance at the New York State Puppet Festival, being a part of Puppet Lab at St. Ann’s Warehouse, and readying for a premiere at Dixon Place in 2020!
Of course, things changed. While many of our ideas came to a screeching halt, Bill’s journey continued. Thanks to the New York State Puppet Festival in October of 2020 we were able to create Bill’s 44th (A Zoom Birthday), a 30-minute ‘zoom’ show performed live in our apartment. And finally, in June of 2021, Bill found his way to his premiere at Dixon Place as part of a puppetry series alongside artists Shayna Strype, Justin Perkins, and Maria Camia.
Thank You to Our Sponsors
Bill’s 44th would like to thank The Jim Henson Foundation, Cheryl Henson, St. Ann’s Warehouse, the New York State Puppet Festival, and Dixon Place. Without their support the show would simply not exist.
Bill’s 44th By Dorothy James & Andy Manjuck
The streamers are hung, the punch has been spiked, and the cake is just begging to be eaten! Now all Bill has to do is wait for his guests to arrive. Bill’s 44th is an original comedic show created by puppeteers Dorothy James & Andy Manjuck to create one very worried leading man – Bill. Many styles of puppetry, raucous balloons, and a cheeky piece of crudité all collide to examine the pitfalls of impatience, the wonder of loneliness, and the universal passage of time.
This performance runs 55 minutes.
More about the work from creators, Dorothy James & Andy Manjuck:
Bill’s 44th was originally conceived in 2016 as a five-minute slam-piece for Puppet Homecomings. The prompt: “They are coming,” inspired us to throw a birthday party where no one ever comes. But then, due to scheduling conflicts, we weren’t able to attend the slam and we stuffed Bill’s head (lovingly) into a box on a shelf.
Two years later we were asked by our friend Rowan Magee, who was curating one of the nights for Dixon Place’s Puppet Blok, if we wanted to revisit the idea. We did, and (10 minutes of) Bill was born! What followed next was a whirlwind that culminated in a 20-minute workshop at Dixon Place in 2019, where we shared the bill with the ingenious Shayna Strype, applying and receiving a Production Grant from The Jim Henson Foundation, planning a workshop performance at the New York State Puppet Festival, being a part of Puppet Lab at St. Ann’s Warehouse, and readying for a premiere at Dixon Place in 2020!
Of course, things changed. While many of our ideas came to a screeching halt, Bill’s journey continued. Thanks to the New York State Puppet Festival in October of 2020 we were able to create Bill’s 44th (A Zoom Birthday), a 30-minute ‘zoom’ show performed live in our apartment. And finally, in June of 2021, Bill found his way to his premiere at Dixon Place as part of a puppetry series alongside artists Shayna Strype, Justin Perkins, and Maria Camia.
Thank You to Our Sponsors
Bill’s 44th would like to thank The Jim Henson Foundation, Cheryl Henson, St. Ann’s Warehouse, the New York State Puppet Festival, and Dixon Place. Without their support the show would simply not exist.
Bill’s 44th By Dorothy James & Andy Manjuck
While wadaiko (taiko for short) drums have been a part of Japanese culture for centuries, Ikuo Fujitaka, the founder and artistic director of Drum Tao (established in 1993), traces a bit of his inspiration to North America. After seeing Cirque du Soleil use a Japanese wadaiko drum in their show Mystère, he was inspired to build a production that would showcase traditional taiko drumming of Japan in a modern context.
Known for their virtuosity and power, Drum Tao creates a mesmerizing spectacle with dazzling staging, costumes, and lighting. You will be amazed by the thunderous rhythms, breathtaking choreography, and cutting-edge stagecraft. Based in Oita, Japan, Drum Tao performances have touched more than nine million spectators around the world.
Drum Tao
Visit the Greenwich Historical Society to see our new exhibition! The Holley Boarding House: Inspiring American Impressionism explores how entrepreneurial women enabled Holley House to become the setting for the Cos Cob art colony, the first Impressionist community in Connecticut, and among the earliest in the nation. This exhibition showcases hidden paintings and items from our collection as well as items from the house on display in an exhibition for the first time. Take a guided exhibition tour on Wednesdays, Thursdays and Sundays!
The Holley Boarding House: Inspiring American Impressionism
An internationally renowned dance company based in Los Angeles, BODYTRAFFIC inspires audiences around the globe to simply love dance. Led by artistic director Tina Finkelman Berkett, the company is not one driven by a single choreographic voice. It aims to endorse established and new voices and be a home for an eclectic range of styles and perspectives that tell vital stories.
The BODYTRAFFIC program planned for the Quick Center is inspired by powerhouse musicians of the 20th century. Two pieces are choreographed by Trey McIntire, one set to music by soul-singing icon Etta James, and the other the music of Buddy Holly, who made an indelible impact on rock and roll despite dying in an accident when he was only 22. The third piece is choreographed by Matthew Neenan, inspired by the inimitable Peggy Lee, whose music spurs us to embrace the passion of living even in the darkest of times.
BODYTRAFFIC
Named in tribute to Harriet Tubman (whose childhood nickname was Minty), Minty Fresh Circus brings to the stage a raucous, playful reimagination of circus and dance that infuses African performance rituals, ceremonies, and cultural traditions.
Conceived by Monique Martin, Minty Fresh Circus is a U.S.-based circus show performed by an all-Black cast, with a majority-Black creative team, celebrating the healing power of Black music and movement. The acrobats perform a range of movement sourced from the African Diaspora, including percussive dance, ritual movement, Lindy, hip-hop, poppin’ and lockin’, jukin’, hand games, and physical theater.
Minty Fresh Circus By Monique Martin
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
Eileen Ivers continues to push traditional fiddling boundaries from a folk music staple to a fiercely fresh, powerfully beautiful, intensely driving world stage experience. Over a career spanning more than 40 years, Ivers has performed and/or toured with such diverse artists as Sting, Patti Smith, Al Di Meola, Hall and Oates, and The Chieftains, and was a founding member of Cherish the Ladies.
Grammy-winning and Emmy-nominated, Ivers has guest-starred with the London Symphony Orchestra, Boston Pops, over 60 symphony orchestras to date, and was the groundbreaking musical star of Riverdance. The daughter of Irish immigrants, her love of connecting her musical roots in both Ireland and the U.S. is palpable.
Eileen Ivers and the Universal Roots
Recipient of Les Prix de la Danse de Montréal 2017 for performance as a solo with bang bang, Manuel Roque returns to the piece with a new energy, performed as a duet. This is a work that pushes artist and audience to the limit. Involving a repetition of jumps and athletic patterns counted in 11, bang bang demands exceptional concentration and physical commitment from the performers. This work gradually drips with combativeness and resistance, revealing the human-performers’ flaws. As a pair, the ordeal becomes a sharing of strengths and weaknesses, where continuing becomes at once absurd, poetic, and political.
“Manuel Roque does more than dance for us; he dances us, embodies our inability to dance, and generously restores dance to us, illuminating that precise place where the body becomes spirit and finds its illuminated unity.” – Jean Louis Perrier, Revue Movement, Montréal (translated from French)
Manuel Roque bang bang
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
Stamford’s Orchestra Lumos, led by music director Michael Stern, brings their Sunday encore performance to the Quick Center.
As part of their season dedicated to celebrating America’s 250th birthday, the March program of Orchestra Lumos is titled American Gems. It features the work of original American voices including Aaron Copland, old-world émigré Igor Stravinsky, and Scott Joplin, all composers who were inspired by the genius of J.S. Bach.
Orchestra Lumos
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
TICKETS: TPNC.ORG
COME LAUGH OUTLOUD!
A fast-paced, laugh-out-loud farce set in 1960s Brighton, England. The Tony Award winning ONE MAN, TWO GUVNORS follows Francis Henshall, a down-on-his-luck man who finds himself working for two bosses at the same time – without either of them knowing. As he scrambles to keep up the act, comic chaos, confusion, and hilarious misunderstandings unfold. Packed with physical comedy, pratfalls, and quick wit, this modern take based on Goldoni’s masterpiece Servant of Two Masters is a wildly fun night at the theatre.
Rated PG12 with some adult language, sexual references, and comic violence. There is no drug use, but social drinking occurs.
ONE MAN, TWO GUVNORS by Richard Bean
Soak in the sounds of the velvety melodies and smoky rhythms of incomparable vocalists like Frank Sinatra, Tony Bennett, and Bobby Darin, when Jazz at Lincoln Center celebrates the golden age of jazz with a program called Great American Crooners.
Three remarkable young singers – Benny Benack III (Downbeat Magazine #1 Rising Star), Robbie Lee, and Shenel Johns – perform favorites like “I’ve Got You Under My Skin,” “Misty,” “I Only Have Eyes for You,” and “Moon River.” Expect a dazzling concert of swoon-worthy hits and sentimental serenades.
For over three decades, Jazz at Lincoln Center has been a leading advocate for jazz, culture, and arts education globally. Under the direction of Wynton Marsalis, Jazz at Lincoln Center has brought the art form of jazz from the heart of New York City to over 446 cities in more than 40 countries.
The JAZZ AT LINCOLN CENTER PRESENTS touring initiative provides an affordable opportunity to present great jazz programming, featuring up-and-coming musicians who have been identified as rising stars by JALC. The initiative also allows for expansion of the mission of JALC “to entertain, enrich, and expand a global community for jazz through performance, education, and advocacy.”
Jazz at Lincoln Center presents: Great American Crooners
After thrilling Met audiences in Fidelio, Ariadne auf Naxos, and Die Walküre, soprano Lise Davidsen now conquers one of opera’s most towering roles as the doomed Irish princess Isolde in Wagner’s searing portrait of passion, betrayal, and transcendence.
Visionary director Yuval Sharon—acclaimed for his bold, immersive stagings—makes his Met debut with a new production that explores the opera’s timeless meditation on love and death through a daringly modern lens. Heroic tenor Michael Spyres stars as the love-struck Tristan, with Ekaterina Gubanova as Brangäne, Tomasz Konieczny as Kurwenal, and Ryan Speedo Green in a pivotal role debut as King Marke. Music Director Yannick Nézet-Séguin takes the podium for his first Tristan und Isolde at the Met.
The Met: Live in HD - Wagner’s Tristan und Isolde
George Gershwin was at home in many different musical worlds, from Broadway and Hollywood musicals to opera and symphonic works. He was also a terrific pianist who amused and amazed his friends at parties with fascinating piano versions of his songs. This concert shines a light on Gershwin’s many achievements, including performances of many of Gershwin's songs in his own arrangements, including highlights from Porgy and Bess in a stunning arrangement by pianist legend, Earl Wild, and, of course, his most famous composition, Rhapsody in Blue.
Orin Grossman A Celebration of Gershwin
Janoah Bailin’s delightful meSSeS features precarious unicycling, shimmering puppetry, jaw-dropping juggling, and mesmerizing motions. Janoah the Jester tosses together a tale of learning and labor, emerging ecstatically from a haphazard pile of props. Part performance, part workshop, entirely entertaining – YOU learn to juggle while watching this (optionally interactive) all-ages experience. In between acts, Janoah engagingly guides the audience through the essentials: throwing, catching, and messy-ing up!
This 60-minute family-friendly solo circus-theater performance was the winner of “Spirit of the Fringe” at the 2022 Elgin Fringe Festival.
Janoah Bailin meSSeS
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
A show about memory you'll not soon forget.
THE FATHER (Le Père) is the winner of the 2014 Molière Award for Best Play. The Molières are considered France’s highest theatrical honour. THE FATHER premiered on Broadway in 2016 with Frank Langella winning the TONY AWARD for BEST ACTOR.
The Father is a tragi-comic mystery, a sobering and realistic family story, and an unsentimental, emotionally intense look at the world through the eyes of a man experiencing dementia, a dramatic illustration of the physical losses which occur along with the mental ones.
Florian Zeller, the author of this intriguing and compelling black comedy, has been hailed as “one of the hottest literary talents in France” (Independent).
REVIEWS
"Superb...A harrowing experience expertly delivered.” —The Boston Globe\
“An unbelievably emotional ride.” — Broadway World
"When our memories fail us, we lose ourselves. It's a terrifying proposition, and THE FATHER captures that sense of unease and sadness perfectly." — EDGE Providence
“THE FATHER is one of those plays that makes your brain hum with the potential of theatre” – The Independent
“Ferocious, charming, and playful” – The Guardian
“...an unqualified triumph” – The Daily Telegraph
"Shrewdly told with humor and empathy that treats audiences to a heart-wrenching glimpse into despair" — MOTIF Magazine
“…hugely rewarding… [THE FATHER] constantly makes you question the truth and the nature of reality…an astonishingly unguarded play about the cruelties of love and the limits of patience, and the way child-parent relationships become inverted as old age creeps up and mugs us.” —The Guardian (UK).
Age range PG-12 due to mature themes and complex emotions related to dementia, which may not be suitable for younger audiences.
THE FATHER by Florian Zeller, translated by Christopher Hampton
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
ONCE, a musical
TICKETS: TPNC.ORG
ONCE is truly a romantic musical delight.
2012 Tony Award Winner for BEST MUSICAL - Total of 8 Tony awards of 11 Tony nominations.
The touching, lyrical musical tells the story of two down-on-their-luck musicians, an angst-ridden Dublin street singer/songwriter who works as a vacuum repairman, and a Czech immigrant who sells flowers in order to support herself and her family. Songs erupt naturally from the action, helped by the fact that the cast all play a variety of instruments including fiddle, guitar, drums, accordion and mandolin. The actor-musicians also effortlessly become characters in the story. And you'll fall in love with the Oscar winning music.
Prior to the start of the show, the audience will be treated to a pub-like setting to entice the audience to join in the experience.
With hauntingly memorable music, convincing romantic chemistry, and dozens of laugh-out-loud moments, ONCE truly is a delight.
Best for kids 13+ due to language, emotional scenes, and attention span. If you have a younger kid who is a true theatre fan, who has seen enough theatre to understand subtext and representational storytelling mixed with realistic, emotional scene work then yes, bring them to this extraordinary show for an unforgettable experience.
