You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments.
Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.
Serene Moments: An Exhibition Featuring Tracie Cheng and Stephanie Johnson
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments.
Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.
Serene Moments: An Exhibition Featuring Tracie Cheng and Stephanie Johnson
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
“Women, Modernism, and Philip Johnson” brings new attention to the overlooked subject of architect Philip Johnson’s associations with some of the women who embraced and promoted modernism from the 1930s through the 1950s. The early generations of women modernists—especially those who studied at the Cambridge [MA] School of Architecture and Landscape Architecture (1916–42) or Harvard’s Graduate School of Design (beginning in 1942 when women were first allowed to enroll)—had ample opportunities for connections with Johnson as he formulated his own concepts of modernism.
His varied roles—co-curator of the “International Style” exhibition at the Museum of Modern Art in 1932 and director of their Architecture Department from 1932-34; graduate student at Harvard’s Graduate School of Design, 1940–43; and modernist architect—led to memorable and inspirational meetings. For example, meetings at his “thesis” house of 1942 at 9 Ash Street in Cambridge were considered the “chief attraction” on Friday afternoons for students.
Women, Modernism, and Philip Johnson
You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments.
Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.
Serene Moments: An Exhibition Featuring Tracie Cheng and Stephanie Johnson
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Explore history from 1pm - 4pm every Thursday this summer at the Weston History & Culture Center in Weston, CT. Enjoy interactive fun on a tour of the historic Coley House! Learn about the forgotten village of Valley Forge, explore the Weston Meteorite, and dive into the history of Ragtime dance on your visit. Tickets available at the door.
Take a guided tour of the award-winning Coley House, the only historic house in CT brought back to reflect life during the 1940s. Explore how the Coley family lived, worked and played while on the home front during World War II. Curious young minds can try their hands at dialing a rotary phone, typing on a typewriter, playing with 1940s toys and games, and building a house with Lincoln Logs.
In the Visitor’s Center, enjoy three engaging exhibits. Learn about the Weston Meteorite, the Flood of 1955 and other important Weston moments in the exhibit, “Twelve Stories of Weston History”. View haunting photos in the new exhibit, “Images of a Forgotten Village: Valley Forge”, which explores a Weston neighborhood now underneath the Saugatuck Reservoir. Have fun tapping your toes in our summer pop-up exhibit, “May I Have This Dance?”, which features Ragtime dance music, dance manuals, sheet music, dance cards and more from the private collection of social dance historian, Susan de Guardiola.
Bring a picnic lunch to enjoy on your visit. Stroll through the Daniel E. Offutt, III Sculpture Garden and explore the whimsical sculptures created by former Weston resident, philanthropist and artist, Daniel E. Offutt, III.
Thursday Open Hours at Weston History & Culture Center
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments.
Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.
Serene Moments: An Exhibition Featuring Tracie Cheng and Stephanie Johnson
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Noli Timere is a soaring aerial dance performance, born from a five-year collaboration between Guggenheim Fellowship Award-winning director and choreographer Rebecca Lazier and world-renowned sculptor Janet Echelman. It features eight multidisciplinary performers dancing up to 25 feet in the air within a voluminous, custom-designed Echelman net sculpture, and is choreographed to an original score by French Canadian composer Jorane, who performs live on stage.
This fusion of contemporary dance, avant-garde circus, and sculpture explores the delicate interconnectedness and fragility of our world, offering a profound commentary on navigating our unstable ecosystem through art and advanced engineering.
Noli Timere – Latin for "be not afraid" – uniquely renders interconnectedness visible and tangible, illustrating how even the smallest change in one element can create a cascading effect throughout a system, like the “Butterfly Effect.” The design incorporates two 40 x 40-foot net sculptures suspended by a sophisticated rigging system on eight corners, which radically transform as performers fly and fall. This seamless interaction between movement and sculpture creates symbiotic relationships where choreography and sculpture continually transform and reshape one another.
This performance runs 60 minutes.
Rebecca Lazier Noli Timere
You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments.
Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.
Serene Moments: An Exhibition Featuring Tracie Cheng and Stephanie Johnson
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Dozens of species of Warblers visit Birdcraft, and each species sings their own songs. Join us to build and decorate your own recycled wood Warbler model to take home. For kids up to 10 years accompanied by a participating adult. Pre-registration required. Please wear art-appropriate clothing and footwear. This program is held at the Birdcraft Museum and Sanctuary, 314 Unquowa Road, Fairfield, CT 06824. Birdcraft Family Days are sponsored by Richard Wrightman Design.
Birdcraft Family Day – The World of Warblers
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
You are invited to join Sorelle Gallery for the upcoming two-person exhibition, Serene Moments, showcasing all new artwork by local Connecticut artists Tracie Cheng and Stephanie Johnson. The exhibition will open on Saturday, September 6, 2025 at Sorelle Gallery in downtown Westport, CT with a reception from 3:00 – 5:00pm, during which guests are invited to browse the show, meet the artists, and enjoy light refreshments.
Serene Moments will be on view at Sorelle Gallery through September 28, 2025. The show and associated opening reception are free and open to the public. Street parking is available. This is a family friendly event. Dogs welcome. Find more information about this event and exhibiting artists at sorellegallery.com.
Serene Moments: An Exhibition Featuring Tracie Cheng and Stephanie Johnson
Call for Art!
Greenwich Art Society Members Juried Exhibition Theme: Holding Space
JUROR: Roxanne Smith is the Jennifer Rubio Assistant Curator of the Collection at the Whitney Museum of American Art. At the Whitney, Roxanne has curated (and co-curated) the recent exhibitions Shifting Landscapes (2024-2026), Raque Ford: A little space for you right under my shoe (2024-2025), and Wanda Gág’s World (2024). Additionally, she served on the curatorial teams for Collection View: Louise Nevelson (2025), Survival Piece #5: Portable Orchard (2024-2025), Rose. B Simpson: Counterculture (2023-2024) and The Whitney’s Collection: Selections from 1900-1965 (2019-2025). She is currently co-curating the upcoming exhibition High Wire: Calder’s Circus at 100 (opening in October 2025). She holds a B.A. from Kenyon College and an M.A. from Columbia University.
"Holding Space" as a theme encompasses smaller works that create room for reflection, tension, or stillness. Scale determines what is allowed in or kept out. Digital Entry is open to all members. Works are not eligible if previously accepted for one of our juried exhibitions; if they have been exhibited in the Bendheim, Flinn, or GAS Galleries; or if completed before 2022. By submitting artwork, you are confirming that it is original artwork created by you and not generated by AI. Digital images must accurately represent the art.
The new size requirement is that wall art must not exceed 30” in width and 40” in length.
Entry Instructions and Information:
* Online Entry August 8 through September 28, 2025 via entrythingy.com
* Automatically become a member of G.A.S. upon entry! Membership valid through August 2026 & applies to entering either 1, 2, or 3 entries. For a new member or membership renewal of $75, the artist can submit up to two pieces of art. Fee for 3 pieces $100. All fees are non-refundable. Multiple entries from the same artist must be submitted simultaneously. Fees are payable through Entry Thingy.
* Accepted artwork posted online www.greenwichartsociety.org on October 10th, 2025
* Artwork drop off Saturday, October 18th, from 4 – 6 PM and Sunday October 19th from 12 – 3 PM
* All submitted work must be attractively and appropriately matted, framed, and/or presented.
* Works NOT on stretched canvas MUST BE FRAMED. Frames for stretched canvas paintings are not required.
* Size: Wall-hung works are limited to 30” wide and 40” high, including frame & must be dry & wired securely for hanging
* Freestanding sculptures are limited to 8' in height mounted and 12' square floor area. Sculptors must provide bases if needed, secure small works firmly, and install difficult-to-handle pieces. Works not meeting these requirements will not be accepted
* All works must be for sale. If a portrait, the price of a similar commission must be stated. No PORs.
* The Bendheim Gallery reserves the right to final approval of the selection of artwork for the exhibition. Entry fees will not be returned if the gallery chooses to remove a work from eligibility for exhibition.
* Exhibition opens October 23rd, 2025
* Reception date TBD
* Exhibition closes November 20th, 2025
* Artwork Pick Up Thursday, November 20th, from 4 – 7 PM and Friday November 21st from 10 – 1 PM.
CATEGORIES : Painting: Oil, Acrylic, Drawing, Pastel, Watercolor, Sculpture, Photography, Original Digital Art, Fiber Arts, Traditional Printmaking, Mixed Media. Other Media: No digital prints of original art or AI-generated artwork.
IMAGES OF ARTWORK: G.A.S. will produce an online gallery of ALL accepted & exhibited works.
AWARDS : Cash and other awards totaling over $2000 will be presented at the closing reception, TBA.
Insurance coverage is the responsibility of the artist. Although care will be taken, neither the Greenwich Art Society, The Arts Council, nor the Town of Greenwich will be responsible for loss or damage. Entry constitutes agreement to this condition.
SALES : 30% of the price of each work sold as a result of this exhibition will be divided between GAS and the Bendheim Gallery. Sales of displayed works within 3 months of the close of the exhibition will be subject to this charge.
Exhibition Chairperson is Anna Patalano. Questions? 203-629-1533 or admin@greenwichartsociety.org
Call for Art! Greenwich Art Society Members Juried Exhibition Theme: Holding Space
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Oscar-nominated Rosamund Pike is Jessica in the much-anticipated next play from writer Suzie Miller and director Justin Martin, the team behind Prima Facie. Jessica Parks is a smart Crown Court Judge at the top of her career. When an event threatens to throw her life completely off balance, can she hold her family upright?
National Theatre Live Inter Alia
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Inspired by two books by acclaimed children’s author Mo Willems, the ingenious Emmy Award-winning company Manual Cinema (known for mixing low-fi props with interactive technology) has created Leonardo! A Wonderful Show About a Terrible Monster.
Poor Leonardo. He tries so hard to be scary, but he just… isn’t. Manual Cinema uses puppets, props, and songs to bring Willems’ books about courage and friendship to life.
Manual Cinema is a performance collective, design studio, and film/video production company that combines handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive stories for stage and screen. Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality.
This performance runs 45 minutes and is appropriate for ages 3+.
Manual Cinema Leonardo! A Wonderful Show About a Terrible Monster
One of the most charming performers ever returns to the Quick Center stage. Guitarist and singer John Pizzarelli has been hailed by the Boston Globe for “reinvigorating the Great American Songbook and re-popularizing jazz.” He has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles.
Pizzarelli leaves audiences spellbound with his triple-threat combo of honey-smooth vocals, wry wit, and jaw-dropping guitar prowess, all while backed by a band of exceptional jazz artists.
John Pizzarelli has dedicated many of his albums to the great songwriters and performers who have helped to establish the Great American Songbook and the pop music canon: Nat King Cole, Frank Sinatra, Paul McCartney, Richard Rodgers, and Duke Ellington, to name a few. With his latest album – Stage & Screen – Pizzarelli explores immortal songs of the past century, classics from Broadway musicals and Hollywood films.
John Pizzarelli and The Swing 7
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Big News NICE FEST is moving from July to October! CT’s premier Cultural Exchange festival is back for our 9th year. Same great LIVE entertainment, same great food, same great vendors, same great Family fun, same great location. Save the date October 4, 12-8pm Oyster Shell Park Norwalk CT. Learn more at norwalknice.org
9th Annual NICE Festival
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
A gala evening celebrating Westport Country Playhouse’s 95 Seasons!
Join us on October 4th as we celebrate Artistic Honoree NATHAN LANE and Playhouse Leadership Award Winner ANNE KEEFE!
Don your festive attire and enjoy an unforgettable evening of entertainment, delicious food and cocktails by Diane Browne Catering, raffle prizes, auction items, Pre-Show Reception, plus a Post-Show Party — all in generous support of the Playhouse.
Check back for updates announcing the performers who will celebrate the career of Nathan Lane and present him with his award!
At This Stage
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Join us as Music in the Meetinghouse begins our celebration of the 15th anniversary of our renowned Klais pipe organ. This performance is co-sponsored by the Greater Bridgeport Chapter, American Guild of Organists. Internationally known recitalist Maurice Clerc is Organiste titulaire emeritus of the Cathedrale Saint Benigne de Dijon, Dijon, France. The program will include music of Bach, Dupre, Fleury, Litaize, and others. Tickets: $30/$20 for seniors/$10 for students. Children under 14 free. Reception to follow.
Music in the Meetinghouse presents Maurice Clerc, organ
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Kate Orff , FASLA is the founder of SCAPE, a landscape architecture and urban design practice with offices in New York, New Orleans, and San Francisco. Kate will share SCAPE’s ethos and working method and describe some of SCAPE’s signature work including Oyster-tecture and Living Breakwaters in New York Harbor, Tom Lee Park in Memphis, TN, and the new Manresa WILDS Park in Norwalk, CT.
Manresa Wilds and Beyond
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
When, in 1933, Lincoln Kirstein recruited choreographer George Balanchine to move to America to lead the faculty of his fledgling School of American Ballet, it was not based in New York City. It was in Hartford. The studio relocated to Manhattan the next year and remains the official school of the New York City Ballet.
Dancer and choreographer Emily Coates’ new performance project sources Balanchine's brief history in Connecticut to reflect on how the body and spirit of a choreographer scatters, living on in unexpected places. She draws upon her background as a former member of New York City Ballet, and working with Ain Gordon (direction and dramaturgy), Derek Lucci (performer), Charles Burnham (musician-composer), and Melvin Chen (pianist), Coates and her collaborators collage misplaced and overlooked archival traces and transmissions of Balanchine and related artists into a new whole.
In this intimate performance experience, the audience will be seated on stage with the artists.
Emily Carson Coates has danced with New York City Ballet, Mikhail Baryshnikov’s White Oak Dance Project, Twyla Tharp Dance, and Yvonne Rainer. She teaches at Yale University, where she has directed the dance studies concentration since its inception in 2006.
Scheduled to premiere at Works & Process at the Guggenheim in fall 2025, The Scattering, or the light (working title) is commissioned by Works & Process. The iterative development has included a Works & Process LaunchPAD residency at The Church (2025) in Sag Harbor, home to George Balanchine’s grave. The project will continue to be supported with a Works & Process LaunchPAD residency at the Catskill Mountain Foundation in Hunter, New York. Additional developmental support is provided by the Quick Center for the Arts at Fairfield University, the Wadsworth Atheneum Museum of Art, and New England Foundation for the Arts Dance Fund. The Scattering was created in part during a residency at the Pillow Lab at Jacob’s Pillow, with additional support from the O’Donnell-Green Music and Dance Foundation.
Emily Carson Coates "Tell Me Where It Comes From"
Colin Quinn is a stand-up comedian from Brooklyn (okay, Park Slope), who has been a part of your whole life even though you never asked for it. From MTV’s “Remote Control” to “SNL“ to Comedy Central’s “Tough Crowd with Colin Quinn,” Mr. Quinn is not one to take a hint and bow out gracefully. He’s been on Broadway with Colin Quinn: An Irish Wake and Colin Quinn: Long Story Short and Off-Broadway with his shows Colin Quinn: Unconstitutional, Colin Quinn: The New York Story, directed by Jerry Seinfeld, Colin Quinn: Red State, Blue State, Colin Quinn: The Last Best Hope, and most recently Colin Quinn: Small Talk. Recent credits include Trainwreck, Girls, and his web series “Cop Show,” streaming now on Colin’s YouTube channel. His last book, “Overstated: A Coast-to-Coast Roast of the 50 States,” is now out from Macmillan Publishing.
See him perform LIVE on the Playhouse stage this fall!
Colin Quinn
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Where the stage meets the motel—experience Hitchcock’s Psycho at the Playhouse! Hosted by Playhouse artistic director Mark Shanahan
Psycho (1960), directed by Alfred Hitchcock, is a landmark psychological horror film that redefined the genre. The story follows Marion Crane (Janet Leigh), who embezzles money and seeks refuge at the secluded Bates Motel, run by the enigmatic Norman Bates (Anthony Perkins). What begins as a suspenseful encounter soon spirals into a chilling tale of deception and madness, culminating in one of the most iconic scenes in cinematic history.
The evening will be hosted by Playhouse artistic director Mark Shanahan.
A dedicated Hitchcock scholar and fan, Playhouse artistic director Mark Shanahan taught a course on Hitchcock at Fordham University for over 21 years on Monday nights when the theatre was dark. He is always eager to share his love for the movies of this most celebrated director.
The evening will include Shanahan’s brief introductory remarks, highlighting key details to watch for, followed by a post-screening discussion.
Whether you’re a first time viewer or long time Hitchcock aficionado, this night promises to dive into just some of the wonderful anecdotes, storytelling techniques and signature cinematic details that make Alfred Hitchcock the Master of Suspense!
Psycho 1960 | Film Screening with Post-show Talk
When, in 1933, Lincoln Kirstein recruited choreographer George Balanchine to move to America to lead the faculty of his fledgling School of American Ballet, it was not based in New York City. It was in Hartford. The studio relocated to Manhattan the next year and remains the official school of the New York City Ballet.
Dancer and choreographer Emily Coates’ new performance project sources Balanchine's brief history in Connecticut to reflect on how the body and spirit of a choreographer scatters, living on in unexpected places. She draws upon her background as a former member of New York City Ballet, and working with Ain Gordon (direction and dramaturgy), Derek Lucci (performer), Charles Burnham (musician-composer), and Melvin Chen (pianist), Coates and her collaborators collage misplaced and overlooked archival traces and transmissions of Balanchine and related artists into a new whole.
In this intimate performance experience, the audience will be seated on stage with the artists.
Emily Carson Coates has danced with New York City Ballet, Mikhail Baryshnikov’s White Oak Dance Project, Twyla Tharp Dance, and Yvonne Rainer. She teaches at Yale University, where she has directed the dance studies concentration since its inception in 2006.
Scheduled to premiere at Works & Process at the Guggenheim in fall 2025, The Scattering, or the light (working title) is commissioned by Works & Process. The iterative development has included a Works & Process LaunchPAD residency at The Church (2025) in Sag Harbor, home to George Balanchine’s grave. The project will continue to be supported with a Works & Process LaunchPAD residency at the Catskill Mountain Foundation in Hunter, New York. Additional developmental support is provided by the Quick Center for the Arts at Fairfield University, the Wadsworth Atheneum Museum of Art, and New England Foundation for the Arts Dance Fund. The Scattering was created in part during a residency at the Pillow Lab at Jacob’s Pillow, with additional support from the O’Donnell-Green Music and Dance Foundation.
Emily Carson Coates "Tell Me Where It Comes From"
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Join us for a knit and crochet get together. Work on your own project or help us make items for local charities. If you know how to knit and/or crochet but are stuck on a project or technique, or if you are just looking for someone to craft with, this is the group for you. This program is for adults.
Check out other library programs!
Knitting & Crocheting
Lost Lear is a moving and darkly comic remix of Shakespeare’s play told from the point of view of Joy, an elderly person with dementia. Joy is living in an old memory from her 30s, when she was rehearsing the title role in an avant-garde production of King Lear. Joy’s delicately maintained reality is upended by the arrival of her estranged son who, being cast as Cordelia, must find a way to speak his piece from within the limited role he’s given.
Described as “brilliantly conceived and executed” (Irish Examiner), Lost Lear is the creation of Irish theatre and filmmaker Dan Colley. Inspired by visiting his grandmother when she lived in a care home for people with dementia, Colley uses puppetry, projection, and live video effects to create Joy’s world, where layers of her past and present, fiction and reality, overlap and distort.
This remarkable play is a thought-provoking meditation on theater, artifice, and the possibility of communicating across the chasms between us.
This production runs 80 minutes.
Dan Colley and Company Lost Lear
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
Presented by the Stamford Art Association at MILL RIVER PARK'S Whittingham Discovery Center
10 AM – 12 PM with complimentary workshops guided by experienced art instructors
- Open to the public
- Instructed by Art teachers
- Elementary & Middle School
- No registration necessary
- Art supplies provided
- Take home art!
Art in the Park: FREE Art Workshops For Kids & Families
Stamford Off-Main Experience: Live Mural Competition & The Seed Art Installation
Join us for the Stamford Off-Main Experience , a vibrant celebration of art, community, and creativity hosted by RiseUP for Arts.
Date: Saturday, October 25th, 2025
Rain Date: Sunday, October 26th
Time: 12:00 PM – 5:00 PM
Location: Richmond Hill Riverwalk (Intersection of Tresser Blvd. & Greenwich Avenue), Stamford, CT
This free, family-friendly event features an exciting live mural competition , local food trucks, music, community arts activities, and the 1-Year Anniversary of The Seed —a permanent art installation and creative hub in Mill River Park.
Event Highlights:
- Live Mural Competition : 9 artists paint 8ft x 8ft canvases live throughout the day.
- The Seed Anniversary Activation : An acclaimed guest artist will live-paint a mural directly on The Seed art installation.
- Community Voting & Art Auction : Vote for your favorite mural. All artworks will be auctioned after the event, with 50% of proceeds supporting future public art initiatives.
- Live DJ : Enjoy music by DJ Dinero throughout the day.
- Local Food Trucks : Grab a bite while taking in the art and atmosphere.
- Family-Friendly Activities : Kids and adults can enjoy hands-on arts and crafts, including watercolor and finger painting.
- Vendor Registration: https://forms.gle/L4xtt768CEyDt68n6
Calling All Artists:
Interested in participating in the live mural competition?
- Theme: Transformation
- Compensation: $250 participation stipend + 50% share of auction sales
- Materials: Artists must bring their own supplies. Plywood boards on stands will be provided.
- Apply Here: https://forms.gle/uJyvvvqgmYyvJU4X7
Why Attend?
This isn’t just an art festival—it’s a day of community connection, creative expression, and public celebration. Whether you’re a family looking for weekend fun, a public art supporter, or an artist in search of inspiration, the Stamford Off-Main Experience has something for you.
Get your free tickets now and be part of Stamford’s growing creative movement.
About RiseUP for Arts
RiseUP for Arts is Connecticut’s only state-wide public art nonprofit. Since its founding, RiseUP has created over 300 public art projects across the state—empowering communities through creative placemaking, youth engagement, and artist collaboration.
RiseUP leads community-driven mural projects, public art festivals like the Off-Main Experience, and unique installations like The Seed in Stamford, transforming spaces and bringing people together through the power of art.
Learn more at www.theriseupgroup.org
Special thanks to our partners and sponsors: Mill River Park Collaborative, WellBuilt, Stamford Murals, the City of Stamford, and funding through a National Endowment for the Arts Grant.
Off-Main Experience: Stamford 2025
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
Barbara Kasten: Structure, Light, Land
TICKETS: TPNC.ORG
A charming devil arrives in the quiet village of Edmonton to bargain for the souls of its residents in exchange for their darkest wishes. Elizabeth should be his easiest target, having been labeled a "witch" and cast out by the town, but her soul is not so readily bought. As the devil returns to convince her - and then returns again - unexpected passions flare, alliances are formed, and the village is forever changed. An inventive re-telling of a Jacobean drama, this sharp, subversive fable debates how much our souls are worth when hope is hard to come by.
REVIEWS
"Jen Silverman's exceedingly smart new comedy casts an intoxicating spell." - CHICAGO SUN TIMES
"A dark tale of devilish temptation and sharp wit, WITCH is a treasure and one of the best shows I’ve seen all year." - AROUND THE TOWN CHICAGO (Julia W. Rath)
"The play immediately engages in the very first three scenes." - THE FOURTH WALSH
"Although this play features a castle, an accused witch, and the devil, Silverman has managed a miracle: she has written a play that neatly, poignantly and humorously captures the quandary at the hearts of many in our contemporary world: at what point do you lose all hope?" - CHICAGO REVIEWS
PG13
WITCH by Jen Silverman
Greenwich Art Society
Classes start Monday, September 8, 2025!
Enroll asap to hold your place in class!
If not already a member, please log into your account to pay for membership first to get tuition discount before registering for classes.
Log in to your account here to renew membership:
Renew here and check out new 2025/26 member benefits!
Register online for your favorite class or check out
our newer classes & workshops -- Classical Portrait Drawing,
All Level Painting Classes, Beginning Drawing, Plein Air Painting, and more!!!
Create your own account and then select and pay
for your classes!
Our Mission: "To enhance our legacy of personalized visual arts education, outstanding art exhibitions, and children's community outreach."
299 Greenwich Ave., 3rd floor, Greenwich, CT 06830
203.629.1533
Greenwich Art Society Fall Classes Registration is Open!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 15, October 19, 1987–featuring the former home of the Whitney Museum of American Art (1966), designed by Marcel Breuer–resonates with the postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by circular skylights.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
