Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
Pet Pantry Dog Days returns and Rock Paper Scissors Custom Events has created a brand new scavenger hunt called Bonkers for Balls!
The new concept, which will excite both dogs, and their owners ensures everyone is guaranteed to win a prize. Once checked in you will be given a map, where you and your faithful friend must sniff out one tennis ball (per entry) within the trails and stalls. Once found, race back to Rachel at Rock Paper Scissors, and hand your ball in. Inside each ball will be a number, you will then be told if you have won a major or minor prize. 100% of all proceeds are going to Adopt-A-Dog.
Pet Pantry Warehouse is a family-owned and operated pet supply retailer in Fairfield and Westchester County. All money raised from this will go to The New Canaan Nature Center.
Visit Pet Pantry Warehouse online for details on the annual New Canaan Dog Days event.
https://www.ppwpet.com
Dog Days Scavenger Hunt
Enjoy great food, immersive experiences, community unity, all while supporting Wilton’s museum at the Wilton Historical Society’s Food Truck Festival. On Sunday, June 1st, from 11am to 4 pm join Wilton Historical at Schenck’s Island and Chess Park, 202 Old Ridgefield Road, Wilton, CT 06897, to feast from a collection of the area’s finest food trucks, with all proceeds to benefit the Society.
Attendees can explore Wilton’s culinary and food-producing history, with reenactments from knowledgeable colonial educators and fly-fishing demonstrations on the Norwalk River courtesy of Trout Unlimited’s Mianus Chapter. The festival will also include live music, historically inspired games, face painting, and more!
The Wilton Historical Society Food Truck Festival is being held in partnership with Wilton Pride’s\ Be You Festival and Wilton Coalition for Youth #Wiltoniswhereyoubelong campaign. The Be You Pride Festival will take place on the Town Green on Sunday, June 1st, and visitors are encouraged to spend the day in Wilton Center supporting all the participating community organizations.
All proceeds from admissions go directly to the Wilton Historical Society’s mission to preserve Wilton’s history, and connect, engage and educate all who would look to the past to shape the future.
Tickets are available to purchase ahead of time or at the event day-of! Admission is $5 per child (under 18), $10 per adult, $20 maximum per group of 4.
WHS Members receive a discount for pre-purchased tickets! Pre-Purchased: $3 per child (under 18), $8 per adult, $16 maximum per group of 4 for members.
Pre-Sale tickets available at wiltonhistorical.org
A special thanks to our generous sponsors: Kumon of Wilton, Riverside Wilton, Greg Rodiger, The Connecticut Group, and BFT Westport. To be part of supporting this event, please visit:
https://wiltonhistorical.org/support/corporate-sponsorship-opportunities/
Food Truck Festival
The Greenwich Art Society is pleased to announce its 108th Annual Juried Exhibition, at the Bendheim Gallery at 299 Greenwich Avenue, Greenwich, CT. Exhibition dates are May 8th thru June 8th. There will be an opening reception and awards ceremony on Saturday May 8th from 5:15 - 6:30 PM. An online digital and virtual gallery will be available on our website, www.greenwichartsociety.org . All work will be for sale.
JUROR: Kelly Long is an art worker and writer currently serving as Senior Curatorial Assistant at the Whitney Museum of American Art in New York, where she has worked with the Photography Acquisitions Committee since 2017), developed exhibitions across mediums, including Rachel Harrison Life Hack (2019), Fragments of a Faith Forgotten: The Art of Harry Smith (2023, and a forthcoming exhibition focused on surrealism and the 1960’s. Most recently, she curated Jeanne Moutoussamy-Ashe and the Last Gullah Islands (2024), and Trust Me (2023), a group exhibition exploring the role that vulnerability plays in forging connection, and the overlapping lives and loves of photography’s creators, viewers, and caretakers. Previously, she has held curatorial and teaching positions at the George Eastman Museum and at the University of Rochester. Her writing has appeared in the catalogues for Chiharu Shiota: The Hand Lines and Gail Thacker: Fugitive Moments, and in publications such as InVisible Culture and MOSSFLOWER. She holds a B.A. in art history from Vassar College, and an M.A. in visual and cultural studies from the University of Rochester, where her research focused on the engagement of postmodern and contemporary art with housing, exploring notions of being and belonging, access, and ownership in the art of our time.
AWARDS : Cash and other awards totaling over $2000 will be presented at the opening reception.
108th Annual Juried Exhibition at the Bendheim Gallery
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
Black Diamond Battle League Presents : Point Blank Range
(ALL ONE ROUND BATTLES)
QB BLACK DIAMOND VS SHOTGUN SUGE
45th Fokuz vs Charlie Clips
Kyd slade vs Prep
AL 40 cal vs Swave Sevah
Pocah da rebel vs Kausion
280 zay vs Dot
Rizz vs Ty law
Scripture vs Bangz
Pocah Da Rebel vs Kausion
Young steady vs Black
PERFORMING LIVE
K DOS
BRITTON BRAGG
LIGHTSKINBARZ
HOMI BOY PRINCE
Music By
Dj Perfect
FOOD & DRINKS AVAILABLE
BLACK DIAMOND BATTLE LEAGUE PRESENTS : POINT BLANK RANGE
Believe Your GRReatness mission is to spread the healing power of music by promoting music education through the Gil Rodriguez Scholarship Fund, and through Free or Reduced cost instruments and music lessons for area youth that are battling depression or struggling with other mental health issues.
Music for Mental Health - Benefit Concert
Sunday, June 1, 2025, 2-4 PM
Location: Ground Floor Galleries
Free and Open to All – RSVP not required
Join us as we celebrate the opening of our Summer exhibition:
The 15th Biennial Miniature Print International Exhibition.
We are honored that many of the artists included in the exhibition will be able to attend the reception. Don’t miss this chance to meet the artist and gather with other print enthusiasts as you enjoy light appetizers and beverages.
We look forward to seeing you there!
Gallery Exhibition Opening Reception
The Loft Artists Association (LAA) is excited to announce its Annual Spring Juried Exhibition, titled “ ZING”. The exhibition will be on display at the Loft Artists Gallery from April 26 through June 8, 2025, with an opening reception and awards ceremony on Saturday, April 26 from 4:00 – 6:00 PM. The Gallery located at 575 Pacific Street in Stamford, CT is open weekends from 1:00 – 4:00 PM. Beth Gersh Nešić, visiting juror and independent curator, invited artists to submit works that celebrate joy, positivity, excitement, good energy, and humor. This “ZING” should communicate directly to the viewer through color, line, form, composition, and/or content. It should move hearts and minds viscerally, intellectually, cognitively, and/or spiritually.
ZING!- Our Annual Spring Juried Exhibition
Celebrate our singers and five years of Greenwich A Cappella!
5:00 PM Performance singers:
- Thursday Pre-A Cappella Group, Greenwich (grades K-2)
- Thursday Pre-A Cappella Group, Fairfield (grades K-2)
- Thursday Junior Group , Greenwich (grades 3-5)
- Thursday Junior Group , Fairfield (grades 3-5)
- Advanced Junior Group (grades 4-5)
- Elite Group (grades 6-8)
- Soundwaves (grades 9-12)
- Surprise guest emcee and finale director
Tickets
Get VIP Reserved Seating for the best seats in the house without having to wait in line. Get Reserved Seating for great seats without having to wait in line. General Admission seats can be chosen when you arrive, based on whichever remaining seats are available. Doors open 30 minutes before the show begins. To purchase accessible seating options, email us at info@greenwichacappella.com.
5:00 PM - Five Year Anniversary Spring Showcase 2025
This event is General Admission Standing Room Only on the Floor, and Reserved Seated in the Balcony.
MATT BERNINGER
In 2023, after ten years of living in Los Angeles, Berninger (along with his wife and teenage daughter) moved to Connecticut. This change of scene suited him; he began to spend his days outside, painting, reading, smoking weed and listening to music, much of it his own. He wrote lyrics all over old baseballs, and arranged dust-covered items in his barn into strange and surreal works of art. It felt good to be creating and to understand why he loves what he does.
Throughout his work with The National, Berninger is known for his contemplative narratives in which characters peer over the cliff’s edge. He has always been forthcoming about his own mental and emotional pitfalls. “Our heart’s are like old wells filled with pennies and worms,” he explains. “I can’t resist going down to the bottom of mine to see what else is there. But sometimes you can get yourself stuck.” In 2020 he went through “a long period of writer’s block and self-disgust. I just got sick of of asking myself ‘Why am I like this?’” For him, identity is amorphous and ever-evolving, and stretches beyond individuality. This is the driving force of his second solo album Get Sunk. Under water, everything moves in slow motion and Berninger saw his creative voice slipping away. But sometimes we have to drown to remember how to breathe. Get Sunk is the inhale, bringing blurry realizations to the surface.
Berninger worked with Grammy Award-winning producer and engineer Sean O’Brien. The pair would get together once a week to “fuck around for five or six hours.” The sonic world blossomed with the help of of friends and musicians, including Booker T Jones, Meg Duffy (Hand Habits), Julia Laws (Ronboy), Kyle Resnick (The National), Garret Lang, Sterling Laws, Mike Brewer (Nancy), Walter Martin (Walkmen), Paul Maroon (Walkmen) and Harrison Whitford to name a few. Some recorded individual parts, most recorded together in a basement with Berninger.
The collection of songs spans the last few years, but Berninger re-recorded vocals and rewrote lyrics for many of the older compositions. “I got my voice back, so I needed to say something new,” he explains. Inspired by the flora and fauna of his new home, he recalled his childhood on the edge of Ohio, and spending summers on his aunt and uncle’s farm in Indiana with his five cousins. They would hike in creeks, cracking open “crystal apples” (a Berninger term for geodes) surrounded by Osage orange trees and dirt, dust and bugs. They harvested Christmas trees and tobacco––Berninger admits he’s loved nicotine since first chewing on a tobacco plant when he was 12––and camped out. On one particular freezing night, Berninger kept close to the fire and woke to find the soles of his shoes sizzling blue-violet.
Get Sunk is not necessarily an autobiographical album, but the narrator is processing how he became himself. Who is he compared to the kid on that sepia-toned farm? What is his idea of happiness? What the hell are we all searching for? Berninger is an expert in what it feels like to lose all bravery, and Get Sunk points to an undulating reflection in the water. It’s about realizing that you are not yourself without a thousand others; parents, friends, siblings, spouses and exes, college roommates, childhood best friends, cousins and kids, strangers even.
Get Sunk’s opener “Inland Ocean” matches propulsive, marching keys with a choral chant: “God loves the inland ocean / Lost cause, I have no emotion.” Berninger often drifts to water in his lyrics––ocean sounds and kids' voices are heard on the Ronboy-featuring “Silver Jeep” and album closer “Times of Difficulty” speaks of “how long we’ve been staring out to sea.” He says this is not an intentional motif, but rather a more expansive metaphor. “It’s a sea of wildflowers, or crickets. It’s that drowning feeling of life. It’s a sea of stars,” he says, adding, “dead stars still delight us.” It was important to Berninger that these songs be delightful and romantic. He wanted the sun to come out, to find the colors and bright spots, but also encourage the shadows to coexist. “Times of Difficulty” points to this reach as he sings “I’ll think of you if you think of me / The way the sky thinks of the sea.”
Get Sunk’s “Bonnet of Pins” highlights his knack for world-building, pointing to the tiny details that make this stuff palpable. There are cigarettes and styrofoam cups filled with Nabokov cocktails, miscommunication and sorrow. It’s a reminder that grief can also be a little funny. “Breaking Into Acting,” which features Meg Duffy (Hand Habits) on vocals, laments on the plasticity of performance. “Your mouth is always full of blood packets / You’re breaking into acting / I completely understand,” the pair sing over a slow acoustic sway. “Sometimes you have to fake forgiveness before you can actually forgive,” he explains.
Get Sunk is an ode to the infinite. The others that make us who we are; the possibilities our paths can take and the abyss of both misery and bliss. Never static, Berninger dissolves the border between process and product, and surrenders to the many shapes both he and these songs will take. These shapes oscillate throughout Get Sunk but coalesce just enough to offer catharsis, and something that feels tangible and real. “I was able to get the blurry picture as close to just right for me,” he says. That the picture ever comes into full focus isn’t the point; it’s by being happy that we can make out anything at all.
Links: Official Website | Facebook | Instagram | Twitter | Spotify
RONBOY
Julia Laws, who performs as Ronboy , spent her formative years on Fidalgo Island off the coast of Washington State. Emerging from the DIY music scene, she steadily built her distinctive sonic identity and began to produce and record her own music, releasing Ronboy’s first EP in 2020. She later collaborated with Matt Berninger (The National) and Resynator on a synth-driven cover of Tom Petty ’s "Only a Broken Heart." Ronboy’s debut album Pity To Love soon followed, a melancholy-rock journey of cathartic anthems and soaring melodies. In addition to her own works, Laws has performed and recorded with artists including Berninger, Jade Bird, and IDLES. Now, Ronboy is gearing up for another release, filled with raw intensity while preserving her signature emotional vulnerability.
Links: Official Website | Facebook | Instagram | Twitter | Spotify
Matt Berninger
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
The Greenwich Art Society is pleased to announce its 108th Annual Juried Exhibition, at the Bendheim Gallery at 299 Greenwich Avenue, Greenwich, CT. Exhibition dates are May 8th thru June 8th. There will be an opening reception and awards ceremony on Saturday May 8th from 5:15 - 6:30 PM. An online digital and virtual gallery will be available on our website, www.greenwichartsociety.org . All work will be for sale.
JUROR: Kelly Long is an art worker and writer currently serving as Senior Curatorial Assistant at the Whitney Museum of American Art in New York, where she has worked with the Photography Acquisitions Committee since 2017), developed exhibitions across mediums, including Rachel Harrison Life Hack (2019), Fragments of a Faith Forgotten: The Art of Harry Smith (2023, and a forthcoming exhibition focused on surrealism and the 1960’s. Most recently, she curated Jeanne Moutoussamy-Ashe and the Last Gullah Islands (2024), and Trust Me (2023), a group exhibition exploring the role that vulnerability plays in forging connection, and the overlapping lives and loves of photography’s creators, viewers, and caretakers. Previously, she has held curatorial and teaching positions at the George Eastman Museum and at the University of Rochester. Her writing has appeared in the catalogues for Chiharu Shiota: The Hand Lines and Gail Thacker: Fugitive Moments, and in publications such as InVisible Culture and MOSSFLOWER. She holds a B.A. in art history from Vassar College, and an M.A. in visual and cultural studies from the University of Rochester, where her research focused on the engagement of postmodern and contemporary art with housing, exploring notions of being and belonging, access, and ownership in the art of our time.
AWARDS : Cash and other awards totaling over $2000 will be presented at the opening reception.
108th Annual Juried Exhibition at the Bendheim Gallery
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Our eight-week session of SPRING 2025 DRAMA ARTS CLASSES for kids, teens and adults is now available on our website! Classes begin April 19, 2025, and take place after school, evenings and weekends at The Sterling Farms Theatre Complex, 1349 Newfield Avenue in Stamford, Connecticut: a professional facility with two theatre spaces and three studio classrooms. Our faculty consists of local, professional artists and arts educators dedicated to creative enrichment in the community. Classes are offered in acting, improv, sketch comedy, musical theatre, dance, on-camera, AND MORE!
ALL SKILL LEVELS WELCOME! (From the novice beginner to the seasoned veteran.)
Discounts for siblings/spouses registering together!
Payment plans available!
Scholarships for those who qualify!
Visit www.curtaincallinc.com
or contact our Education Director Brian Bianco at brian@curtaincallinc.com or
203-329-8207 x700.
ACT NOW TO ACT OUT!
Curtain Call, Inc. is Stamford, Connecticut's longest-running and only nonprofit, theatre-producing company, offering year-round, live, theatrical productions, concert events, and educational workshops. Voted Best Local Theatre Group 10 years in a row by Fairfield County Weekly's Annual Reader's Poll, and Best Performing Arts Group 12 years in a row by StamfordPlus Magazine. Recipient of the 2011 2011 Governor’s Award for Excellence in Culture and Tourism and the 2016 ACE Award for Excellence in the Arts.
Curtain Call's Spring 2025 Theatre Arts Classes for Kids, Teens, and Adults
Ever want to learn or refine your watercolor painting skills? The Greenwich Art Society offers both beginner and intermediate/advanced watercolor classes with Greta Corens!
BEGINNER WATERCOLOR
10 MONDAYS
April 7 – June 16 (except May 26)
5:00 pm to 7:30 pm
Program Description
To start you off on the right footing and avoid the mistakes so many watercolorists face, you will find the principles of watercolor painting to be the most targeted and focused on this class. The first and most pressing to acquire are Values, Colors, Materials, and Basic Techniques, all of which we tackle with the spirit of a ballet dancer's moves. Knowing these principles provides you with the verve and self-assurance of having acquired a solid foundation that leads to painting more complex subject matter in the next step, the Intermediate & Advanced Watercolor class
INTERMEDIATE WATERCOLOR
11 WEDNESDAYS
April 9 – June 18
5:00 pm to 7:30 pm
Program Description
How do watercolorists paint with such accuracy, have you often wondered? In this ongoing class, you obtain the technical secrets to painting with watercolors by using different brush techniques and color palettes, from neutrals to brights, from dry brush to washes, or from delicate shades to deepest shadows, and obtain insight into the color wheel, primary-secondary-tertiary colors and using complementary colors to great effect so as to put you on the path of artistic achievement.
Max. 8 students.
Instructor
Greta Corens
Art and design teacher, Greta Corens, began teaching after a career as a successful fashion designer in NYC. She specializes in portraiture, botanical watercolors, landscapes and illustration.
"My paintings are realistic, but they also translate personality and have a soul that vibrates with sensitive qualities that set them apart, where no photography can tread."
She received a master's degree in Art, Architecture, and Design at St. Imelda Institute, div. of St. Lucas Architectural Institute in Brussels, Belgium.
The Greenwich Art Society is offering beginner and intermediate Watercolor Painting Classes
Join us on the first and third Mondays of every month for a new release/popular movie.
Check out other library events.
Monday Night Movies
Celebrate 50 years of Jaws at Westport Country Playhouse on June 2, 7 p.m.
In the summer of 1975, Jaws changed cinema forever—and made moviegoers afraid to take a swim!
Now, half a century later, the Westport Country Playhouse invites you to return to Amity Island and experience Steven Spielberg’s masterpiece on the big screen as it was meant to be seen. Hosted by Mark Shanahan, Westport Country Playhouse artistic director.
Before the film, we’ll explore some of the hidden details and behind-the-scenes stories that make Jaws a masterclass in suspense. Afterward, join us for a conversation about how this legendary thriller became the first summer blockbuster and one of the greatest films of all time.
Jaws - Film Screening and Talk
“Here is where finally opposites come together, I see a surprising purity. Stone is the depth, metal the mirror. They do not conflict…” —Isamu Noguchi
While the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc, resulting in sculptures that are subtly patterned and highly reflective, resembling pebbles in a stream or the epidermal layer of skin.
Writing about the unique materiality of his sculptures, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern, fine art and design, and industry and nature. As a Japanese American artist working in the United States, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes.
Featuring a selection of nine galvanized steel sculptures, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first, Noguchi imparts inanimate forms with human qualities, complicating the relationship between flesh and steel, body and mirror. Man-made material is transformed into representations of mountains, fruit, and sky in the second grouping, reflecting Noguchi’s belief that, in modernity, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction, bringing theoretical and spiritual ideas, weight and weightlessness, and past and present into visual dialogue. Through these sculptures, Noguchi explores ways of belonging in between such imagined oppositions. Indeed, the polished steel surfaces entangle objects, spaces, and people in a network of cast reflections, inviting visitors to contemplate Noguchi’s life, his practice, and themselves.
Isamu Noguchi: Metal the Mirror is curated by Julia Mun, Curatorial Associate, with support from Ashley Holland, Curator and Director of Curatorial Initiatives, and Javier Rivero Ramos, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas, Curator of Art.
Isamu Noguchi: Metal the Mirror is organized by Art Bridges.
Isamu Noguchi: Metal the Mirror
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
The Greenwich Art Society is pleased to announce its 108th Annual Juried Exhibition, at the Bendheim Gallery at 299 Greenwich Avenue, Greenwich, CT. Exhibition dates are May 8th thru June 8th. There will be an opening reception and awards ceremony on Saturday May 8th from 5:15 - 6:30 PM. An online digital and virtual gallery will be available on our website, www.greenwichartsociety.org . All work will be for sale.
JUROR: Kelly Long is an art worker and writer currently serving as Senior Curatorial Assistant at the Whitney Museum of American Art in New York, where she has worked with the Photography Acquisitions Committee since 2017), developed exhibitions across mediums, including Rachel Harrison Life Hack (2019), Fragments of a Faith Forgotten: The Art of Harry Smith (2023, and a forthcoming exhibition focused on surrealism and the 1960’s. Most recently, she curated Jeanne Moutoussamy-Ashe and the Last Gullah Islands (2024), and Trust Me (2023), a group exhibition exploring the role that vulnerability plays in forging connection, and the overlapping lives and loves of photography’s creators, viewers, and caretakers. Previously, she has held curatorial and teaching positions at the George Eastman Museum and at the University of Rochester. Her writing has appeared in the catalogues for Chiharu Shiota: The Hand Lines and Gail Thacker: Fugitive Moments, and in publications such as InVisible Culture and MOSSFLOWER. She holds a B.A. in art history from Vassar College, and an M.A. in visual and cultural studies from the University of Rochester, where her research focused on the engagement of postmodern and contemporary art with housing, exploring notions of being and belonging, access, and ownership in the art of our time.
AWARDS : Cash and other awards totaling over $2000 will be presented at the opening reception.
108th Annual Juried Exhibition at the Bendheim Gallery
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
Join us for a knit and crochet get together. Work on your own project or help us make items for local charities. If you know how to knit and/or crochet but are stuck on a project or technique, or if you are just looking for someone to craft with, this is the group for you. This program is for adults.
Check out other library programs!
Knitting & Crocheting
This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan, Daniel Macdonald, James Arthur O'Connor and Jack B. Yeats, as well as sculptures, paintings, and works on paper by contemporary artists including John Behan, Rowan Gillespie, Brian Maguire, and Hughie O'Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition.
An Gorta Mór: Selections from Ireland's Great Hunger Museum
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
Experience the highlights of the Bruce Museum’s exhibitions during a guided tour that is free with museum admission. No reservations are required but capacity is limited to twenty people on a first-come, first-served basis. Please check in with the front desk if you wish to join.
Exhibitions Highlights Tours - Tuesdays
Our eight-week session of SPRING 2025 DRAMA ARTS CLASSES for kids, teens and adults is now available on our website! Classes begin April 19, 2025, and take place after school, evenings and weekends at The Sterling Farms Theatre Complex, 1349 Newfield Avenue in Stamford, Connecticut: a professional facility with two theatre spaces and three studio classrooms. Our faculty consists of local, professional artists and arts educators dedicated to creative enrichment in the community. Classes are offered in acting, improv, sketch comedy, musical theatre, dance, on-camera, AND MORE!
ALL SKILL LEVELS WELCOME! (From the novice beginner to the seasoned veteran.)
Discounts for siblings/spouses registering together!
Payment plans available!
Scholarships for those who qualify!
Visit www.curtaincallinc.com
or contact our Education Director Brian Bianco at brian@curtaincallinc.com or
203-329-8207 x700.
ACT NOW TO ACT OUT!
Curtain Call, Inc. is Stamford, Connecticut's longest-running and only nonprofit, theatre-producing company, offering year-round, live, theatrical productions, concert events, and educational workshops. Voted Best Local Theatre Group 10 years in a row by Fairfield County Weekly's Annual Reader's Poll, and Best Performing Arts Group 12 years in a row by StamfordPlus Magazine. Recipient of the 2011 2011 Governor’s Award for Excellence in Culture and Tourism and the 2016 ACE Award for Excellence in the Arts.
Curtain Call's Spring 2025 Theatre Arts Classes for Kids, Teens, and Adults
Kids in 3rd through 5th grade can come and play games, bring your friends and make new ones too!
Check out other library programs!
Kid Gaming
Patio Season Kickoff at Artisan Southport
Celebrate summer in style at our lively patio party! Tickets include 2 signature drinks, passed hors d'oeuvres, and vibrant sounds of live music. Capture the moment at our photo booth and explore our full cash bar—all set against the inviting backdrop of our extended outdoor patio.
As a sweet bonus, indulge in a decadent chocolate-tasting experience with Be Chocolat.
Please note: Refunds are only available for cancellations made more than 7 days prior to the event.
Patio Party at Artisan Southport
Tuesday evening intermediate ride for building fitness. Location moves every week. Arrive at 5:30 ready to ride by 5:45pm.
Ride Leader Kathy Herde
Kathy's Hammer Ride @ Trumbull Trails
Join us Tuesday, June 3rd from 6:00 PM-7:30 PM for an evening of conversation with author Jacqueline Friedland, in conversation with Samantha Yanks, here to discuss her new novel, Counting Backwards.
Advanced registration/Ticket purchase is required and includes a paperback copy of Counting Backwards, plus light bites and wine from Craftbottlz in New Canaan.
About the book:
Inspired by true events revealing America's troubling past involving Pre-War eugenics practices, this emotionally riveting dual timeline novel brings together the lives of two inspiring women while exploring the timely and important themes of immigration, fertility, and motherhood. A revelatory tale of heartbreak and hope, it is an unputdownable story that will stay with readers long after the final page.
Jessa Gidney is a woman on the edge. Passed over for partner at her Manhattan law firm, she reevaluates her priorities, focusing on her deep desire to become a mother and her newfound interest in pro bono work. Her first case? An incarcerated woman named Isobel Perez fighting against a deportation order. An unsettling revelation about Isobel's health leads Jessa to uncover a horrifying pattern of medical malpractice within the detention facility. With her corporate law firm unsupportive and her husband, Vance, only concerned about the added stress while they're trying for a baby, Jessa is torn about whether to intervene. But when a shocking secret about her own family history comes to light, she is propelled to fight for these women, no matter the cost.
Nearly a century earlier in Virginia, seventeen-year-old, real-life Carrie Buck dreams of escaping her life as an unpaid laborer for her foster family. She yearns for a family of her own, a dream that seems within reach when she attracts the attention of her foster mother's handsome nephew. But he soon abandons her, and she's cast out, pregnant and completely alone. As a ward of the State, she is designated "feebleminded" and left to the mercy of a corrupt and heartless legal system. Her courageous fight for her own destiny leads to a landmark Supreme Court case.
As the novel alternates between these two women's stories, a startling connection is revealed. Tackling complex topics such as reproductive injustice, immigration law, eugenics, and societal expectations of women, the story is a compelling exploration of empowerment and self-determination. With a gripping investigation reminiscent of Erin Brockovich woven throughout, the tale is a testament to the courage it takes to stay true to oneself.
About the author:
Jacqueline Friedland is the USA Today and Amazon bestselling author of both historical and contemporary women’s fiction. A graduate of the University of Pennsylvania and NYU Law School, she practiced as a commercial litigator for as long as she could stand it. She then returned to school to earn her Masters of Fine Arts in creative writing from Sarah Lawrence College and has been writing ever since.
Jackie’s books have won numerous awards, including the 2020 and 2021 gold medals in fiction from Readers’ Favorite. Her novel He Gets That From Me was named a 2021 Kirkus Reviews Best Indie Book of the Year, the SheReads Best Book Club Pick of 2021, and the Women’s Fiction Writers Association Star finalist for 2022. Her newest release, Counting Backwards, was a Zibby Owens Most Anticipated Book of 2025, and has been called “engaging” and “compelling” by Kirkus Reviews.
Jackie regularly reviews fiction for trade publications and appears at schools and other locations as a guest lecturer. She lives in Westchester, New York with her husband, four children, and two dogs.
About Samantha Yanks:
Samantha Yanks is a seasoned C-suite executive, journalist, editor, and media personality with a wealth of experience in leadership and content creation. She is the Co-Founder of The Connecticut Edit, Founder of Samantha Yanks Creative, and serves as the Editor-in-Chief of Westport, Weston & Wilton Magazine. With a deep passion for social media strategy, entrepreneurship, and philanthropy, Yanks is dedicated to nurturing talent, building dynamic teams, and driving innovation.
Her expertise in digital media has allowed her to craft impactful social media strategies, fostering engaged communities for luxury brands. As a frequent speaker, thought leader, and industry expert, Yanks has contributed her insights to numerous platforms, establishing herself as a respected authority on cultivating long-term brand relationships.
Yanks began her career at Vogue and O, The Oprah Magazine, later serving as Editor-in-Chief of HAMPTONS and Gotham Magazines.
An Evening with Jacqueline Friedland at Elm Street Books
Board games, card games, party games, and more! We have games for all types of players! Meet new people or bring your own group for a night full of fun!
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Game Night for Adults
Citywide Student Art Show At The Norwalk Art Space
Featuring artwork by students in the Norwalk Public Schools K-12th grade.
Citywide Student Art Show
“Here is where finally opposites come together, I see a surprising purity. Stone is the depth, metal the mirror. They do not conflict…” —Isamu Noguchi
While the renowned sculptor Isamu Noguchi (1904–1988) is best known for his work in stone, he consistently explored new materials and methods during his wide-ranging career. He first experimented with aluminum in the 1950s and later with galvanized steel, creating a series of twenty-six sculptures in collaboration with Gemini G.E.L. in Los Angeles in 1982–83. In this body of work, each sheet of metal is cut with a plasma torch and then dipped into boiling zinc, resulting in sculptures that are subtly patterned and highly reflective, resembling pebbles in a stream or the epidermal layer of skin.
Writing about the unique materiality of his sculptures, Noguchi described metal as a mirror in opposition to “stone [as] depth.” His galvanized steel sculptures achieve formal unity while also exploring conceptual dualities between the traditional and modern, fine art and design, and industry and nature. As a Japanese American artist working in the United States, Noguchi negotiated his own feeling of in-betweenness throughout his oeuvre. The galvanized steel editions synthesize this dual aspect of his identity, utilizing steel—a distinctly American material—while also integrating the Japanese craft of origami through cut and folded metal shapes.
Featuring a selection of nine galvanized steel sculptures, the exhibition is organized into thematic groupings that underscore the paradoxes of the artist’s work in metal. In the first, Noguchi imparts inanimate forms with human qualities, complicating the relationship between flesh and steel, body and mirror. Man-made material is transformed into representations of mountains, fruit, and sky in the second grouping, reflecting Noguchi’s belief that, in modernity, industry and nature are intertwined. A final trio of works reveals Noguchi’s ongoing interest in abstraction, bringing theoretical and spiritual ideas, weight and weightlessness, and past and present into visual dialogue. Through these sculptures, Noguchi explores ways of belonging in between such imagined oppositions. Indeed, the polished steel surfaces entangle objects, spaces, and people in a network of cast reflections, inviting visitors to contemplate Noguchi’s life, his practice, and themselves.
Isamu Noguchi: Metal the Mirror is curated by Julia Mun, Curatorial Associate, with support from Ashley Holland, Curator and Director of Curatorial Initiatives, and Javier Rivero Ramos, Assistant Curator. The presentation at the Bruce is organized by Margarita Karasoulas, Curator of Art.
Isamu Noguchi: Metal the Mirror is organized by Art Bridges.
Isamu Noguchi: Metal the Mirror
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
The Greenwich Art Society is pleased to announce its 108th Annual Juried Exhibition, at the Bendheim Gallery at 299 Greenwich Avenue, Greenwich, CT. Exhibition dates are May 8th thru June 8th. There will be an opening reception and awards ceremony on Saturday May 8th from 5:15 - 6:30 PM. An online digital and virtual gallery will be available on our website, www.greenwichartsociety.org . All work will be for sale.
JUROR: Kelly Long is an art worker and writer currently serving as Senior Curatorial Assistant at the Whitney Museum of American Art in New York, where she has worked with the Photography Acquisitions Committee since 2017), developed exhibitions across mediums, including Rachel Harrison Life Hack (2019), Fragments of a Faith Forgotten: The Art of Harry Smith (2023, and a forthcoming exhibition focused on surrealism and the 1960’s. Most recently, she curated Jeanne Moutoussamy-Ashe and the Last Gullah Islands (2024), and Trust Me (2023), a group exhibition exploring the role that vulnerability plays in forging connection, and the overlapping lives and loves of photography’s creators, viewers, and caretakers. Previously, she has held curatorial and teaching positions at the George Eastman Museum and at the University of Rochester. Her writing has appeared in the catalogues for Chiharu Shiota: The Hand Lines and Gail Thacker: Fugitive Moments, and in publications such as InVisible Culture and MOSSFLOWER. She holds a B.A. in art history from Vassar College, and an M.A. in visual and cultural studies from the University of Rochester, where her research focused on the engagement of postmodern and contemporary art with housing, exploring notions of being and belonging, access, and ownership in the art of our time.
AWARDS : Cash and other awards totaling over $2000 will be presented at the opening reception.
108th Annual Juried Exhibition at the Bendheim Gallery
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan, Daniel Macdonald, James Arthur O'Connor and Jack B. Yeats, as well as sculptures, paintings, and works on paper by contemporary artists including John Behan, Rowan Gillespie, Brian Maguire, and Hughie O'Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition.
An Gorta Mór: Selections from Ireland's Great Hunger Museum
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
If you are struggling with stress, an over-active mind and want to find a new perspective on how mindfulness and meditation can help in navigating the challenges of your everyday life, then join Prabha Makayee as she guides you through the steps of meditation. See what you can accomplish by taking responsibility over what kinds of thoughts you think. With just one second, one breath and one thought of changing your perspective you can realign your well-being to a more peaceful, happy mindset.
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Mindfulness Meditation For Adults
Our eight-week session of SPRING 2025 DRAMA ARTS CLASSES for kids, teens and adults is now available on our website! Classes begin April 19, 2025, and take place after school, evenings and weekends at The Sterling Farms Theatre Complex, 1349 Newfield Avenue in Stamford, Connecticut: a professional facility with two theatre spaces and three studio classrooms. Our faculty consists of local, professional artists and arts educators dedicated to creative enrichment in the community. Classes are offered in acting, improv, sketch comedy, musical theatre, dance, on-camera, AND MORE!
ALL SKILL LEVELS WELCOME! (From the novice beginner to the seasoned veteran.)
Discounts for siblings/spouses registering together!
Payment plans available!
Scholarships for those who qualify!
Visit www.curtaincallinc.com
or contact our Education Director Brian Bianco at brian@curtaincallinc.com or
203-329-8207 x700.
ACT NOW TO ACT OUT!
Curtain Call, Inc. is Stamford, Connecticut's longest-running and only nonprofit, theatre-producing company, offering year-round, live, theatrical productions, concert events, and educational workshops. Voted Best Local Theatre Group 10 years in a row by Fairfield County Weekly's Annual Reader's Poll, and Best Performing Arts Group 12 years in a row by StamfordPlus Magazine. Recipient of the 2011 2011 Governor’s Award for Excellence in Culture and Tourism and the 2016 ACE Award for Excellence in the Arts.
Curtain Call's Spring 2025 Theatre Arts Classes for Kids, Teens, and Adults
Whether you're a seasoned grandmaster or a beginner eager to learn, this event offers an opportunity to test your strategic prowess. Engage in friendly matches, improve your chess skills, and enjoy intellectual challenges in a welcoming and inclusive environment!
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Chess - All Ages
Please join us on Wednesday, June 4th at Wee Burn Country Club to hear Martha Hall Kelly, Lian Dolan, and Marie Bostwick in conversation about their new novels, plus audience Q&A and book signing. Light refreshments and a glass of wine are included in the ticket price. Copies of the authors’ newest books and additional drinks will be available for purchase. We look forward to seeing you for this literary start of the summer season.
Ladies of Summer 2025
Athena Books is thrilled to welcome bestselling author, memoirist, podcaster, and television host Kelly Corrigan to the store to celebrate the release of Marianne the Maker! Kelly collaborates with her daughter, debut author Claire Corrigan Lichty, to bring us a new picture book about a determined young inventor. We couldn't be more excited to showcase this delightful story about the importance of creativity and nurturing your spark. Kelly will be joined in conversation by writer, podcaster and friend of the store, Julie Flakstad.
Your ticket to the event includes a copy of the book Marianne the Maker, wine, selzer and light dessert. Kelly's memoirs will also be available for sale and can be signed at the event.
About Marianne the Maker :
Marianne's days are filled with schedules, structure, and soccer. There's just one problem: Marianne is a maker. She needs every minute of her weekends to scheme and dream, draw and design, to build and rebuild! This is the story of how a creator with a crackerjack imagination finds a not-so-great way to skip practice and create her masterpiece. But will her dad understand?
Told in delightful rhyme that bounces across George Sweetland's gorgeous collage-style illustrations (chock full of hidden gems), Marianne the Maker is sure to kindle the creative spark that lives inside all of us.
About Kelly Corrigan:
Kelly Corrigan has written four New York Times bestselling memoirs in the last decade, earning her the title of “The Poet Laureate of the ordinary” from the Huffington Post and the “voice of a generation” from O Magazine. She is curious and funny and eager to go well past the superficial in every conversation. She has also penned some very popular Op-Eds about applying to college, becoming an empty nester and giving advice to teenagers in the New York Times. She is the host of the long-form interview show Tell Me More on PBS, as well as the podcast and NPR radio show Kelly Corrigan Wonders, which has over 400 episodes. She regularly gives keynote speeches, graduation addresses and book readings.
About Julie Flakstad:
Julie Flakstad is the founder and producer of The Midlife Truth Project, a research-based initiative and Ambie-nominated podcast, aimed at amplifying the explosive shifts that women experience as they approach and settle into their 40s + 50s. As Executive Producer of Her Second Act, a groundbreaking new documentary about midlife, her work creates space for women to come together around complex and vulnerable topics. Julie is regularly featured on podcasts and in various publications including Maria Shriver’s Sunday Paper, Forbes, and Katie Couric Media. Her latest essay will be featured in the highly anticipated anthology Midlife Private Parts, set to release June 24th. You can follow her@JulieFlakstad and learn more atjulieflakstad.com.
Bestselling Author, Podcaster and TV Host Kelly Corrigan at Athena Books!
Doors open at 6:00pm. Try to be seated by 6:30pm to have your dinner order taken. Showtime begins at 7:00pm when we transform the space into a theater.
Out of respect for the performers and other patrons, please keep talking to a whisper during the performance.
Very Limited Occupancy. Tables seating 2, 4, 5 guests, with tables for 6, 8, 12 available upon request. Single, general admission tickets are also available. See The Attached Seating Chart. Admission Is $15.00 - $25.00 Per Person, Ticket prices may be higher for special performances. Having problems with the ticketing system? Call 203-247-4273
Parking: Please park in LaZingara's lot or on Greenwood Ave. or School Street. Please avoid parking in P.T. Barnum Square.
Check out the band:
Michael Bard - Sax
Michael has been playing the saxophone since he was 8 years old after being bewitched by the sounds of the jazz greats, notably Charlie Parker, Dexter Gordon, John Coltrane, and Sonny Rollins. He has performed with the New York All-State Jazz Ensemble and The University of Michigan Jazz Group as well as several smaller jazz combos in the Ann Arbor area. Over the course of his career, he has played with the Temptations, the rhythm and blues band, Incognito and has worked in groups with Phil Woods, trumpeter Tom Hagans and bassist Steve Laspina. His teachers include Eric Alexander, Dave Tofani, Bob Sheppard and Joel Frahm. In addition to this musical journey, he is a physician in Danbury. He has been living in Redding for more than 20 years. Expect to hear an eclectic mix of Bop, Afro-Cuban, Latin, Straight Ahead, Modern and Fusion jazz styles. He will be joined by some of the top jazz musicians of the Greater New York area who will bring their own talents and experiences to the concert.
We're sorry, there are no refunds after tickets have been purchased. In the event of a pandemic, rain, snow, or other forms of weather which prohibit a performance, the performance date will be postponed and rescheduled for another date within a reasonable amount of time. If the new date is postponed, a future alternate date will be picked at the discretion of Bethel Jazz and the musical artist. The ticket holder will be notified of postponements, cancellations, and rescheduled dates via email. Tickets are non-refundable and may be transferred to another person in the event a purchaser cannot make the rescheduled date. In the event, an artist cancels a date, and Bethel Jazz is unable to reschedule the artist, Bethel Jazz reserves the right to provide a substitute performer of equal quality without notice to the ticket purchaser. If a date is canceled and not rescheduled, Bethel Jazz will provide a refund (in some cases minus the Eventbrite fee) or credit for another performance at the choice of the ticket holder. Bethel Jazz will always do its best to accommodate for changes in seating, table sizes, or changes to tickets.
Michael Bard's Jazz Collective
Join the Westport Writers’ Workshop for LIT & WIT, a night of laughter benefitting our Community Outreach programs for underserved populations and communities. With headliner Jane Condon and Emcee Ashley Austin Morris, as well as 12 other featured comedians, we know we will have yet another another incredibly fun night at this annual fundraiser!
Door Prizes, Food Truck (separate purchase), and cash bar.
Lit & Wit Comedy Night
Citywide Student Art Show At The Norwalk Art Space
Featuring artwork by students in the Norwalk Public Schools K-12th grade.
Citywide Student Art Show
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
The Greenwich Art Society is offering:
INTERMEDIATE and ADVANCED ACRYLIC LANDSCAPE PAINTING
11 THURSDAYS
April 10 – June 19
10:00 am to 12:00 pm
Program Description
Students will take their own photos as a point of inspiration to create their own interpretation rather than a copy. From their photos, students will produce a value sketch to learn how to SEE the values. The value sketch will be the guide for the painting. They will also learn how to set up a palette for landscape painting. Students will learn to see and express color, values and the illusion of depth. Classes will include lectures, demonstrations, as well as individual instruction. If you are new to the class, please bring a drawing or painting as a sample of your skill level to the first class.
Max. 8 students.
Joseph Fama studied at the School of Visual Arts and the Reilly League of Artists. Cesare Borgia was his teacher. Fama earned a bachelor’s degree from Iona College. He’s a member of the American Artist Professional League, Oil Painters of America and American Impressionist Society, Inc. His work has been exhibited throughout the U.S. and has won numerous awards.
Fama has served as an Art Director for several advertising agencies in New York City and worked with clients and copywriters in developing concepts and visual images for ads and T.V. commercials.
The Greenwich Art Society is offering INTERMEDIATE and ADVANCED ACRYLIC LANDSCAPE PAINTING
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
The Greenwich Art Society is pleased to announce its 108th Annual Juried Exhibition, at the Bendheim Gallery at 299 Greenwich Avenue, Greenwich, CT. Exhibition dates are May 8th thru June 8th. There will be an opening reception and awards ceremony on Saturday May 8th from 5:15 - 6:30 PM. An online digital and virtual gallery will be available on our website, www.greenwichartsociety.org . All work will be for sale.
JUROR: Kelly Long is an art worker and writer currently serving as Senior Curatorial Assistant at the Whitney Museum of American Art in New York, where she has worked with the Photography Acquisitions Committee since 2017), developed exhibitions across mediums, including Rachel Harrison Life Hack (2019), Fragments of a Faith Forgotten: The Art of Harry Smith (2023, and a forthcoming exhibition focused on surrealism and the 1960’s. Most recently, she curated Jeanne Moutoussamy-Ashe and the Last Gullah Islands (2024), and Trust Me (2023), a group exhibition exploring the role that vulnerability plays in forging connection, and the overlapping lives and loves of photography’s creators, viewers, and caretakers. Previously, she has held curatorial and teaching positions at the George Eastman Museum and at the University of Rochester. Her writing has appeared in the catalogues for Chiharu Shiota: The Hand Lines and Gail Thacker: Fugitive Moments, and in publications such as InVisible Culture and MOSSFLOWER. She holds a B.A. in art history from Vassar College, and an M.A. in visual and cultural studies from the University of Rochester, where her research focused on the engagement of postmodern and contemporary art with housing, exploring notions of being and belonging, access, and ownership in the art of our time.
AWARDS : Cash and other awards totaling over $2000 will be presented at the opening reception.
108th Annual Juried Exhibition at the Bendheim Gallery
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan, Daniel Macdonald, James Arthur O'Connor and Jack B. Yeats, as well as sculptures, paintings, and works on paper by contemporary artists including John Behan, Rowan Gillespie, Brian Maguire, and Hughie O'Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition.
An Gorta Mór: Selections from Ireland's Great Hunger Museum
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
Calling all Spinners, Weavers, & Knitters! Learn how to transform raw wool into beautiful yarn in our single-day Yarn Spinning Workshop.
Instructor Mark Nowotarski, a member of the Nutmeg Spinners Guild, will guide students through this ancient, meditative art. This is the perfect opportunity for both novice and seasoned crafters to master the fundamentals of spinning and drafting.
Students will practice with a drop spindle, learn Andean plying, and try their hand on one of our spinning wheels.
Equipment and materials included. Workshops held monthly. Private lessons also offered.
Yarn Spinning Workshop
Practice drawing the human figure at our Open Figure Drawing Sessions! Every week, a live model is available for you to sketch freely at our studio. Sessions are 3 hours and open to all skill levels, 18 and over. Bring a drawing pad and something to draw with, easels are available on a first come first serve basis!
You can purchase sessions individually or as part of a package. A single session costs $30, but when you sign up for 4 or more, you’ll receive a $20 discount.
Figure & Form: Open Sketch with Live Model
In today’s competitive environment, marketing is a war where the enemy is the competition, and the customer is the ground to be won. While satisfying customer needs is essential, success will also depend on your ability to outwit, outflank, and outfight your competition. This program will present the basic strategies from which one can choose to heighten their chances for commercial success.
Attendees will learn:
- What are the types of warfare you might wage.
- Which strategy would give you the best chance of winning.
- How can you compete-with-advantage in your market.
- How can you differentiate your product/service to standout in your market...
- What benefits will you realize through differentiation.
Presenter: Peter Engstrom
Peter is the founder and Managing Director of Mainly Marketing – a consulting firm that has been helping businesses increase their marketing effectiveness and profitably grow sales for more than 35 years. Clients have included EG&G, Cutler-Hammer, EATON, Kollmorgen, Panasonic, Signal Transformer, and Eaton. In addition, he founded two American firms, serving as their COO and profitably growing each entity into a market share leader in North America. He is also an Adjunct Professor at Sacred Heart University teaching various undergraduate and graduate marketing courses.
Marketing Warfare: Winning Business in a Competitive Environment
The Southport Garden Stroll, one of Pequot Library’s signature fundraisers, features exciting events and activities showcasing some of Southport’s finest private gardens. Don’t miss out on our June 5 (6:00 p.m.) ticketed Cocktail Kickoff Party at a private home featuring ceramicist, author, and photographer Frances Palmer. The celebration continues on June 6 with garden tours, engaging conversations, food trucks, rosé sold by the glass, live music, raffle items, vendor displays, and more!
- New this year: Start your day with drip coffee by the cup from the Sound Coffee Cart available for purchase from 9:30-11:30 a.m.
- Bud Bucks: Use your bud bucks to enter to win raffle items, purchase a glass of rosé in our exclusive Rosé Tent, sponsored by Sturges Ridge of Fairfield, and partake in some treats along the stroll.
- Food trucks: Grab a bite to eat from local food trucks on the Great Lawn, featuring BFF Grill Truck and Proof Pizza, available for purchase from 11:30 a.m. – 2:00 p.m.
Find information on companion programs, parking, vendors, sponsors, and volunteer opportunities here. Click here to reserve your tickets! Many thanks to our premier event sponsor, On the Harbor real estate, as well as the other local businesses that have lent us their support.
Southport Garden Stroll
Come play music, recite poetry, tell a story, or show off another talent!
Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.
This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)
Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!
Open Mic Night – Hosted by Bethel CT Pride & Molten Java
Our favorite singer returns to the Westport VFW.
Join us for a warm evening of hot Jazz at Westport's own Jazz Inferno! Melissa is a natural talent, and really makes every song she sings her very own. With a band like this, the evening is sure to be way over the top. This show always sells out so be sure and get reservations early!
Melissa Newman had a lucrative career singing jingles for companies like AT&T and Chevrolet. Locally she has performed at the Blue Lemon, Tengda, and Harvest in Westport,
with guitarist Tony Lombardozzi and bassist Phil Bowler. Melissa also makes, shows and sells ceramic and porcelain sculpture. Melissa was a featured artist in the recent major exhibit, “Layers Revealed” at The Norwalk Art Space. She lives in Westport with her husband and two sons.
And if that is not enough, we celebrate Melissa as an author! She has a new book out entitled "Head over Heels”, a love story in words and pictures.
Melissa Newman at Jazz at the Post
Please join Wilton Library in welcoming New York Times bestselling author **Fiona Davis** for a fascinating presentation of her eighth novel - The Stolen Queen - a story centered on the Metropolitan Museum of Art and its famed Met Gala, while for the first time, exploring a territory beyond New York City - Egypt's Valley of the Kings.
Written with a dual timeline, the novel alternates between Egypt in 1936 and New York City in 1978, as two women from different generations are thrown together after a Met Gala goes horribly wrong.
Published to much acclaim, The Stolen Queen has been characterized as "Alluring...The action-packed novel brims with Davis's customary meticulous research...There's plenty of substance to this rousing adventure." - Publishers Weekly
Many agree that no one brings New York City to life like Fiona Davis. For nearly a decade, Davis has introduced readers to the fascinating and often little known histories behind some of New York City's most iconic landmarks through the eyes of female characters seeking the truth about themselves and the world around them. A library and bookseller favorite with legions of fans, Fiona Davis has sold more than 1 million copies of her books to date.
As one of the largest and most comprehensive art museums in New York City, the Met is one of the most iconic buildings to fall under Davis’s pen yet. Davis first became inspired to write The Stolen Queen after reading a New York Times article about how a photo of Kim Kardashian at the 2018 Met Gala helped identify a stolen sarcophagus that was subsequently returned to Egypt. This got Davis thinking about art, ancient artifacts, and repatriation. From there, Davis became fascinated by Egyptian history, as well as with the Met Gala, its history, and the role Diana Vreeland played in making it the star-studded event it is today. Davis traveled to Egypt and worked closely with the staff at the Met Museum to conduct her research. The result is an addictive page-turner that combines art, fashion, history, intrigue, and strong feminist themes.
Fiona Davis
Fiona Davis is the New York Times bestselling author of several historical fiction novels set in iconic New York City buildings, including The Magnolia Palace, The Address, and The Lions of Fifth Avenue, which was a Good Morning America book club pick. Her novels have been chosen as “One Book, One Community” reads and her articles have appeared in publications like The Wall Street Journal and O the Oprah Magazine. She first came to New York as an actress, but fell in love with writing after getting a master's degree at Columbia Journalism School. Her books have sold more than 1 million copies to date and have been translated into more than twenty languages. She's based in New York City.
Elm Street Books will be selling books at this event, which Fiona Davis will sign. A portion of the proceeds goes to Wilton Library.
Registration is required. Register online at www.wiltonlibrary.org or call (203) 762-6334.
Bestselling Author Fiona Davis Speaks about The Stolen Queen
The Southport Garden Stroll, one of Pequot Library’s signature fundraisers, features exciting events and activities showcasing some of Southport’s finest private gardens. Don’t miss out on our June 5 (6:00 p.m.) ticketed Cocktail Kickoff Party at a private home featuring ceramicist, author, and photographer Frances Palmer. The celebration continues on June 6 with garden tours, engaging conversations, food trucks, rosé sold by the glass, live music, raffle items, vendor displays, and more!
- New this year: Start your day with drip coffee by the cup from the Sound Coffee Cart available for purchase from 9:30-11:30 a.m.
- Bud Bucks: Use your bud bucks to enter to win raffle items, purchase a glass of rosé in our exclusive Rosé Tent, sponsored by Sturges Ridge of Fairfield, and partake in some treats along the stroll.
- Food trucks: Grab a bite to eat from local food trucks on the Great Lawn, featuring BFF Grill Truck and Proof Pizza, available for purchase from 11:30 a.m. – 2:00 p.m.
Find information on companion programs, parking, vendors, sponsors, and volunteer opportunities here. Click here to reserve your tickets! Many thanks to our premier event sponsor, On the Harbor real estate, as well as the other local businesses that have lent us their support.
Southport Garden Stroll
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
The Greenwich Art Society is pleased to announce its 108th Annual Juried Exhibition, at the Bendheim Gallery at 299 Greenwich Avenue, Greenwich, CT. Exhibition dates are May 8th thru June 8th. There will be an opening reception and awards ceremony on Saturday May 8th from 5:15 - 6:30 PM. An online digital and virtual gallery will be available on our website, www.greenwichartsociety.org . All work will be for sale.
JUROR: Kelly Long is an art worker and writer currently serving as Senior Curatorial Assistant at the Whitney Museum of American Art in New York, where she has worked with the Photography Acquisitions Committee since 2017), developed exhibitions across mediums, including Rachel Harrison Life Hack (2019), Fragments of a Faith Forgotten: The Art of Harry Smith (2023, and a forthcoming exhibition focused on surrealism and the 1960’s. Most recently, she curated Jeanne Moutoussamy-Ashe and the Last Gullah Islands (2024), and Trust Me (2023), a group exhibition exploring the role that vulnerability plays in forging connection, and the overlapping lives and loves of photography’s creators, viewers, and caretakers. Previously, she has held curatorial and teaching positions at the George Eastman Museum and at the University of Rochester. Her writing has appeared in the catalogues for Chiharu Shiota: The Hand Lines and Gail Thacker: Fugitive Moments, and in publications such as InVisible Culture and MOSSFLOWER. She holds a B.A. in art history from Vassar College, and an M.A. in visual and cultural studies from the University of Rochester, where her research focused on the engagement of postmodern and contemporary art with housing, exploring notions of being and belonging, access, and ownership in the art of our time.
AWARDS : Cash and other awards totaling over $2000 will be presented at the opening reception.
108th Annual Juried Exhibition at the Bendheim Gallery
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan, Daniel Macdonald, James Arthur O'Connor and Jack B. Yeats, as well as sculptures, paintings, and works on paper by contemporary artists including John Behan, Rowan Gillespie, Brian Maguire, and Hughie O'Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition.
An Gorta Mór: Selections from Ireland's Great Hunger Museum
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition & Opening Reception
Join us for a reception for The Artists Collective of Westport’s summer exhibit at The Westport Library, Interiors: A Look Inside, in the Sheffer Gallery and South Gallery, and as the Collective reveals its Piece by Piece installation in the Jesup Gallery.
For Interiors, each of the Artists Collective members were invited to display a work in the medium of their choice that explores what “interiors” means to them. Contributors this year include Bonnie Edelman, Lynn Carlson, Peggy Dembicer, and Ros Shaffer, as well as Norm Siegel, Suzanne Benton, Julie Leff, Diane Pollack, Miggs Burroughs, Kat Evans, Niki Ketchman, and more.
Piece by Piece is a 6-foot by 8-foot art installation composed of the work of 48 Artists Collective members. Each artist received a 12-inch by 12-inch blank panel along with a 12-inch square section randomly selected from a well-known modern painting. The artists created their individual piece, replicating a part of the larger painting in their own style, without knowing what the final painting will look like until it is revealed at the opening reception.
Each 12-inch by 12-inch “piece” of Piece by Piece will be available for purchase starting the night of the reception. Each square will be $100, with 50% of the proceeds supporting the Library’s art programs and 50% going to the artist.
The additional artworks on display in the Sheffer and South Galleries will also be available for purchase, with a percentage of the proceeds also going to benefit the Library’s art programming. Additional exhibit support is provided by The Drew Friedman Community Arts Center.
The Artists Collective of Westport is a nonprofit organization composed of 150 local artists who have joined forces to discuss, create, and develop dynamic experiences for the Fairfield County community. The collective is open to all active artists in pursuit of expanding their careers and in developing a strong, diverse arts community.
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For more about the Library art exhibits, visit the Art at the Library page.
Artist Reception: ‘Interiors: A Look Inside’ and the Reveal of ‘Piece by Piece’ with The Artists Collective of Westport
Join us for an inspiring evening of art, flavor, and community!
Mingle with talented artists and fellow art lovers while savoring a Signature Cocktail, local wines, craft brews, and festive bites. Be among the first to preview this year’s collection of exceptional artwork by some of the region’s finest artists.
Our fantastic biennial Art Show includes a silent auction, live art demonstrations, and engaging activities for both children and adults—all set against the backdrop of nature and agrarian life that inspires our work and defines our beautiful property.
$50 per person
(includes a $25 art purchase credit)
Registration is required. Please register at[](https://newpondfarm.org/event/art-show-preview-party)[www.newpondfarm.org](http://www.newpondfarm.org)
New Pond Farm's Art Show Preview
The Downtown Cabaret in partnership with Family Entertainment Live presents the third installment of our signature Decades in Concert series, The 1980s! Following the huge success of Sounds of the Seventies and Spirit of the Sixties, this production transports audiences back to the 1980s to revisit the sights and sounds of the era where walls were torn down, we believed in miracles, and greed was good. Using music from some of the most prominent and influential artists of the 80’s such as Madonna, Michael Jackson, Cyndi Lauper, Whitney Houston, U2, The Police, Bon Jovi and many many more, Decades in Concert: The 1980s tells the story of the history and culture of America in the “Me First” decade. This amazing performance with a talented cast will immerse you in nostalgic multimedia and transport you back to the decade that changed America and defined a generation!
Decades in Concert: The 1980s
Adapted for the stage by Dave Johns and Owen O'Neill. Based on the beloved movie and the novella by Stephen King.
PLOT: When Andy Dufresne is convicted of murder and sentenced to life in Shawshank prison, he must use his wits and newly forged friendships to keep himself and his hope alive. But will he be able to survive the corruption and danger he faces within this notorious prison’s walls? Based on the novella by Stephen King and popularized by the highly acclaimed movie, The Shawshank Redemption is a story of resilience and is sure to be a theatrical experience like no other.
THE SHAWSHANK REDEMPTION - Live! On-stage!
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
Join us Saturdays at 10 am on the terrace next to our Design Barn for inspiring speakers and answers to your pressing gardening questions! Make a morning of it by grabbing coffee at our coffee bar, strolling our park-like grounds, checking out our curated selection of vendors and connecting with our gardening community!
Oliver Nurseries Plein Air Speaker Series
Our eight-week session of SPRING 2025 DRAMA ARTS CLASSES for kids, teens and adults is now available on our website! Classes begin April 19, 2025, and take place after school, evenings and weekends at The Sterling Farms Theatre Complex, 1349 Newfield Avenue in Stamford, Connecticut: a professional facility with two theatre spaces and three studio classrooms. Our faculty consists of local, professional artists and arts educators dedicated to creative enrichment in the community. Classes are offered in acting, improv, sketch comedy, musical theatre, dance, on-camera, AND MORE!
ALL SKILL LEVELS WELCOME! (From the novice beginner to the seasoned veteran.)
Discounts for siblings/spouses registering together!
Payment plans available!
Scholarships for those who qualify!
Visit www.curtaincallinc.com
or contact our Education Director Brian Bianco at brian@curtaincallinc.com or
203-329-8207 x700.
ACT NOW TO ACT OUT!
Curtain Call, Inc. is Stamford, Connecticut's longest-running and only nonprofit, theatre-producing company, offering year-round, live, theatrical productions, concert events, and educational workshops. Voted Best Local Theatre Group 10 years in a row by Fairfield County Weekly's Annual Reader's Poll, and Best Performing Arts Group 12 years in a row by StamfordPlus Magazine. Recipient of the 2011 2011 Governor’s Award for Excellence in Culture and Tourism and the 2016 ACE Award for Excellence in the Arts.
Curtain Call's Spring 2025 Theatre Arts Classes for Kids, Teens, and Adults
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
The Greenwich Art Society is offering:
YOUNG ARTISTS IN THE STUDIO, AGES 6-8
with OLGA KLYMYK
10 SATURDAYS
April 12 – June 21 (Except May 24)
10:30 am to 12:00 pm
Program Description
This class will explore new approaches to creativity with children. Using drawing, painting, printmaking, collage, and sculpture children will learn new skills and improve on old ones as they experiment with new media and different techniques. To reinforce their understanding, children will learn about important artists who are either historically significant or are forerunners in contemporary art. Come join in and stretch your imagination in a relaxed, fun environment. Materials supplied.
Instructor
Olga Klymyk
Olga Klymyk was born in the fall of 1977 in the Ukraine and grew to become a talented creative artist. A graduate of Arts & Crafts College in Kociv, she majored in Monumental Art, then completed graduate studies in graphics at University Stefanyke at Ivano-Frankivst, in the Ukraine.
After teaching art on the college level, painting murals in commercial buildings, consulting as an interior designer, as well as selling her art in retail stores, Olga emigrated to the USA in 2006 to continue exploring career opportunities.
She became a US citizen in 2011, and actively engages in a variety of work experiences to provide income for her and her teenage daughter living in Stamford, Ct. Olga gives private art instruction and teaches at the Ukrainian school. Although she has moved on from her membership, Ms. Klymyk spent the last few years as an active member of the Stamford based Loft Artists Association, now in its 40th year.
Olga is painting more, creating a new series, and pursuing new opportunities to exhibit and sell her growing collection of watercolor art that now consists of more than 30 pieces all professionally presented and ready to complete interiors.
The Greenwich Art Society is offering Young Artist in the Studio on Saturday mornings!
Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
Interested in learning about New Pond Farm Education Center and all we have to offer?
Stop by anytime between 10:30 a.m. - 1 p.m. to learn more about our stunning landscape, the diverse habitats, our fascinating history, the varied wildlife, the multitude of educational opportunities, in addition to our warm and welcoming staff.
Meet our barnyard residents, tour our Woodland Indian encampment, explore our trails, visit with our delightful program animals, and enjoy a delicious farm treat!
No Registration Required!
If you have any concerns about the weather, please check www.newpondfarm.org after 9 a.m.
Open Day at New Pond Farm Education Center!
This fantastic biennial event will showcase artwork by some of the region’s finest artists. With paint and canvas, pencil and paper, wood, metal, or clay, their creativity will transform the enduring themes of nature and farm into beautiful works of art. A silent auction, art demonstrations, plein air painting, and activities for all ages will all be a part of this inspiring show.
All art is for sale with proceeds to benefit our programs.
Free admission to the gallery, auction, demonstrations, lectures, and classes.
More details can be found at www.newpondfarm.org
New Pond Farm Education Center's Art Show
This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan, Daniel Macdonald, James Arthur O'Connor and Jack B. Yeats, as well as sculptures, paintings, and works on paper by contemporary artists including John Behan, Rowan Gillespie, Brian Maguire, and Hughie O'Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition.
An Gorta Mór: Selections from Ireland's Great Hunger Museum
The Greenwich Art Society is pleased to announce its 108th Annual Juried Exhibition, at the Bendheim Gallery at 299 Greenwich Avenue, Greenwich, CT. Exhibition dates are May 8th thru June 8th. There will be an opening reception and awards ceremony on Saturday May 8th from 5:15 - 6:30 PM. An online digital and virtual gallery will be available on our website, www.greenwichartsociety.org . All work will be for sale.
JUROR: Kelly Long is an art worker and writer currently serving as Senior Curatorial Assistant at the Whitney Museum of American Art in New York, where she has worked with the Photography Acquisitions Committee since 2017), developed exhibitions across mediums, including Rachel Harrison Life Hack (2019), Fragments of a Faith Forgotten: The Art of Harry Smith (2023, and a forthcoming exhibition focused on surrealism and the 1960’s. Most recently, she curated Jeanne Moutoussamy-Ashe and the Last Gullah Islands (2024), and Trust Me (2023), a group exhibition exploring the role that vulnerability plays in forging connection, and the overlapping lives and loves of photography’s creators, viewers, and caretakers. Previously, she has held curatorial and teaching positions at the George Eastman Museum and at the University of Rochester. Her writing has appeared in the catalogues for Chiharu Shiota: The Hand Lines and Gail Thacker: Fugitive Moments, and in publications such as InVisible Culture and MOSSFLOWER. She holds a B.A. in art history from Vassar College, and an M.A. in visual and cultural studies from the University of Rochester, where her research focused on the engagement of postmodern and contemporary art with housing, exploring notions of being and belonging, access, and ownership in the art of our time.
AWARDS : Cash and other awards totaling over $2000 will be presented at the opening reception.
