This exhibition presents highlights from the collection of Ireland’s Great Hunger Museum, which explores the impact of the Irish Famine of 1845-1852 through artwork produced by eminent Irish and Irish-American artists of the past 170 years. The works on view in the exhibition will include paintings by late 19th- and early 20th‐century artists like James Brenan, Daniel Macdonald, James Arthur O'Connor and Jack B. Yeats, as well as sculptures, paintings, and works on paper by contemporary artists including John Behan, Rowan Gillespie, Brian Maguire, and Hughie O'Donoghue. The exhibition is presented by Quinnipiac University and the Ireland’s Great Hunger Museum of Fairfield Exhibition.
An Gorta Mór: Selections from Ireland's Great Hunger Museum
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
On Thursday, June 12 at 5 p.m., Elizabeth Cronin, author of Heimat Photography in Austria (2015), explores Trude Fleischmann in relation to this aspect of 1930s visual culture. “In Austria, what is generally referred to as Heimat (home or homeland) photography featured local sights: peasants, churchgoers, skiers and rural alpine landscapes. As these traditional, romanticized images came to be identified with the idea of a nation, they were used by the Standestaat of 1930s Austria to promote a national identity that grew into fascism.”
About the Exhibition: Austrian-born Trude Fleischmann (1895-1990) was one of the most accomplished female photographers of the 20th century. After great success in Vienna in the 20s photographing artists, models, and performers, she fled the Anschluss in 1938, first to Paris and then New York. She opened a studio on Fifth Avenue in 1940 and photographed many of the artists and intellectuals of the day, including Eleanor Roosevelt and Albert Einstein. This exhibition will include loans from the Wien Museum in Vienna, Austria, private collections, and the New York Public Library, as well as never-before-exhibited works from family collections.
The event will also be livestreamed on here. Click here to register for a reminder.
Image: Trude Fleischmann, Upper Salzburg, At the Festival, ca. 1930, gelatin silver print. Lent by Peter Modley. © Trude Fleischmann
Lecture: Heimat Photography and the Art of Trude Fleischmann
On Thursday, June 12 at 5 p.m., Elizabeth Cronin, author of Heimat Photography in Austria (2015), explores Trude Fleischmann in relation to this aspect of 1930s visual culture. “In Austria, what is generally referred to as Heimat (home or homeland) photography featured local sights: peasants, churchgoers, skiers and rural alpine landscapes. As these traditional, romanticized images came to be identified with the idea of a nation, they were used by the Standestaat of 1930s Austria to promote a national identity that grew into fascism.”
About the Exhibition: Austrian-born Trude Fleischmann (1895-1990) was one of the most accomplished female photographers of the 20th century. After great success in Vienna in the 20s photographing artists, models, and performers, she fled the Anschluss in 1938, first to Paris and then New York. She opened a studio on Fifth Avenue in 1940 and photographed many of the artists and intellectuals of the day, including Eleanor Roosevelt and Albert Einstein. This exhibition will include loans from the Wien Museum in Vienna, Austria, private collections, and the New York Public Library, as well as never-before-exhibited works from family collections.
The event will be livestreamed on here.
Image: Trude Fleischmann, Upper Salzburg, At the Festival, ca. 1930, gelatin silver print. Lent by Peter Modley. © Trude Fleischmann
Virtual Lecture: Heimat Photography and the Art of Trude Fleischmann
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Presenter: Holly Hurd
Holly Hurd is a business coach and the founder of VentureMom.com, a blog and platform devoted to sharing the stories of women who have their own businesses. Holly has interviewed hundreds of women on her blog, making her uniquely qualified to speak on blogging and the small business start-up. In her book, VentureMom: From Idea to Income in Just 12 Weeks, Holly gives founders a step by step guide to creating their own income. Her new book will be published in September, The Life Changing Power of One Question.
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Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound Opening Reception
Come play music, recite poetry, tell a story, or show off another talent!
Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.
This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)
Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!
Open Mic Night – Hosted by Bethel CT Pride & Molten Java
David DeJesus is a multiple Grammy Award winning saxophonist and bandleader from Brooklyn, NY who has established himself as a key player in numerous bands in various genres. In Jazz, David has performed with the Village Vanguard Jazz Orchestra, the Mingus Big Band, the Dizzy Gillespie Alumni All-Stars, and Jimmy Heath’s Big Band along with many others. In Latin Jazz and Salsa, David has shared the stage with Ruben Blades, Larry Harlow, Gilberto Santa Rosa, Arturo O’Farrill and Tito Rodriguez Jr. Currently, David is the Director of the Birdland Big Band, a member of the Grammy nominated Bobby Sanabria Big Band, and Musical Director for legendary Ron Carter’s Great Big Band. On top of his busy performing career, David has long been involved in education. Having taught at major conservatories including Manhattan School of Music, New York University, and the New School, David is proud to currently be a Full-Time Faculty member and Head of Jazz Studies at Purchase College.
Jen Allen is a dynamic pianist, composer, author, and educator, captivating audiences worldwide with her artistry and creative vision. She frequently performs as a leader or collaborator in venues across New York, the Northeast U.S., and internationally, including appearances at the Winnipeg Jazz Festival, Cambridge Festival of the Arts, Greater Hartford Monday Night Jazz Series, and Wexford Performing Arts Centre in Ireland.
Jen has shared the stage with renowned artists such as Don Braden, Jimmy Greene, Freddie Hendrix, Camille Thurman, Nat Reeves, and Sarah Caswell. An active recording artist, her discography includes her debut album Pieces of Myself, Sifting Grace, her upcoming release Possibilities, and collaborative projects like Raise Up by Trio 149. She has also contributed to numerous other recordings as a sideman.
Her compositional work spans big bands, studio orchestras, string quartets, and small ensembles, earning her a place in the prestigious BMI Jazz Composers Workshop. Notable commissions include her 2018 residency at St. Peter’s Church (NYC) Jazz Lauds and her immersive piece Collective Breath, which integrates music, visuals, and breathwork to foster connection and reflection.
Andy Gravish launched his career with the great drummer Buddy Rich, where he played the jazz trumpet chair. During that time, Andy was featured on Buddy's album, "The Magic of Buddy Rich". This band also went on tours playing for Frank Sinatra, Tony Bennett, Sarah Vaughn.
Following his tenure with Buddy's band, he toured with Artie Shaw's orchestra, playing and recording with also some well established jazz groups such as the Jay Brandford Septet and Orange Then Blue.
In 1989, Andy re-located to New York City and began performing with various jazz groups such as Bill Kirchner's Nonette, The Rob Scheps Coretet, Paquito D'Rivera's Big Band, The Vanguard Jazz Orchestra and a four year stint with Toshiko Akiyoshi's New York Jazz Orchestra featuring Lew Tabackin. He is present on many recordings in various formats from big band to small group jazz, as well as commercial recordings and jingles.
David DeJesus-Sax
Jen Allen-Piano
Andy Gravish-Trumpet
"The Sooth Sayer" a Tribute to Wayne Shorter
Celebrated author, critic, and classicist Daniel Mendelsohn will join Wilton High School's beloved classics teacher Max Gabrielson in conversation about Mendelsohn's new translation of Homer's Odyssey, and other works. Don't miss this singular, extraordinary literary event.
With this translation, Daniel Mendelsohn brings the great epic to vividly poetic new life. Widely known for his essays on classical literature and culture in The New Yorker and many other publications, Mendelsohn gives us a line-for-line rendering of The Odyssey that is both engrossing as poetry and true to its source. Rejecting the streamlining and modernizing approach of many recent translations, he artfully reproduces the epic's formal qualities and thereby restores to Homer's masterwork its archaic grandeur.
The result is the richest, most ample, most precise and most musical Odyssey in English. Supported by an extensive introduction and the fullest notes and commentary currently available, Mendelsohn's Odyssey is poised to become the authoritative version of this masterpiece.
A magnificent feat of translation, hailed by classicists and poets alike as a "momentous achievement," "thrilling," "rich and rhythmical," "superb," "mesmerizing," "searingly faithful - yet absolutely original."
Daniel Mendelsohn , an award-winning author, critic, and translator, is a longtime contributor to The New Yorker and The New York Review of Books, where he is editor-at-large. His books include the international bestsellers An Odyssey: A Father, a Son, and an Epic, an NPR and Kirkus Best Book of the Year; The Lost: A Search for Six of Six Million, winner of the National Jewish Book Award and the National Book Critics Circle Award; as well as a translation of the complete poems of C.P. Cavafy, hailed by The New York Times as "a work of art." His honors include the Prix Medicis in France and the Premio Malaparte, Italy's highest honor for foreign writers. He is currently the Charles Ranlett Flint Professor of Humanities at Bard College.
Max Gabrielson has taught Latin and Ancient Greek at Wilton High School for twenty-five years. He holds a bachelor’s and a master’s degree in classics and is a former Deputy Attorney General for the state of NJ, where he served as a civil litigator for a decade before returning to teaching. In 2010 he received the award for Excellence in Precollegiate Teaching by the American Philological Association (now the Society for Classical Studies). He has twice been commended by the U.S. Secretary of Education for excellence in teaching and twice recognized by the University of Chicago as an outstanding educator. He is currently looking forward to participating in a five week summer study program at the American Academy in Rome.
Elm Street Books will sell copies of Daniel Mendelsohn's books, which he will sign after the program. A portion of the proceeds goes to Wilton Library.
Registration is required. Please register online at www.wiltonlibrary.org or call (203) 762-6334.
Author Talk: Daniel Mendelsohn in Conversation with Max Gabrielson
Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
This fantastic biennial event will showcase artwork by some of the region’s finest artists. With paint and canvas, pencil and paper, wood, metal, or clay, their creativity will transform the enduring themes of nature and farm into beautiful works of art. A silent auction, art demonstrations, plein air painting, and activities for all ages will all be a part of this inspiring show.
All art is for sale with proceeds to benefit our programs.
Free admission to the gallery, auction, demonstrations, lectures, and classes.
More details can be found at www.newpondfarm.org
New Pond Farm Education Center's Art Show
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
Yes, goats on the Great Lawn! No kidding! Join us for a family event and snuggle with real live goats, inspired by the summer Special Collections exhibition, Treasured Tomes: Rare Books and Their Collectors, celebrating the G.O.A.T.s (Greatest Of All Time!) of Pequot Library’s rare books and manuscripts.
This weather-permitting event kicks off our Treasures and Collections Summer Programs at Pequot Library. Sign up for your Attendee Card and start earning stamps by participating in any number of our summer programs and activities.
Pequot Library’s 2025 Summer Party honors Children’s Librarian Susan Ei and her lifelong contributions to early literacy, science, and the arts.
For all ages. Registration is required.
G.O.A.T.s on the Great Lawn: Summer Party at Pequot Library
On June 13th, break into summer with an evening of Beer Tasting, Live Music, Yard Games and Great Eats!
We’ll transform the Fedele Family Farmhouse Plaza into a magical outdoor Beer Garden for an evening of laid-back beer tasting and great eats, with entertainment by live band, Zully Ramos and the OGs.
As part of our BevMax Tasting Series, BevMax will have expert ambassadors on hand to help guide your experience and place orders for any craft beers you may wish to purchase after sampling.
We’ll have a variety of yard games for you to play – including our Hitchens Horseshoe Pit. A portion of all BevMax sales charitably support the SM&NC.
Adults 21+ only.
SM&NC Beer Garden: A "Break into Summer" Event!
The Downtown Cabaret in partnership with Family Entertainment Live presents the third installment of our signature Decades in Concert series, The 1980s! Following the huge success of Sounds of the Seventies and Spirit of the Sixties, this production transports audiences back to the 1980s to revisit the sights and sounds of the era where walls were torn down, we believed in miracles, and greed was good. Using music from some of the most prominent and influential artists of the 80’s such as Madonna, Michael Jackson, Cyndi Lauper, Whitney Houston, U2, The Police, Bon Jovi and many many more, Decades in Concert: The 1980s tells the story of the history and culture of America in the “Me First” decade. This amazing performance with a talented cast will immerse you in nostalgic multimedia and transport you back to the decade that changed America and defined a generation!
Decades in Concert: The 1980s
Adapted for the stage by Dave Johns and Owen O'Neill. Based on the beloved movie and the novella by Stephen King.
PLOT: When Andy Dufresne is convicted of murder and sentenced to life in Shawshank prison, he must use his wits and newly forged friendships to keep himself and his hope alive. But will he be able to survive the corruption and danger he faces within this notorious prison’s walls? Based on the novella by Stephen King and popularized by the highly acclaimed movie, The Shawshank Redemption is a story of resilience and is sure to be a theatrical experience like no other.
THE SHAWSHANK REDEMPTION - Live! On-stage!
Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
Join us Saturdays at 10 am on the terrace next to our Design Barn for inspiring speakers and answers to your pressing gardening questions! Make a morning of it by grabbing coffee at our coffee bar, strolling our park-like grounds, checking out our curated selection of vendors and connecting with our gardening community!
Oliver Nurseries Plein Air Speaker Series
Our eight-week session of SPRING 2025 DRAMA ARTS CLASSES for kids, teens and adults is now available on our website! Classes begin April 19, 2025, and take place after school, evenings and weekends at The Sterling Farms Theatre Complex, 1349 Newfield Avenue in Stamford, Connecticut: a professional facility with two theatre spaces and three studio classrooms. Our faculty consists of local, professional artists and arts educators dedicated to creative enrichment in the community. Classes are offered in acting, improv, sketch comedy, musical theatre, dance, on-camera, AND MORE!
ALL SKILL LEVELS WELCOME! (From the novice beginner to the seasoned veteran.)
Discounts for siblings/spouses registering together!
Payment plans available!
Scholarships for those who qualify!
Visit www.curtaincallinc.com
or contact our Education Director Brian Bianco at brian@curtaincallinc.com or
203-329-8207 x700.
ACT NOW TO ACT OUT!
Curtain Call, Inc. is Stamford, Connecticut's longest-running and only nonprofit, theatre-producing company, offering year-round, live, theatrical productions, concert events, and educational workshops. Voted Best Local Theatre Group 10 years in a row by Fairfield County Weekly's Annual Reader's Poll, and Best Performing Arts Group 12 years in a row by StamfordPlus Magazine. Recipient of the 2011 2011 Governor’s Award for Excellence in Culture and Tourism and the 2016 ACE Award for Excellence in the Arts.
Curtain Call's Spring 2025 Theatre Arts Classes for Kids, Teens, and Adults
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Presented by the Stamford Art Association at MILL RIVER PARK'S Whittingham Discovery Center
10 AM – 12 PM with complimentary workshops guided by experienced art instructors
- Open to the public
- Instructed by Art teachers
- Elementary & Middle School
- No registration necessary
- Art supplies provided
- Take home art!
Art in the Park: FREE Art Workshops For Kids & Families
The Greenwich Art Society is offering:
YOUNG ARTISTS IN THE STUDIO, AGES 6-8
with OLGA KLYMYK
10 SATURDAYS
April 12 – June 21 (Except May 24)
10:30 am to 12:00 pm
Program Description
This class will explore new approaches to creativity with children. Using drawing, painting, printmaking, collage, and sculpture children will learn new skills and improve on old ones as they experiment with new media and different techniques. To reinforce their understanding, children will learn about important artists who are either historically significant or are forerunners in contemporary art. Come join in and stretch your imagination in a relaxed, fun environment. Materials supplied.
Instructor
Olga Klymyk
Olga Klymyk was born in the fall of 1977 in the Ukraine and grew to become a talented creative artist. A graduate of Arts & Crafts College in Kociv, she majored in Monumental Art, then completed graduate studies in graphics at University Stefanyke at Ivano-Frankivst, in the Ukraine.
After teaching art on the college level, painting murals in commercial buildings, consulting as an interior designer, as well as selling her art in retail stores, Olga emigrated to the USA in 2006 to continue exploring career opportunities.
She became a US citizen in 2011, and actively engages in a variety of work experiences to provide income for her and her teenage daughter living in Stamford, Ct. Olga gives private art instruction and teaches at the Ukrainian school. Although she has moved on from her membership, Ms. Klymyk spent the last few years as an active member of the Stamford based Loft Artists Association, now in its 40th year.
Olga is painting more, creating a new series, and pursuing new opportunities to exhibit and sell her growing collection of watercolor art that now consists of more than 30 pieces all professionally presented and ready to complete interiors.
The Greenwich Art Society is offering Young Artist in the Studio on Saturday mornings!
Heather Gaudio Fine Art is pleased to present Martin Kline: The World In All Its Plenitude, the artist’s fifth solo exhibition at the gallery. The public is invited to attend an opening reception on Saturday, May 3, 4-6pm, and the exhibition will remain on view through June 14th. A fully illustrated catalogue with an essay written by art critic and poet Carter Ratcliff accompanies the exhibition.
“…ever since he made his first mature work, Kline has felt free to make paintings that are not flat and sculptures that are powerfully pictorial. He is not just inventive. He is reliably – startlingly – original.” [1]
The show brings together thirty-nine works executed between 1997 and 2025, surveying Kline’s long-standing engagement with encaustic. Kline’s output has consistently been one of working in series, creating several paintings, drawings and sculpture surrounding a theme or idea. At times he has revisited these themes to expand his material investigations, technical mastery and visual explorations. The distinguishing motif in the paintings and sculptures presented in this show, regardless of the year or series they belong to, is that they all share in the color blue. Arguably one of the favorite colors on the spectrum, blue has for millennia captivated the human eye and carried a special allure for its symbolic and emotive qualities. From ancient China and Egypt to the Celtic times, from the Middle Ages to the Renaissance and Baroque periods, from the Industrial Revolution and the nineteenth century to the modern and contemporary era, blue has fascinated artists, musicians and writers. Sourced from cobalt, lapis lazuli, indigo, ultramarine and other materials, blue can transform into varying hues: cyan, navy, turquoise, aqua, midnight blue, sky blue, royal blue and aquamarine.
Kline’s nimble use of the color takes its hue and shade ranges in different directions, accentuating its characteristics and evocative nature with his adroit use of encaustic. Whether applied in flat bold brushstrokes, dripped or layered to create textured surfaces, Kline modulates the color and manipulates the material to create a vast range of visual experiences. Some grided paintings are structures that take on a retro feel with lighter and darker tones and hues, such as Blue Order and Blue and White Impression. The brushstrokes create a patchwork of tetris-like tiles seeming to compete for space. A mixture of values and tones in other panels such as Blue Grid are not as delineated and appear to meld into one another. These networks are transformed into more complex systems in Blue Mosaico (Tondo) and in the camo-bot series such as Patchwork Blue and Camo Bluebot.
Razzle Dazzle may be visually related to the latter two but is also part of another seminal body of work by the artist, the Hammock paintings. In this large panel, Kline’s line of enquiry comes from a narrative referenced in Leo Steinberg’s essay “Other Criteria.” In it, he touches on the 19th century artist Thomas Eakins’ addressing the question whether painting and sculpture should have the same moral standing as traditionally defined manual labor, and not just be considered an activity of leisure or pleasure. Kline’s Hammock paintings are created on actual canvas service hammocks, some dating back to WWII, that the artist has collected over the years. Razzle Dazzle, with its honey-combed surface and blue color patterns, camouflages the hammock on the panel, keeping the object used for work and /or leisure not readily apparent.
Audiences familiar with Kline’s artistic trajectory will enjoy viewing the deep, midnight blue, almost black The Prussian Blues (II), an encaustic on linen that would be a precursor to an important series in Kline’s oeuvre, the white linen, or Tabula Rasa, paintings. Other works on view include the artist’s signature additive layered Bloom, Jewel, and Leda paintings, with their surfaces so textured they become quasi sculptural, where shadow plays an important part in the visual engagement. When does a textured painting become a sculpture? The coup de grâce that drives this concept home is Diagonal Blue Growth on Canvas, a painting the artist cast into a unique bronze and finished with a rich blue patina to make it look like a painting.
About Martin Kline
Kline has had a prolific career as a painter, sculptor and draughtsman and his works have been the subject of numerous solo and group exhibitions in the United States and abroad. His works are in many notable public and private collections, including The Metropolitan Museum, the Whitney Museum of American Art; the Brooklyn Museum and the Morgan Library in New York City; the Albright-Knox Art Gallery, Buffalo; The Baltimore Museum of Art, Baltimore; the Fogg Museum, Harvard University, Cambridge; The High Museum of Art, Atlanta; the Albertina, Vienna; The Museum of Fine Art, Houston; the Museum of Fine Arts, Boston; the Cleveland Museum of Art, Cleveland; the Kemper Museum of Contemporary Art, Ohio University, Athens; the New Britain Museum of American Art, New Britain; Triton Foundation, Belgium; Princeton University Art Museum, Princeton; Yale University Art Gallery, New Haven, and the Wadsworth Atheneum Museum of Art, Hartford, among others. Kline lives and works in upstate New York.
About Carter Ratcliff
American critic and poet Carter Ratcliff has published writings on art for The Museum of Modern Art, New York; The Guggenheim Museum; the Royal Academy of Arts, London; Maxxi Museum of 21st Century Arts, Rome and many other institutions. He has contributed to notable art publications such as Art in America, Art Forum, Art News, Arts, Tate, and Art Presse, as well Vogue, Elle, and New York Magazine. Books include The Fate of a Gesture: Jackson Pollock and Postwar American Art, Out of the Box: The Reinvention of Art, and monographs on Andy Warhol, John Singer Sargent, Georgia O’Keeffe, Gilbert & George among others. His books of poetry include Fever Coast, Give Me Tomorrow and Arrivederci, Modernismo. Born in Seattle, Ratcliff lives and works in upstate New York.
Heather Gaudio Fine Art specializes in emerging and established artists, offering painting, works on paper, photography, and sculpture. The gallery provides a full-range of art advisory services, from forming and maintaining a collection, to securing secondary market material, to assisting with framing and installation. The focus is on each individual client, selecting art that best serves his or her vision, space, and resources. The six exhibitions offered every year are designed to present important talent and provide artwork appealing to a broad range of interests. Gallery hours are Tuesday through Saturday; 10:30am to 5:30pm; and by appointment.
[1] Carter Ratcliff, “Martin Kline: The World in All Its Plenitude”, 2025, Martin Kline, exhibition catalogue
"Martin Kline: The World In All Its Plenitude"
Bring a plant to swap or take some home! You don't have to bring plants to take some home and you can bring plants without taking.
Got leftover seed packets? drop them off too!
+ Event is typically outdoors from May for October, weather permitting! Indoors from November to April.
You can bring outdoor perenials from May to October but the rest of the time it is indoor plants only!
Plant Swap
This fantastic biennial event will showcase artwork by some of the region’s finest artists. With paint and canvas, pencil and paper, wood, metal, or clay, their creativity will transform the enduring themes of nature and farm into beautiful works of art. A silent auction, art demonstrations, plein air painting, and activities for all ages will all be a part of this inspiring show.
All art is for sale with proceeds to benefit our programs.
Free admission to the gallery, auction, demonstrations, lectures, and classes.
More details can be found at www.newpondfarm.org
New Pond Farm Education Center's Art Show
The Glass House is proud to announce the return of its most celebrated annual event, the Summer Party , on Saturday, June 14, 2025. Set across the site’s iconic 49-acre landscape, this vibrant gathering is more than a seasonal celebration—”it is a very special occasion to come together and directly support the preservation and continued vitality of one of the most important works of Modernist architecture in the world,” says Executive Director, Kirsten Reoch. This event is made possible through the generous support by the Presenting Sponsor Max Mara, and additional support from Design Within Reach, and Land Rover Darien.
Each ticket purchased, each auction bid placed, and each story shared about The Glass House helps advance a powerful mission: to safeguard and interpret modern architecture, landscape, and art, and to inspire new generations through bold, experiential programming. By attending the Summer Party, you are not only celebrating design and creativity—but also contributing to an enduring cultural legacy.
Glass House Summer Party June 14th
The Glass House is proud to announce the return of its most celebrated annual event, the Summer Party , on Saturday, June 14, 2025. Set across the site’s iconic 49-acre landscape, this vibrant gathering is more than a seasonal celebration—”it is a very special occasion to come together and directly support the preservation and continued vitality of one of the most important works of Modernist architecture in the world,” says Executive Director, Kirsten Reoch. This event is made possible through the generous support of Presenting Sponsor Max Mara, and additional support from Design Within Reach, and Land Rover Darien.
Each ticket purchased, each auction bid placed, and each story shared about The Glass House helps advance a powerful mission: to safeguard and interpret modern architecture, landscape, and art, and to inspire new generations through bold, experiential programming. By attending the Summer Party, you are not only celebrating design and creativity—but also contributing to an enduring cultural legacy.
A Day of Culture, Creativity, and Community
The 2025 Summer Party will transform The Glass House into an afternoon-long celebration of artistic expression and shared experience. Land Rover Darien will provide a complimentary shuttle service from West School and will showcase their latest Range Rover Sport models on site. Guests will enjoy a chef-curated picnic lunch inspired by the flavors of the season from one of New Canaan’s beloved restaurants, Elm, while the sounds of DJ Pete Brockman fill the air, creating a vibrant and joyful atmosphere across the site’s historic grounds.
For the first time, The Glass House is honored to host the internationally acclaimed modern dance company Pilobolus, known for its inventive use of the human form and collaborative spirit. The company will present two performances—Awaken Heart and Branches—which will unfold against the natural and architectural backdrop of the site. Adding a touch of whimsy to the event, guests will experience an interactive performance element that will gracefully move through the landscape and mingle with fellow guests
Honoring Design Innovation: Gaetano Pesce
This year, The Glass House pays special tribute to the life of legendary designer Gaetano Pesce (1939–2024) with the debut of a limited-edition resin vase, Edizioni del Pesce, Big Surprise 2, created in collaboration with Meritalia®. Inspired by the site’s two iconic Feltri chairs, this expressive object embodies the spirit of functional art and will feature a custom Glass House stamp. Available in two vibrant colorways, Big Surprise 2 will be included with the purchase of VIP Friend Tickets and will also be available for purchase on-site. All proceeds directly support preservation efforts at The Glass House.
Sip, Shop, and Support
Guests are invited to experience a special activation presented by Max Mara. Throughout the day, visitors can savor wines by Whispering Angel and Elouan , cocktails by Litchfield Distillery paired with refreshing cold-pressed juices by BARVIDA , enjoy iced coffee in the UOVO: Art, Fashion, and Wine Lounge powered by Café Aroma Especial , and indulge in cookies from Drs. Orders Baking Co. Comfortable and exquisite outdoor seating by Design Within Reach will be placed across the property, creating inviting moments for conversation, relaxation, and reflection.
Silent Auction: Take Home a Unique Work of Art
The Glass House’s silent benefit auction will launch on Friday, June 2 at 12 PM ET and close on Monday, June 16 at 12 PM ET , hosted online by Artsy. The auction features an exciting array of artworks across all mediums, contemporary design objects, once-in-a-lifetime experiences, and fine jewelry. All pieces will be on view in the Art Tent and professionally framed by Framebridge. Each bid placed is more than a gesture of appreciation for great art—it’s a meaningful contribution to sustaining the future of The Glass House.
Highlights from the auction include luxury experiences and works by renowned artists such as Lindsey Adelman, Simone Bodmer-Turner, Deborah Brown, James Casebere, Cody Hoyt, Alfredo Jaar, Mitchell Johnson, Danny Kaplan, Barbara Kasten, Richard Meier, Naudline Pierre, Cindy Sherman, and Robert Wilson.
Exhibition On View: Barbara Kasten, Structure, Light, Land
A key highlight of this year’s celebration is the exhibition Barbara Kasten: Structure, Light, Land , a compelling display installed across the campus, and featured in prominent buildings, such as the Painting Gallery , Sculpture Gallery, and Brick House. Kasten’s work, including photographs and sculptural installations, explores abstraction, spatial perception, and the shifting relationships between material and form.
Glass House Summer Party
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
Experience the highlights of the Bruce Museum’s exhibitions during a guided tour that is free with museum admission. No reservations are required but capacity is limited to twenty people on a first-come, first-served basis. Please check in with the front desk if you wish to join. Tours depart from the bottom of the staircase in the Grand Hall.
Exhibitions Highlights Tours - Saturdays
The Downtown Cabaret in partnership with Family Entertainment Live presents the third installment of our signature Decades in Concert series, The 1980s! Following the huge success of Sounds of the Seventies and Spirit of the Sixties, this production transports audiences back to the 1980s to revisit the sights and sounds of the era where walls were torn down, we believed in miracles, and greed was good. Using music from some of the most prominent and influential artists of the 80’s such as Madonna, Michael Jackson, Cyndi Lauper, Whitney Houston, U2, The Police, Bon Jovi and many many more, Decades in Concert: The 1980s tells the story of the history and culture of America in the “Me First” decade. This amazing performance with a talented cast will immerse you in nostalgic multimedia and transport you back to the decade that changed America and defined a generation!
Decades in Concert: The 1980s
The Downtown Cabaret in partnership with Family Entertainment Live presents the third installment of our signature Decades in Concert series, The 1980s! Following the huge success of Sounds of the Seventies and Spirit of the Sixties, this production transports audiences back to the 1980s to revisit the sights and sounds of the era where walls were torn down, we believed in miracles, and greed was good. Using music from some of the most prominent and influential artists of the 80’s such as Madonna, Michael Jackson, Cyndi Lauper, Whitney Houston, U2, The Police, Bon Jovi and many many more, Decades in Concert: The 1980s tells the story of the history and culture of America in the “Me First” decade. This amazing performance with a talented cast will immerse you in nostalgic multimedia and transport you back to the decade that changed America and defined a generation!
Decades in Concert: The 1980s
Adapted for the stage by Dave Johns and Owen O'Neill. Based on the beloved movie and the novella by Stephen King.
PLOT: When Andy Dufresne is convicted of murder and sentenced to life in Shawshank prison, he must use his wits and newly forged friendships to keep himself and his hope alive. But will he be able to survive the corruption and danger he faces within this notorious prison’s walls? Based on the novella by Stephen King and popularized by the highly acclaimed movie, The Shawshank Redemption is a story of resilience and is sure to be a theatrical experience like no other.
THE SHAWSHANK REDEMPTION - Live! On-stage!
Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
Join Greenwich Historical Society this summer for Rediscover Greenwich: Greenwich Avenue Walking Tours! Historic buildings will become canvases for large-scale murals featuring archival images of what those places looked like in the past, with text and images drawn from the Historical Society’s collections and interactive QR codes, that when scanned, share those unique stories. The murals, designed by Untapped New York’s artist Aaron Asis, will debut in conjunction with a new series of guided walking tours exploring the history of Greenwich Avenue and its local businesses led by Justin Rivers, Untapped New York’s Chief Experience Officer and Christopher Shields, Historical Society Director of Library and Archives.
Guided Walking Tour
Sunday, June 15
10:30 am
Other dates: Sunday, July 27
Rediscover Greenwich: Greenwich Avenue Walking Tours
This fantastic biennial event will showcase artwork by some of the region’s finest artists. With paint and canvas, pencil and paper, wood, metal, or clay, their creativity will transform the enduring themes of nature and farm into beautiful works of art. A silent auction, art demonstrations, plein air painting, and activities for all ages will all be a part of this inspiring show.
All art is for sale with proceeds to benefit our programs.
Free admission to the gallery, auction, demonstrations, lectures, and classes.
More details can be found at www.newpondfarm.org
New Pond Farm Education Center's Art Show
A new show at the Rowayton Arts Center (RAC), “Community Sponsored Awards,” will be on view May 18 through June 15, 2025. The artwork in this exhibition will feature local scenes by RAC Exhibiting Members with cash awards thanks to individuals and merchants in the area. This year's awards have been made possible by the support and generosity of the following: All Seasons Marine Works, Arden’s Rowayton, Brendan’s 101, Cucina Daniella, Darien Rowayton Bank, E.R. Salvatore Associates, Fairfield County Bank, Avery and Rob Flowers, Gway Printing, HTG Investment Advisors, Images of Old Greenwich, Kim and Gil Kernan, Rowayton Wine Shop, Sails American Bar & Grill, Seaside Delights, The Bait Shop Marine Services, The Restaurant at Rowayton Seafood, Whitebridge Wines & Spirits and William Raveis/Tammy Langalis.
The opening reception on Sunday, May 16 from 4 pm to 6 pm is free and open to the public. Gallery hours are Tuesday through Friday from 12 to 5 pm plus Saturday and Sunday from 10 am to 1 pm.
RAC celebrates the study, creation and appreciation of the arts through classes, exhibitions and events open to all in the community. For over 60 years, this nonprofit organization has been a cultural gem in Rowayton, CT. The gallery and art school overlook the scenic Five Mile River at 145 Rowayton Avenue with space for regional artists to exhibit their art and a classroom for workshops and classes at all levels offered to children and adults. Visit rowaytonarts.org and follow @rowaytonarts.
Rowayton Arts Center "Community Sponsored Awards" Show
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Adapted for the stage by Dave Johns and Owen O'Neill. Based on the beloved movie and the novella by Stephen King.
PLOT: When Andy Dufresne is convicted of murder and sentenced to life in Shawshank prison, he must use his wits and newly forged friendships to keep himself and his hope alive. But will he be able to survive the corruption and danger he faces within this notorious prison’s walls? Based on the novella by Stephen King and popularized by the highly acclaimed movie, The Shawshank Redemption is a story of resilience and is sure to be a theatrical experience like no other.
THE SHAWSHANK REDEMPTION - Live! On-stage!
The Downtown Cabaret in partnership with Family Entertainment Live presents the third installment of our signature Decades in Concert series, The 1980s! Following the huge success of Sounds of the Seventies and Spirit of the Sixties, this production transports audiences back to the 1980s to revisit the sights and sounds of the era where walls were torn down, we believed in miracles, and greed was good. Using music from some of the most prominent and influential artists of the 80’s such as Madonna, Michael Jackson, Cyndi Lauper, Whitney Houston, U2, The Police, Bon Jovi and many many more, Decades in Concert: The 1980s tells the story of the history and culture of America in the “Me First” decade. This amazing performance with a talented cast will immerse you in nostalgic multimedia and transport you back to the decade that changed America and defined a generation!
Decades in Concert: The 1980s
Week 1 Half Day: Jun 16 - 20th , 2025
With Camp MoCA Instructors
Ages: 4 - 10 | $ 415
- Half Day | 9:00-12:30
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 9th and runs through the week of August 25th. Please note: there is a separate registration pro-rated link for Week 3/July 4th week.
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
Sending your child to Camp MoCA CT is an investment in their future, providing them with a unique opportunity to explore their creativity, embrace their individuality, and develop a growth mindset. With a focus on agricultural lessons and featured artists, hands-on projects, and celebrating each camper's unique perspective, Camp MoCA CT offers a transformative experience that empowers campers to see themselves as members of a larger community.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
HALF DAY 2025 Camp MoCA | 9AM-12:30PM | Week 1: June 16-20, 2025
Week 1 Full Day: Jun 16 - 20th, 2025
With Camp MoCA Instructors
- Full Day | 9:00-3:00| $650
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 16th and runs through the week of August 22th. Please note - there is a separate registration pro-rated link for Week 3/July 4th week
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Camp MoCA CT is thrilled to provide a unique and engaging summer camp experience for young artists. By exploring diverse art styles and renowned artists, our campers will delve into themes of self-expression, family, community, sustainability, and cultural diversity. We aim to foster a love of art and creativity while helping our young artists develop character-building traits.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
FULL DAY 2025 Camp MoCA | 9AM-3PM | Week 1: June 16-20, 2025
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
Our eight-week session of SPRING 2025 DRAMA ARTS CLASSES for kids, teens and adults is now available on our website! Classes begin April 19, 2025, and take place after school, evenings and weekends at The Sterling Farms Theatre Complex, 1349 Newfield Avenue in Stamford, Connecticut: a professional facility with two theatre spaces and three studio classrooms. Our faculty consists of local, professional artists and arts educators dedicated to creative enrichment in the community. Classes are offered in acting, improv, sketch comedy, musical theatre, dance, on-camera, AND MORE!
ALL SKILL LEVELS WELCOME! (From the novice beginner to the seasoned veteran.)
Discounts for siblings/spouses registering together!
Payment plans available!
Scholarships for those who qualify!
Visit www.curtaincallinc.com
or contact our Education Director Brian Bianco at brian@curtaincallinc.com or
203-329-8207 x700.
ACT NOW TO ACT OUT!
Curtain Call, Inc. is Stamford, Connecticut's longest-running and only nonprofit, theatre-producing company, offering year-round, live, theatrical productions, concert events, and educational workshops. Voted Best Local Theatre Group 10 years in a row by Fairfield County Weekly's Annual Reader's Poll, and Best Performing Arts Group 12 years in a row by StamfordPlus Magazine. Recipient of the 2011 2011 Governor’s Award for Excellence in Culture and Tourism and the 2016 ACE Award for Excellence in the Arts.
Curtain Call's Spring 2025 Theatre Arts Classes for Kids, Teens, and Adults
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Ever want to learn or refine your watercolor painting skills? The Greenwich Art Society offers both beginner and intermediate/advanced watercolor classes with Greta Corens!
BEGINNER WATERCOLOR
10 MONDAYS
April 7 – June 16 (except May 26)
5:00 pm to 7:30 pm
Program Description
To start you off on the right footing and avoid the mistakes so many watercolorists face, you will find the principles of watercolor painting to be the most targeted and focused on this class. The first and most pressing to acquire are Values, Colors, Materials, and Basic Techniques, all of which we tackle with the spirit of a ballet dancer's moves. Knowing these principles provides you with the verve and self-assurance of having acquired a solid foundation that leads to painting more complex subject matter in the next step, the Intermediate & Advanced Watercolor class
INTERMEDIATE WATERCOLOR
11 WEDNESDAYS
April 9 – June 18
5:00 pm to 7:30 pm
Program Description
How do watercolorists paint with such accuracy, have you often wondered? In this ongoing class, you obtain the technical secrets to painting with watercolors by using different brush techniques and color palettes, from neutrals to brights, from dry brush to washes, or from delicate shades to deepest shadows, and obtain insight into the color wheel, primary-secondary-tertiary colors and using complementary colors to great effect so as to put you on the path of artistic achievement.
Max. 8 students.
Instructor
Greta Corens
Art and design teacher, Greta Corens, began teaching after a career as a successful fashion designer in NYC. She specializes in portraiture, botanical watercolors, landscapes and illustration.
"My paintings are realistic, but they also translate personality and have a soul that vibrates with sensitive qualities that set them apart, where no photography can tread."
She received a master's degree in Art, Architecture, and Design at St. Imelda Institute, div. of St. Lucas Architectural Institute in Brussels, Belgium.
The Greenwich Art Society is offering beginner and intermediate Watercolor Painting Classes
Join us on the first and third Mondays of every month for a new release/popular movie!
Check out other library events
Monday Night Movies
Week 1 Half Day: Jun 16 - 20th , 2025
With Camp MoCA Instructors
Ages: 4 - 10 | $ 415
- Half Day | 9:00-12:30
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 9th and runs through the week of August 25th. Please note: there is a separate registration pro-rated link for Week 3/July 4th week.
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
Sending your child to Camp MoCA CT is an investment in their future, providing them with a unique opportunity to explore their creativity, embrace their individuality, and develop a growth mindset. With a focus on agricultural lessons and featured artists, hands-on projects, and celebrating each camper's unique perspective, Camp MoCA CT offers a transformative experience that empowers campers to see themselves as members of a larger community.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
HALF DAY 2025 Camp MoCA | 9AM-12:30PM | Week 1: June 16-20, 2025
Week 1 Full Day: Jun 16 - 20th, 2025
With Camp MoCA Instructors
- Full Day | 9:00-3:00| $650
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 16th and runs through the week of August 22th. Please note - there is a separate registration pro-rated link for Week 3/July 4th week
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Camp MoCA CT is thrilled to provide a unique and engaging summer camp experience for young artists. By exploring diverse art styles and renowned artists, our campers will delve into themes of self-expression, family, community, sustainability, and cultural diversity. We aim to foster a love of art and creativity while helping our young artists develop character-building traits.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
FULL DAY 2025 Camp MoCA | 9AM-3PM | Week 1: June 16-20, 2025
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Join us for a knit and crochet get together. Work on your own project or help us make items for local charities. If you know how to knit and/or crochet but are stuck on a project or technique, or if you are just looking for someone to craft with, this is the group for you. This program is for adults.
Check out other library programs!
Knitting & Crocheting
Experience the highlights of the Bruce Museum’s exhibitions during a guided tour that is free with museum admission. No reservations are required but capacity is limited to twenty people on a first-come, first-served basis. Please check in with the front desk if you wish to join.
Exhibitions Highlights Tours - Tuesdays
Kids in 3rd through 5th grade can come and play games, bring your friends and make new ones too!
Check out other library programs!
Kid Gaming
Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound
Week 1 Half Day: Jun 16 - 20th , 2025
With Camp MoCA Instructors
Ages: 4 - 10 | $ 415
- Half Day | 9:00-12:30
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 9th and runs through the week of August 25th. Please note: there is a separate registration pro-rated link for Week 3/July 4th week.
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
Sending your child to Camp MoCA CT is an investment in their future, providing them with a unique opportunity to explore their creativity, embrace their individuality, and develop a growth mindset. With a focus on agricultural lessons and featured artists, hands-on projects, and celebrating each camper's unique perspective, Camp MoCA CT offers a transformative experience that empowers campers to see themselves as members of a larger community.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
HALF DAY 2025 Camp MoCA | 9AM-12:30PM | Week 1: June 16-20, 2025
Week 1 Full Day: Jun 16 - 20th, 2025
With Camp MoCA Instructors
- Full Day | 9:00-3:00| $650
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 16th and runs through the week of August 22th. Please note - there is a separate registration pro-rated link for Week 3/July 4th week
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Camp MoCA CT is thrilled to provide a unique and engaging summer camp experience for young artists. By exploring diverse art styles and renowned artists, our campers will delve into themes of self-expression, family, community, sustainability, and cultural diversity. We aim to foster a love of art and creativity while helping our young artists develop character-building traits.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
FULL DAY 2025 Camp MoCA | 9AM-3PM | Week 1: June 16-20, 2025
For the final exhibition of its 2024-25 season, the Flinn Gallery is pleased to present Elemental: Work by Boston Sculptors Gallery Artists. The show runs from May 8 to June 18 and features the work of 13 artists from the Boston Sculptors Gallery. The sculptors in the exhibition work with a wide range of materials – clay, fabric, metal, plastic, wood, and mixed media – and their artwork ranges in height from three inches to over eight feet.
While the sculptures encompass a wide range of materials, sizes, and techniques, they were selected with a unifying theme in mind – Elemental. This word has multiple meanings, which range from primitive or basic to the four elements of nature to the chemical elements from which many of the objects are created. Visitors to the Gallery will see artwork that can be grouped into four elemental categories: Beginnings, Organisms, Earth, and Water.
The artists are all inspired by the beauty and fragility of the natural world along with our connections to and impact upon it. For Mo Kelman,“water is the ideal subject to reflect on the laws that govern nature as it ceaselessly advances and embarrasses our every effort to keep it at bay.” In Lagoon, Kelman merges an abstracted body of silk water with bamboo structures that ensemble towers or bridges. Artist Jessica Strauss has three pieces in the exhibition from her Packing for Mars series. In Missing You, Blue Planet, and No More Polar Ice Cap, human figures gaze at images of Earth. The sculptures express “black humor, longing, and regret” as Strauss looks toward a “future when humans must flee a devastated Earth to settle on far flung and arid worlds.”
Several artists use traditional domestic crafts such as crochet, embroidery, and sewing in innovative ways. In her three sculptures Ascent, Larvae, and Nests, Michelle Lougee crochets post-consumer plastic bags into monumental sculptures, which “examine the relationships between humans, plastic, and nature amidst irreversible environmental changes”. Cascading from the ceiling, Keri Straka’s “Soft Cell Division” is composed of stuffed and sewn textiles. According to Straka, “the suspended sculpture is evocative of the ebb and flow of human life as mirrored in the blooming of a single cell.” Her sculpture, “Portal: Past” is made of multiple wooden embroidery hoops of varying sizes with water-color painted fabric embedded with a wide range of materials to represent dividing cells and biological cycles.
Since the majority of sculptors are women, it is only natural that some artwork addresses feminine sensibilities, and as mentioned, domestic life. Ellen Schön has four ceramic pieces in the exhibition. Two of her pieces – Five Hills Font and Lotus Pod – are part of her Wellspring Series. For Schön, “the pieces in this series explore the ceramic vessel as a wellspring or womb. They are meant to evoke sources of life-whirlpools, fonts, pods, seed of hope, as well as the landscape of the female body.” Several of Jodie Colella’s sculptures are ceramic and one incorporates fabric. According to Colella, her three pieces – Offspring, Seeds, and Attempts at Conviviality Exhaust Me – “comingle rigid forms with fibers to create vessels containing the stories that embody domestic life.”
Elemental is curated by Flinn Gallery committee members, Barbra Fordyce and Nancy Heller. It will include over 40 works of art by the following Boston Sculptors Gallery artists:
Jodie Colella (clay, fiber, stone, and mixed media), Carrie Crane (mixed media),
Anna Kristina Goransson (felt and wool), Mo Kelman (silk, wood, and mixed media), Michelle Lougee (crocheted plastic and wire), Ellen Schön (stoneware and fired-clay), Julia Shepley (mixed media), Keri Straka (fabric and mixed media), Jessica Strauss (mixed media), Margaret Swan (aluminum), Nora Valdez (limestone), Leslie Wilcox (steel screen and mixed media), and Andy Zimmerman (wood).
The Flinn Gallery is a non-profit organization sponsored by Friends of the Greenwich Library. The Gallery welcomes visitors daily Monday to Saturday, 10-5pm, Thursday until 8pm, and Sunday 1-5pm, and is located on the second floor of the Greenwich Library, 101 West Putnam Avenue, Greenwich, CT.
The Boston Sculptors Gallery (BSG) was founded in 1992 by 18 artists as a venue for contemporary sculpture. It is located in Boston’s SoWa arts district and has 38 member artists from Boston and New England. There is a natural kinship between the Flinn and Boston Sculptors Galleries. Both are nonprofit entities that are volunteer-run and operated with support from a part-time staff member.
Events:
Opening Reception: Thursday, May 8 from 6-8pm
Artist Talk: Saturday, June 7 from 2-3pm.
Elemental: Work by Boston Sculptors Gallery Artists
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
If you are struggling with stress, an over-active mind and want to find a new perspective on how mindfulness and meditation can help in navigating the challenges of your everyday life, then join Prabha Makayee as she guides you through the steps of meditation. See what you can accomplish by taking responsibility over what kinds of thoughts you think. With just one second, one breath and one thought of changing your perspective you can realign your well-being to a more peaceful, happy mindset.
Check out other library programs!
Mindfulness Meditation For Adults
Whether you're a seasoned grandmaster or a beginner eager to learn, this event offers an opportunity to test your strategic prowess. Engage in friendly matches, improve your chess skills, and enjoy intellectual challenges in a welcoming and inclusive environment!
Check out other library events!
Chess - All Ages
Does your computer desktop look like a junk drawer?
Do you worry about losing important documents to the inexplicable "cloud," or waste time searching for files – if you can even find them at all?
You’re not alone – and for those who do not understand their own computer beyond web browsing and email, this easy, non-technical live demonstration will show how to save time and avoid loss of your materials.
Join tech coach Michael Jay as he demystifies file management and shares practical techniques to transform your digital chaos into an organized and businesslike system for Mac and PC Users.
Michael will guide you through:
- How to Save Your Files
- Building a Clear, Efficient Filing System
- Smart File-Naming, Especially for Multiple Revisions
- Files vs. folders
- The Right Way to Save Email Attachments
- Save vs. Save As vs. Duplicate
Presenter: Michael Jay
Instructor Michael Jay is a technology consultant and educator who has worked with tech products professionally for over 30 years. He worked previously as an Emmy Award-winning editor and project manager in Hollywood and New York, and has more recently taught tech courses at NYU, Rutgers University, and Stevens Institute, as well as over a dozen Connecticut institutions. Michael is the owner of Personal Tech Support and is a certified Apple Teacher.
Event Sponsored by Greenwich Library
Basic File Management for Business Success
Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound
Week 1 Half Day: Jun 16 - 20th , 2025
With Camp MoCA Instructors
Ages: 4 - 10 | $ 415
- Half Day | 9:00-12:30
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 9th and runs through the week of August 25th. Please note: there is a separate registration pro-rated link for Week 3/July 4th week.
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
Sending your child to Camp MoCA CT is an investment in their future, providing them with a unique opportunity to explore their creativity, embrace their individuality, and develop a growth mindset. With a focus on agricultural lessons and featured artists, hands-on projects, and celebrating each camper's unique perspective, Camp MoCA CT offers a transformative experience that empowers campers to see themselves as members of a larger community.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
HALF DAY 2025 Camp MoCA | 9AM-12:30PM | Week 1: June 16-20, 2025
Week 1 Full Day: Jun 16 - 20th, 2025
With Camp MoCA Instructors
- Full Day | 9:00-3:00| $650
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 16th and runs through the week of August 22th. Please note - there is a separate registration pro-rated link for Week 3/July 4th week
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Camp MoCA CT is thrilled to provide a unique and engaging summer camp experience for young artists. By exploring diverse art styles and renowned artists, our campers will delve into themes of self-expression, family, community, sustainability, and cultural diversity. We aim to foster a love of art and creativity while helping our young artists develop character-building traits.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
FULL DAY 2025 Camp MoCA | 9AM-3PM | Week 1: June 16-20, 2025
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
The Greenwich Art Society is offering:
INTERMEDIATE and ADVANCED ACRYLIC LANDSCAPE PAINTING
11 THURSDAYS
April 10 – June 19
10:00 am to 12:00 pm
Program Description
Students will take their own photos as a point of inspiration to create their own interpretation rather than a copy. From their photos, students will produce a value sketch to learn how to SEE the values. The value sketch will be the guide for the painting. They will also learn how to set up a palette for landscape painting. Students will learn to see and express color, values and the illusion of depth. Classes will include lectures, demonstrations, as well as individual instruction. If you are new to the class, please bring a drawing or painting as a sample of your skill level to the first class.
Max. 8 students.
Joseph Fama studied at the School of Visual Arts and the Reilly League of Artists. Cesare Borgia was his teacher. Fama earned a bachelor’s degree from Iona College. He’s a member of the American Artist Professional League, Oil Painters of America and American Impressionist Society, Inc. His work has been exhibited throughout the U.S. and has won numerous awards.
Fama has served as an Art Director for several advertising agencies in New York City and worked with clients and copywriters in developing concepts and visual images for ads and T.V. commercials.
The Greenwich Art Society is offering INTERMEDIATE and ADVANCED ACRYLIC LANDSCAPE PAINTING
Please join us at Silvermine Galleries on Saturday May 17th from 5 - 7pm for the opening reception of the Fiber 2025 Exhibition.
This international exhibition seeks to showcase the best of contemporary fiber art that reflect the breadth of functional or non-functional works that use fiber and/or fiber art techniques in traditional or innovative ways. Artwork in this exhibition may be made from natural or high tech materials that reference fiber and that blur the lines between art, architecture and craft.
The exhibition will run from May 10th through June 19th, 2025.
It will be accompanied by two small exhibitions curated by browngrotta arts: Masters of the Medium: CT and Mastery and Materiality: International.
Fiber 2025 Exhibition at Silvermine Galleries
Come play music, recite poetry, tell a story, or show off another talent!
Keep in mind this is an all ages event in a public venue. We trust you to make good choices about appropriate material.
This is an LGBTQIA+ inclusive and welcoming event series. No cover fee but minimum one drink purchased required (show Molten some love, y’all!)
Performance slots are assigned on a first come, first served basis IN PERSON. No times will be held or assigned before the event starts. Get there early to grab your spot!
Open Mic Night – Hosted by Bethel CT Pride & Molten Java
Trumpeter/composer FRANK LONDON is a member of the Klezmatics, Hasidic New Wave, has performed with John Zorn, LL Cool J, Mel Torme, Lester Bowieπs Brass Fantasy, LaMonte Young, They Might Be Giants, David Byrne, Jane Siberry, Ben Folds 5, Mark Ribot, Maurice El Medioni and Gal Costa, and is featured on over 100 cds. His own recordings include INVOCATIONS (cantorial music); Frank Londonπs Klezmer Brass Allstarsπ DI SHIKERE KAPELYE and BROTHERHOOD OF BRASS; NIGUNIM and THE ZMIROS PROJECT (Jewish mystical songs, with Klezmatics vocalist Lorin Sklamberg); THE DEBT (film and theater music); THE SHEKHINA BIG BAND; the soundtrack to THE SHVITZ; the soundtrack to Perl Gluck's THE DIVAHN and four releases with the Hasidic New Wave.
featuring
Greg Wall, Roberta Piket, Hilliard Green, and Greg Burrows
Trumpeter Frank London at Jazz at the Post!
Adapted for the stage by Dave Johns and Owen O'Neill. Based on the beloved movie and the novella by Stephen King.
PLOT: When Andy Dufresne is convicted of murder and sentenced to life in Shawshank prison, he must use his wits and newly forged friendships to keep himself and his hope alive. But will he be able to survive the corruption and danger he faces within this notorious prison’s walls? Based on the novella by Stephen King and popularized by the highly acclaimed movie, The Shawshank Redemption is a story of resilience and is sure to be a theatrical experience like no other.
THE SHAWSHANK REDEMPTION - Live! On-stage!
Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound
Week 1 Half Day: Jun 16 - 20th , 2025
With Camp MoCA Instructors
Ages: 4 - 10 | $ 415
- Half Day | 9:00-12:30
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 9th and runs through the week of August 25th. Please note: there is a separate registration pro-rated link for Week 3/July 4th week.
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
Sending your child to Camp MoCA CT is an investment in their future, providing them with a unique opportunity to explore their creativity, embrace their individuality, and develop a growth mindset. With a focus on agricultural lessons and featured artists, hands-on projects, and celebrating each camper's unique perspective, Camp MoCA CT offers a transformative experience that empowers campers to see themselves as members of a larger community.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
HALF DAY 2025 Camp MoCA | 9AM-12:30PM | Week 1: June 16-20, 2025
Week 1 Full Day: Jun 16 - 20th, 2025
With Camp MoCA Instructors
- Full Day | 9:00-3:00| $650
- Ages 4 - 10
- **Campers must be fully potty trained and bathroom independent**
Join us for a week or more at Camp MoCA this summer! Camp MoCA 2025 season begins the week of June 16th and runs through the week of August 22th. Please note - there is a separate registration pro-rated link for Week 3/July 4th week
During registration, you will be asked to purchase a Camp MoCA t-shirt for your camper. You only need to purchase 1 t-shirt for the season.
- All campers must purchase a 2025 Camp MoCA CT t-shirt.
- T-shirts will be distributed to your camper on their first day at camp.
Camp MoCA offers weekly art activities, hands-on agricultural lessons, and daily indoor and outdoor fun. Camp MoCA CT is led by certified art educators & CPR/First Aid-certified camp counselors. We are a fully-accredited youth camp held indoors in our spacious, air-conditioned classrooms and outdoors (weather permitting).
- Tuition is refundable (except for administration fees) up to 48 hours after registration
- 50% of tuition refundable until May 31st
- Tuition is non-refundable on or after June 1st
On a typical day, campers will move through art lessons, immersive exhibition time, a science lesson in our working garden, time to play outside, and time to relax with calm, structured activities. We have specific plans to diversify instruction to meet the developmental needs of our campers, and we have special activities on some days when they have water play, ice cream, and dance parties, along with an informal camper talent show. On Fridays we have special programming where students get to exhibit their work in our galleries to their parents!
We have a maximum of 24 campers – 2-3 instructors and 2-4 counselors on-site, along with a Camp Director. Campers bring with them nut-free snacks, lunch, and a water bottle.
Camp MoCA CT is the perfect opportunity for parents to give their children a summer experience they will never forget. Our camp is fully accredited, so parents can rest assured that their children are in good hands. We are committed to providing a safe and nurturing environment for all campers.
At Camp MoCA, we believe that art is not just about creating beautiful objects; it's about fostering creativity, self-expression, and growth. Our agricultural lessons, for example, teach campers about the interconnectedness of our environment and the importance of taking care of the world around us. By engaging in hands-on projects in our working garden, campers learn about the importance of sustainable living and the power of collaboration. They learn that their actions impact the world around them and that they can make a difference in their community.
At Camp MoCA, we celebrate each camper's unique perspective and encourage them to embrace individuality. Providing a supportive and inclusive environment empowers campers to express themselves freely and explore their creativity without fear of judgment. Campers develop a growth mindset through this process that allows them to see failure as an opportunity to learn and embrace new challenges with enthusiasm and determination.
We believe all children should have access to creative expression, community building, and hands-on learning experiences, regardless of their background or socioeconomic status. We are committed to providing opportunities for all children to attend Camp MoCA CT and participate in our unique and enriching programming. We strive to create a welcoming and inclusive environment that celebrates diversity and encourages a growth mindset, empowering children to see themselves as valuable community members. We believe that investing in a child's artistic education is an investment in their future, and we are dedicated to making this investment accessible to all.
Camp MoCA CT is thrilled to provide a unique and engaging summer camp experience for young artists. By exploring diverse art styles and renowned artists, our campers will delve into themes of self-expression, family, community, sustainability, and cultural diversity. We aim to foster a love of art and creativity while helping our young artists develop character-building traits.
Throughout the summer, our campers will participate in character-building activities that foster trustworthiness, responsibility, respect, fairness, citizenship, kindness, empathy, resilience, patience, perseverance, and open-mindedness. They will also engage in hands-on activities that promote sustainability and eco-friendliness, such as creating recycled art and designing a better future for their communities.
FULL DAY 2025 Camp MoCA | 9AM-3PM | Week 1: June 16-20, 2025
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
Barbara Kasten: Structure, Light, Land
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
"Fiber Artists of Handweavers' Guild of Connecticut" will be showcased in Wilton Library's June art exhibition. The Handweavers' Guild of Connecticut, which celebrated its 75th anniversary in 2023, was started in 1948 by a small group of women and has grown to a membership of 270. The Guild invites handweavers, spinners, and other fiber artists from all levels of experience to exchange ideas and share knowledge, to encourage and educate, and to challenge their abilities in fiber art techniques. Anyone who is interested is invited to attend a Guild meeting and consider becoming a member. The Guild meets five times a year at the Congregational Church in South Glastonbury on the third Saturday of the month, bimonthly from September to May.
Guild members reside all across the state of Connecticut, as well as in New York, Rhode Island, and Massachusetts. The artists from the group will be exhibiting their works in an array of styles and fiber content.
Opening Reception on Friday, June 6 from 6 to 7:30 p.m. is free and open to the public. Exhibition runs through Saturday, July 5. A majority of the works will be available for purchase with a portion of the proceeds benefiting the library.
"Fiber Artists of Handweavers' Guild of Connecticut" Exhibition
The Downtown Cabaret in partnership with Family Entertainment Live presents the third installment of our signature Decades in Concert series, The 1980s! Following the huge success of Sounds of the Seventies and Spirit of the Sixties, this production transports audiences back to the 1980s to revisit the sights and sounds of the era where walls were torn down, we believed in miracles, and greed was good. Using music from some of the most prominent and influential artists of the 80’s such as Madonna, Michael Jackson, Cyndi Lauper, Whitney Houston, U2, The Police, Bon Jovi and many many more, Decades in Concert: The 1980s tells the story of the history and culture of America in the “Me First” decade. This amazing performance with a talented cast will immerse you in nostalgic multimedia and transport you back to the decade that changed America and defined a generation!
Decades in Concert: The 1980s
Adapted for the stage by Dave Johns and Owen O'Neill. Based on the beloved movie and the novella by Stephen King.
PLOT: When Andy Dufresne is convicted of murder and sentenced to life in Shawshank prison, he must use his wits and newly forged friendships to keep himself and his hope alive. But will he be able to survive the corruption and danger he faces within this notorious prison’s walls? Based on the novella by Stephen King and popularized by the highly acclaimed movie, The Shawshank Redemption is a story of resilience and is sure to be a theatrical experience like no other.
THE SHAWSHANK REDEMPTION - Live! On-stage!
Designed by notable artist, writer, and curator Richard Klein, SIGHT AND SOUND: Artists Consider Long Island Sound invites audiences to delve into the Sound’s significance through diverse artistic perspectives, shedding light on its ecological resilience, rich cultural history,and striking natural beauty.
Sight & Sound: Artists Consider Long Island Sound
The 2025 Glass House tour season begins on April 17, 2025. Tickets are available now! All tours include access to the newly restored Brick House. Following an extensive restoration project , we are excited to share this essential design element of the site and its history with you!
The Glass House 2025 Tour season opens April 17th - December 15th
The Glass House, a site of the National Trust for Historic Preservation, is pleased to present Barbara Kasten: Structure, Light, Land. For five decades, Chicago-based artist Barbara Kasten has created photographs and sculptural installations that reorient our sense of perception and explore the dynamic relationship between space, material, and form. Her artistic influences are deeply rooted in modernist architecture, the principles of Constructivism, and the interdisciplinary legacy of the Bauhaus, particularly the photograms of László Moholy-Nagy and Lucia Moholy.
“Placing my work in and around The Glass House campus is an opportunity for me to take on a canonical modernist site. Each of the structures on the grounds is like a monument to one of many aesthetic phases of architectural history. Abstraction allows us to consider possibilities that are not the norm,” said Barbara Kasten.
Structure, Light, Land features Kasten’s work from multiple series, including Architectural Sites, Collisions, and Progressions, as well as new iterations of digital projections, cyanotypes, and sculptures. With a striking interplay of light, color, and form, Kasten’s work infiltrates the grounds of The Glass House and responds to the site’s varied built environment and landscape.
In the Brick House (1949), Kasten’s brilliantly hued Architectural Site 1, June 10, 1986–featuring the Philip Johnson-designed Lipstick Building (1986) in Manhattan–resonates with the ’80s postmodern interior of the Reading Room, which includes two 1986 Feltri Chairs designed by Gaetano Pesce. Five new cyanotypes by Kasten line the building’s serene 1949 hallway, illuminated by the circular skylights above.
Kasten’s new installation of fluorescent acrylic I-beams, modeled after the structural components of the Glass House, will be interspersed throughout the Sculpture Gallery (1970). The seven-foot-long beams respond to the site’s permanent collection of works by Frank Stella, John Chamberlain, Robert Morris, George Segal, and Michael Heizer. The intervention brings attention to the structure’s exposed I-beam twenty feet overhead and responds to the gallery’s interior patterning of ever-changing natural light and winding staircases.
The Painting Gallery (1965) features three works: a photograph from the Collision series and two sculptural Progressions. Situated near Stella’s shaped canvases, Kasten’s fluorescent forms extend the narrative around post-painterly abstraction across mediums and into the present moment.
Da Monsta (1995), the last building Johnson designed at The Glass House, was named following a conversation between Johnson and the critic Herbert Muschamp. It was inspired in part by German Expressionism, an unrealized museum design by Frank Stella, and the work of Frank Gehry. Kasten’s Sideways Corner (2016/2025), a video projection of three-dimensional cubes in primary colors, activates the warped and torqued walls.
The exhibition is curated by Cole Akers, Curator at The Glass House.
Special thanks to Bortolami Gallery, New York.
